| Leonard Baskin, American (1922 - 2000)
A sculpture demonstration at Macy's proved a turning point for fourteen-year-old Leonard Baskin. The boy returned home with five pounds of plasticene clay and the notion that he would become a sculptor. Over the course of a career that spanned the better part of the twentieth century, Baskin would earn the distinction he sought as a teenager. Numbered among his works are sculpture commissions for the Franklin Delano Roosevelt Memorial in Washington, D.C., and the Holocaust Memorial in Ann Arbor, Michigan. However, concurrent accomplishments as a printmaker, typographer and printer complicate the task of assigning Baskin to any one neatly-defined niche.
Each of Baskin's works reveals an artist in possession of enormous visual and literary vocabularies. The pluralistic nature of his abilities is echoed in wide-ranging (and often recurring) subjects. Baskin's attraction to Old Testament themes perhaps comes as no surprise, considering that he was the son of an orthodox rabbi. However, Greek mythological personages, predatory birds, Native Americans and figures of death and the dead also number among Baskin's considerable cast of characters. Social consciousness and a high regard for humanity connect the numerous and apparently diverse artworks that comprise Baskin's oeuvre. The second of Rabbi Samuel and wife May Guss Baskin's three children, Leonard Baskin was born in New Brunswick, New Jersey, on August 15, 1922. The family relocated to Brooklyn, New York, when Leonard was seven years of age. From this time, he studied at yeshiva, until his father permitted him to transfer to a public high school at age sixteen. After becoming enamored of sculpture, Baskin took on extracurricular artistic studies at Manhattan's Educational Alliance under Maurice Glickman, who arranged the boy's first exhibition in 1939.
Baskin attended the Yale University School of Fine Arts on scholarship. While at Yale, he began printing and founded The Gehenna Press, which over the course of his lifetime issued over a hundred finely printed books of textual and artistic importance. Following three years of service in the United States Navy, Baskin traveled to France and Italy to study art under the GI Bill. In the 1950s, he began to receive recognition for his monumental woodcuts, the first of their size executed by any modern artist. Between 1953 and 1974, Baskin taught art at Smith College in Northampton, Massachusetts. It was here, in 1958, that he made the acquaintance of British poet Ted Hughes, with whom he forged a lifelong friendship and collaborated on some thirty books. In 1974, the artist moved with his family to Lurley, in Devon, England, which brought him into closer proximity to Hughes. The two had a special creative synergy: image inspired poem, and poem inspired image. In 1983, Baskin returned with his family to the United States, and he became a Visiting Professor of Printmaking at Hampshire College in Leeds, Massachusetts. Baskin died in Northampton in 2000.
Baskin was at odds with the dominant artistic trends of his time. He abhorred Abstract Expressionism, the devaluation of figural humanism and the practice of specialization. As a lecturer, writer, and public figure, Baskin verbalized his contrarian opinions, consciously separating himself from those who differed with his beliefs, yet never alienating himself from a sizable devoted public.
Chronology
| 1922 |
Born in New Brunswick, New Jersey, August 15 |
| 1929 |
Family moves to Brooklyn: Baskin begins studies at Yeshiva |
| 1937-1939 |
Studies at the Educational Alliance with Maurice Glickman |
| 1939 |
First exhibition of scultpure, Glickman Studio Gallery, New York |
| 1939-1941 |
New York University School of Architecture and Allied Arts |
| 1940 |
Prix de Rome: Honorable Mention for Sculpture |
|
Exhibits sculpture, NYU School of Architecture and Allied Arts |
| 1941-1943 |
Attends Yale University School of Fine Arts on scholarship (New Haven, Connecticut) |
| 1942 |
Founds the Gehenna Press while at Yale |
| 1943-1946 |
Serves in the United States Navy |
| 1946 |
Marries Esther Tane |
| 1947 |
Louis Comfort Tiffany Foundation Fellowship for Sculpture |
| 1949 |
Receives a BA from the New School for Social Research, New York |
| 1950 |
Academie de la Grande Chaumière, Paris |
| 1951 |
Accademia di Belle Arti, Florence, Italy |
| 1951 |
First exhibition of prints at Galleria Numero, Florence, Italy |
| 1952 |
Instructor of Printmaking, Worcester Art Museum, Massachusetts |
| 1952 |
Purchase Prize, Print Club of Philadelphia |
|
Library of Congress Prize |
|
First exhibition, Boris Mirski Gallery, Boston |
| 1953 |
Professor of Art, Smith College, Northampton, Massachusetts (1953-1974) |
| 1953 |
Purchase Prize, Brooklyn Museum Print Annual |
|
John Simon Guggenheim Fellowship |
|
Xylon, International Society of Wood Engravers, Zurich, Switzerland |
| 1954 |
O'Hara Museum Prize, Japanese National Museum of Tokyo, Japan |
|
First exhibition, Grace Borgenicht Gallery, New York, New York |
| 1957 |
Son, Tobias, born |
| 1961 |
Awarded a grant from the American Academy and Institute of Arts and Letters |
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Receives Alonzo C. Mather Prize from the Art Institute of Chicago |
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Best Foreign Engraver, Sao Paulo Bienal, Brazil |
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Exhibition, Boymans-van Beuningen Museum, Rotterdam, Netherlands |
| 1963 |
Elected, American Academy of Arts anad Letters |
| 1965 |
Awarded the Widener Medal by the Pennsylvania Academy of the Fine Arts |
| 1966 |
Honorary Doctor of Fine Arts, New School for Social Research, New York, New York |
|
Honarary Doctor of Humane Laws, Clark University, Worcester, Massachusetts |
| 1967 |
Divorces Ester Tane |
|
Marries Lisa Unger |
|
Honorary LHD, Rutgers University, New Brunswick, New Jersey |
| 1968 |
Son, Hosea, born |
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Honarary DFA, Universityof Massachusetts, Amherst, Massachusetts |
| 1969 |
XXXIV International Biennial Exhibition of Art, Venice, Italy (1968-1969) |
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Gold Medal for Graphic Arts, American Academy and Institute of Arts and Letters |
|
Exhibitin, Stockholm National Museum, Stockholm, Sweden |
| 1970 |
Comprehensive exhibition of drawings and prints, National Collection of Fine Arts, Washington, D.C. |
| 1971 |
Honorary LHD, Pratt Institute, Brooklyn |
| 1973 |
Skowhegan Gold Medal for Graphics, Skowkegan School, Maine |
|
Caldecott Honor, Hosie's Alphabet Book |
| 1974 |
Moves to Lurley in Devon, England |
|
Daughter, Lucretia, born |
| 1978 |
Selected to the Royal Academy, Belgium |
| 1979-1991 |
Sculpture Commission, Franklin Delano Roosevelt Memorial, Washington, D.C. Collaboration with George Segal and Robert Graham. Design by Lawrence Halprin. |
| 1981 |
Reactivation of The Gehenna Press at Lurley, Devon, England |
| 1983 |
Returns to the United States, Leeds, Massachusetts |
| 1984 |
Visiting Professor of Art, Hampshire College, Amherst, Massachusetts (to 1994) |
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Retrospective Exhibition, Albertina Museum, Vienna |
| 1985 |
Honorary DFA, Portland School of Art, Portland, Oregon |
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Elected, Royal Academy, Belgium |
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Elected, Accademia del Disegno, Florence, Italy |
| 1986 |
Associate, National Academy of Design |
| 1987 |
Honorary LHD, University of Judaism, Los Angeles, California |
| 1988 |
Sculpture Medal, National Accademy of Design, New York, New York |
| 1989 |
Gold Medal, National Academy of Design |
| 1992 |
The Gehenna Press: Fiftieth Anniversary Exhibition |
| 1994 |
Holocaust Memorial, Ann Arbor, Michigan |
| 1997 |
Installation of Franklin Delano Roosevelt Memorial, Washington, D.C. |
| 2000 |
Dies in Northampton, Massachusetts, on June 3, aged 77 years |
Artist's Gallery |