Dike Blair, American (1952 - )

Dike Blair, American (1952 - )

Dike Blair was born in New Castle, Pennsylvania in 1952. He studied at the University of Colorado, the Whitney Museum Independent Study Program and the Skowhegan School of Painting and Sculpture before receiving his MFA from the School of the Art Institute of Chicago in 1977. He is also a writer and a professor at RISD. A collection of his writings, "Again: Selected Interviews and Essays" was published by WhiteWalls in 2007. In 2009, he was the subject of a ten-year survey at the Weatherspoon Art Museum, University of North Carolina, Greensboro. Public collections include the Museum of Contemporary Art, Los Angeles and the Whitney Museum of American Art, New York.

Lives in New York City

1977 School of the Art Institute of Chicago, Chicago; MFA
1976 Whitney Museum Independent Study Program, New Yorke
1974 Skowhegan School of Painting and Sculpture, Skowhegan, ME
1971-75 University of Colorado

One-Person Exhibitions
2008 Mary Goldman, Los Angeles
2007 Blondeau Fine Art Services, Geneva, Switzerland
"Still Lifes from 1988 to 1997," D'Amelio Terras, New York
Feature Inc., New York
2005 Mary Goldman Gallery, Los Angeles, CA
The Suburban, Oak Park, IL
2004 "Paintings / Prints / Sculpture," SEAD Gallery, Antwerp, Belgium
Feature Inc., New York
"Prints," Volume, New York
2003 "Ideal Office #2," Outcasts Inc., Paris
Allston Skirt Gallery, Boston
2001 Feature Inc., New York
Works on Paper, Los Angeles (catalogue)
1998 Feature, Inc., New York
Charleston Heights Art Center, Las Vegas, NV
1995 Galerie Hubert Winter, Vienna
1994 Daniel Newburg Gallery, New York
1993 Donna Beam Gallery, UNLV, Las Vegas, NV
M D J Art Contemporain Galerie, Neuchtel, Switzerland
1991 Ealan Wingate Gallery, New York
Ealan Wingate Gallery (Projects Room), New York
1990 Galerie Hubert Winter, Vienna
Dart Gallery, Chicago
1989 Koury Wingate Gallery, New York
1988 121 Gallery, Antwerp, Belgium
Carl Solway Gallery, Cincinnati
1987 International With Monument, New York
Galerie Hubert Winter, Vienna
Cash/Newhouse, New York
1986 Baskerville + Watson, New York
Christminster Gallery, New York
1983 Serra Di Felice, New York
1981 Stefanotti Gallery, New York
1980 Nancy Lurie Gallery, Chicago

Selected Group Exhibitions
2008 Art on Paper 2008 Biennial, Weatherspoon Art Museum, Greensboro, NC
"Renaissance," Salvatore Ferragamo Gallery, New York, NY
Dike Blair and Noah Sheldon, D'Amelio Terras, New York
"It's Gouache & Gouache Only," Jeff Bailey Gallery, New York curated by Geoffrey Young
"Shit," Feature Inc., New York
"If I told you you were beautiful, would you date me on the regular," Olivier Kamm, New York;
curated by Nicholas Weist
2007 "Canal Street," Mitchell Algus Gallery, New York
"Greener Pastures, Prmanent Midnight," Moti Hasson Gallery, New York
"Neonoir," Howard House Contemporary Art, Seattle; curated by Cameron Martin
"It's Gouache & Gouache Only," Geoffrey Young Gallery, Great Barrington, MA
"Lose (oneself) in," Mary Godman Gallery, Los Angeles
2006 "Two Friends and So On," Andrew Kreps Gallery, New York; organzed by Jonathan Horowitz and
Rob Pruitt, curated by friends
"Mystic River," Southfirst: Art, Brooklyn, NY; curated by Noah Sheldon (catalogue)
2005 "Suspended Narratives," Lora Reynolds Gallery, Austin, TX; curated by Maureen Mahony
"Non compatibles: Une peinture sans qualités," Villa Tamaris Centre D'Art, La Seyne-sur-Mer,
France; curated by Catherine Perret
"Works by Selected Gallery Artists," Mary Goldman Gallery, Los Angeles
"The General's Jamboree: Guild & Greyshkul's 2nd Annual Watercolor Exhibtion," Guild & Greyshkul,
New York
"Bridge Freezes Before Road," Barbara Gladstone Gallery, New York; curated by Neville Wakefield
"Tableaux-Ecrans," Galerie Les filles du calvaire, Paris and Brussels, Belgium (catalogue)
"Celebrate 22 Years & A New Home," Tilton Gallery, New York
"Vanishing Point," Wexner Center for the Arts, Ohio State University, Columbus, OH (catalogue)
2004 "Emoticons," Guild & Greyshkul, New York; curated by Kevin Zucker
2004 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue)
Mary Goldman Gallery, Los Angeles
2003 "Unheimlich," Centre d'Art Contemporain la Synagogue de Delme, Delme, France
"Late to Work Everyday," Dupreau Gallery, Chicago; curated by Noah Sheldon
"Shangri-La," Islip Art Museum, East Islip, NY; curated by Michael St. John and Jason Duval (catalogue)
2002 "Ten Realists," Mitchell Algus Gallery, New York
"New Hotels for Global Nomads," Cooper-Hewitt National Design Museum, Smithsonian Institution,
New York (catalogue)
"GtT2," Yerba Buena Center for the Arts, San Francisco; curated by ANP (catalogue)
2001 "Purple Lounge and Stars," Programa, Mexico City
"Tele[visions]," Kunsthalle Wein, Vienna, Austria; curated by Joshua Decter (catalogue)
"Not a. Lear," Gracie Mansion Gallery, New York; Allston Skirt Gallery, Boston; Galerie S. & H. De
Buck, Ghent, Belgium; curated by ANP
"Objective Color," Yale University Art Gallery, New Haven, CT; curated by Jennifer Gross
2000 "Not a. Lear," Torch, Amsterdam; Art Process, Paris; curated by ANP
"Elysian Fields," Centre Georges Pompidou, Paris (catalogue)
"3ness," Museum Dhondt-Dhaenens, Deurle, Belgium; curated by ANP, Dike Blair and Edith Doove
"Let's Entertain," Walker Art Center, Minneapolis, MN; Portland Art Museum, Portland, OR
Museé National d'Art Moderne, Centre Georges Pompidou, Paris; Kunstmuseum Wolfsburg, Wolfsburg,
Germany; Miami Art Museum, Miami; curated by Philippe Vergne (catalogue)
"Compression," Feigen Contemporary, New York; curated by Tim Griffin
"Hairy Forearm's Self-Referral," Feature Inc., New York
Works on Paper, Los Angeles
"Open the pod bay doors Hal." Feature Inc., New York
"Exurbia," Gallery Luisotti, Santa Monica, CA; curated by Shirley Irons
"City Projects," Gracie Mansion Gallery, New York; curated by ANP
1999 "Still Life," Amelie Wallace Gallery at the State University of New York, Old Westbury, NY; curated
by Helen Molesworth
Faculty Biennial Exhibition, Rhode Island School of Design, Providence, RI
"Up Your Head," Feature Inc., New York
"XN 99," Chalon sur Saône; France; curated by Stephanie Moisdon Trembley
"Cruise Control," Cristinerose Gallery, New York
Feature Inc., New York
"Cookie Snow Feature," Cokkie Snoei Gallery, Rotterdam, the Netherlands; curated by ANP
"curious.parking@stupendous.strawberry," S. & H. De Buck Gallery, Ghent, Belgium; curated by ANP
1998 "La Voie Lactée (The Milky Way)," Alleged Gallery, New York (catalogue)
"When Something is Happening away from You," Palmer House Cafe, Rensselaerville, NY; collected
by Richard Prince
"Super Freaks, Odyssey," Greene/Naftali Gallery, New York
"Bonne Année!," Air de Paris, Paris
"Where: Allegories of Site in Contemporary Art," Whitney Museum at Champion, Stamford, CT
1997 "Hello," Feature Inc., New York
Faculty Biennial Exhibition, Rhode Island School of Design, Providence, RI
Two-person exhibition (with David Robbins) Feature Inc., New York
1996 "Beige," Saga Basement, Copenhagen, Denmark (catalogue)
"Voyeur's Delight," Franklin Furnace, New York; organized by Barbara Rusin and Grace Roselli
"Telephone-mind the gap," collaboration with Laura Stein, Basilico Fine Arts, New York
1995 "Smells Like Vinyl," Roger Merians Gallery, New York; organized by Sarah Seager and Thaddeus
"Partly Sunny, Tomorrow," Geoffrey Young Gallery, Great Barrington, MA
"Purple 8 1/2," Galerie Jousse-Seguin, Paris
"The Joy of Painting" (project by Alix Lambert and Ami Arnault), HERE Art Center, New York
1994 "The Winter of Love," P.S.1 Contemporary Art Center, Long Island City, NY
Off Shore Gallery, East Hampton, NY
"L'Hiver de l'amour," Museé National d'Art Moderne, Paris (catalogue)
Daniel Newburg Gallery, New York
Galerie Rizzo, Paris
1993 "The Return of the Cadavre Exquis," Drawing Center, New York; Corcoran Gallery of Art,
Washington, DC; Forum for Contemporary Art, St. Louis, MO; Fundación para el Arte
Contemporáneo, Mexico City; Santa Monica Art Museum, Santa Monica, CA; curated by Ann
Philbin and Ingrid Schaffner (catalogue)
"Futura Book Collection," Air de Paris, Nice, France
"June," Galerie Thaddaeus Ropac, Paris
1992 "Les mystères de l'auberge espagnole," Villa Arson, Nice, France
"Les Survivants," La Galerie de Paris, Paris; curated by Elein Fleiss and Jean-Luc Vilmouth
"Zeitgenössische Photographie," Slovensk" National Gallery, Bratislavia, Solvakia
"One + One," La Galerie du Mois, Paris
"Tattoos," Andrea Rosen Gallery, New York
"Technorama," Barbara Toll Gallery, New York; curated by Kathleen Cullen and Russel Lederman
"Ikebana," Jack Tilton Gallery, New York
"20th Anniversary Show," C.U. Art Galleries, Boulder, CO
1990 "Small Works," Koury Wingate Gallery, New York
"High Season II " A Multiple/Print Show," Galerie Hubert Winter, Vienna
""Dike Blair, Maureen Conner, John Franklin, Linda Roush," Roy Boyd Gallery, Santa Monica, CA
1989 "White Christmas," Galerie Hubert Winter, Vienna
"Bellevue," Museum of Modern Art, Vienna; curated by Herwig Kempinger (catalogue)
"Image World," Whitney Museum of American Art, New York (catalogue)
"Moscow-Vienna-New York," Festival of Vienna, Vienna (catalogue)
"Erotophobia," Simon Watson Gallery, New York
"The Unconventional Landscape," John Michael Kohler Arts Center, Sheboygan, WI
"Recent Acquistions: Prints," Brooklyn Museum, Brooklyn, NY
"The Images of American Pop Culture Today III," La Foret Art Museum, Tokyo (catalogue)
1988 "Dike Blair, Stephen Ellis, General Idea," Koury Wingate Gallery, New York
"Summer '88," Koury Wingate Gallery, New York
"Der Hund in mir ? The Dog Within," Galerie Hubert Winter, Vienna
"USA ? Back and Now," Galerie Lendle, Graz, Austria
Galerie Kahle, Hamburg, Germany
1987 "The New Romantic Landscape," Whitney Museum of American Art at Fairfield County,
Stamford, CT (catalogue)
"Dreams of the Alchemist," Carl Solway Gallery, Cincinnati, OH; organized by Theodore Sharps
"Playback," Galerie Hubert Winter, Vienna; curated by Jeffrey Rian
"Art Against AIDS," Baskerville + Watson, New York
Baskerville + Watson, New York
1986 "Landscape in the Age of Anxiety," Lehman College Art Gallery, City University of New York,
New York; curated by Nina Castelli Sundell (catalogue)
Heland and Thorden Wetterling Galleries, Stockholm
"Painting and Sculpture Today," Indianapolis Museum of Art, Indianapolis, IN (catalogue)
Cash/Newhouse, New York
1985 "Autogeneticphotopsia," Christminster Gallery, New York; curated by Bill Komoski
1984 Baskerville + Watson, New York
"Activated Walls," Queens Museum, Queens, New York (catalogue)
"Artists Call," Metro Pictures, New York
Serra Di Felice, New York
Two-person exhibition, Jack Tilton Gallery, New York
1983 "Terminal Show," Brooklyn Terminal, Brooklyn, NY
Jack Tilton Gallery, New York
Sherry French Gallery, New York
1982 "Energie New York," Centre d'Exchanges, Lyon, France (catalogue)
"The Red Show," Stefanotti Gallery, New York
1981 "1-80 Series," Joslyn Art Museum, Omaha, NE (catalogue)
Braathen-Gallozi Contemporary Art, Inc., New York
"Art from New York," Mitzi Landau Gallery, Los Angeles
Commodities Corporation Traveling Exhibition
1980 Texas Gallery, Houston
1979 Nancy Lurie Gallery, Chicago
Barbara Toll Gallery, New York
"24 x 24," Max Hutchinson Gallery, New York
1977 Artists Space, New York
1974 "Metropolitan Show," Denver Art Museum, Denver, CO

Selected Bibliography
2008 Carlin, T. J., "Dike Blair/Noah Sheldon," Time Out New York, April 2 - 8, 2008, p.68
Graves, Jen. "Blart." The Stranger, August 29
Knight, Christopher. "Around the Galleries: Light Meets Shadow." Los Angeles Times, May 16
Falconer, Morgan, "Dike Blair/Noah Sheldon," ArtReview, June 2008, p.151
Lupo, Nancy, "Dike Blair." ArtSlant, June
"Dike Blair and Noah Sheldon," n+1 Magazine, 2008
"Goings On About Town: Dike Blair/Noah Sheldon," The New Yorker, April 28, 2008, p.12
2007 Gasparina, Jill. "I Love Fashion: L'Art Contemporain et la Mode," Editions Cercle d'Art, Paris, 2007;
pp. 92, 93 (reproduction)
Grandjean, Emmanuel. "Deux maîtres, deux univers," Tribune de Genève, 27 March, 34
Richard, Frances. Review, Artforum, March, 315
Salz, Jerry. "Pulp Friction," Village Voice, 17-23 January
Wolin, Joseph R. Review, Time Out New York, 25-31 January, 60
2006 Non compatibles: Une peinture sans qualités, exhibition catalogue with text by Catherine Perret,
Les presses du reel, Paris
Mystic River, exhibition catalogue, Books and Tapes, Brooklyn, New York
Cotter, Holland. “Mystic River,” New York Times, Listings, 19 May, Weekend section
2005 Peinture: cinq regards, exhibition catalogue for “Tableaux-Ecrans,” with texts by Catherine Perret
and others, Editions du Regard, Paris
Vanishing Point, exhibition catalogue, Wexner Center for the Arts, Columbus, OH
Balaschak, Chris. Review, Frieze, November/December, 141 (reproduction)
Elms, Anthony. “Dike Blair,” Time Out Chicago, 3-10 March
Johnson, Ken. “Everywhere’s the Same: Nowhere in Particular,” New York Times, 3 June, E34
Lee, Pamela M. Preview of “Vanishing Point,” Artforum, May (reproduction)
Prince, Richard. “Window On Their World: Dike Blair Interviewed by Richard Prince,”
ArtReview 3, no. 3, 78-81 (reproductions)
Tips and Picks, Art Fairs International 10, nos. 7/8, 70 (reproduction)
2004 2004 Biennial Exhibition, exhibition catalogue, Whitney Museum of American Art, New York
Higgie, Jennifer (and others). “American Pie” (2004 Whitney Biennial), Frieze, May, 64-69
Johnson, Ken. “Is Sculpture Too Free For It’s Own Good?,” New York Times, 7 May, E36
Knight, Christopher. “Binary Days at the Biennial,” Los Angeles Times, 11 April, E42-43
White, Roger. Review, Brooklyn Rail, May, 14 (reproduction)
“Bourgeois,” Black Book, Spring, 93 (artist’s project-reproduction)
2003 Shangri-La, exhibition catalogue, Islip Art Museum, East Islip, NY
Fishman, Mark and Jeff Rian. “Fresh Windows,” Purple 15 (Spring/Summer), 288-291
Storr, Robert (and others). “Thick and Thin: A Roundtable,” Artforum, April, 174 (reproduction)
“Siffler en travaillant (ideal office),” Madame Figaro, May 2003, 34
2002 Guide to Trust No. 2, exhibition catalogue, Yerba Buena Center for the Arts, San Francisco
New Hotels for Global Nomads, exhibition catalogue, Cooper-Hewitt National Design Museum,
Smithsonian Institution, New York
Dailey, Meghan. Review, Artforum, January, 141
Griffin, Tim. “Breathe,” Fence 5, no. 1, cover, 90, 92 (reproductions)
Princenthal, Nancy. Review, Art in America, May, 148-149
2001 Tele[visions], exhibition catalogue with texts by Joshua Decter and others, Kunsthalle Wein, Vienna
Campbell, Clayton. Review of “Exurbia,” Flash Art, January/February, 66
Cotter, Holland. “Not a. Lear,” New York Times, 12 October, E37
Glueck, Grace. Review, New York Times, 5 January, E41
Griffin, Tim. “Obscure Object of Desire,” Time Out New York, 8-15 November, 74 (reproduction)
Knight, Christopher. “Portraits of Transience,” Los Angeles Times, 18 May, F16
Smith, Roberta. Review, New York Times, 2 November, E 40
Williams, Gregory. Artforum.com, Critics’ Picks, November, read the article
2000 Elysian Fields, exhibition catalogue, Purple Books/Centre Pompidou, Paris
Let’s Entertain: Life’s Guilty Pleasures, exhibition catalogue, Walker Art Center, Minneapolis, MN
3ness, exhibition catalogue with texts by Edith Doove, Jimi Dams, and Dike Blair, Museum
Dhondt-Dhaenens, Deurle, Belgium, 12-16
Brockington, Horace. “Let’s Entertain: Life’s Guilty Pleasures,” NY Arts, May, 75
Grabner, Michelle. Review of “Let’s Entertain,” Frieze, September/October, 125-126
Griffin, Tim. “The Intangible Economy: Ricci Albenda, Stephen Hendee, Dike Blair,” Artext 70,
August-October, 66-71 (reproduction)
Ivy, Angus. Review of “Not a. Lear,” Zingmagazine, Winter, 210-211
Ivy, Angus. “4/4 Interviews,” Zingmagazine 12 (Spring/Summer), 171-172
Joo, Eugenie. Review of “Let’s Entertain,” Art Press, May, 10-13
Knight, Christopher. Review of “Exurbia,” Los Angeles Times, 15 December
Leguillon, Pierre. “Purple Horizon” (review of “Elysian Fields”), Beaux Arts, no. 194 (July), 40
Ritter, Peter. “Let’s Entertain: Sex, Celebrity, and Television,” Flash Art, October, 98-99
Ritter, Peter. “Too Much Joy,” Minneapolis City Pages, 22 March
1999 Braet, Jan. “Koel Amerikaans,” Knack, 17 March, 77
Harrison, Helen, “Stepping Beyond the Traditional in Still Lifes,” New York Times, 10 October,
Long Island section
Jones, Jonathan R. Review of “Up Your Head,” Contemporary Visual Arts, no. 25, 66
Popelier, Bert. “Jonge Amerikanen,” De Financieel Economische Tijd, 3 February, 12
“Art and Cars,” ArtByte, April/May, 37 (reproduction)
1998 La Voie Lactée (The Milky Way), exhibition catalogue, Alleged Gallery, New York
The Art of the X-Files, introduction by William Gibson, Harper Prism, New York, 25
Crosby, Gregory. “Chances Are,” Scope 7, no. 4, 16-29 May, 18
Pedersen, Victoria. “Rare Birds,” Gallery Go ’Round, Paper, November, 126
1997 Doran, Anne. Review, Time Out New York, 12 August, 47
Rian, Jeff. Ouverture, Flash Art, November/December, 104
Schjeldahl, Peter. “Oblivion Soave,” Village Voice, 12 August, 79
1996 Compartments, exhibition catalogue for “Beige,” Edition Globe, Denmark
Pedersen, Victoria, Gallery Go ’Round, Paper, Summer, 136
1995 “Vanitas” (video documentation from exhibition at Galerie Hubert Winter, Vienna), ZAPP, no. 6,
“Survey on Habits,” Documents, Spring/Summer, 73-76 (reproductions of 4 paintings)
1994 L’L'Hiver de l'amour bis, exhibition catalogue, Musée d'Art Moderne de la Ville de Paris, 6, 15
Cohen, Scott, “Can’t Golf Swing Too?” (interview), New York Times, 21 August, 53
Holmes, Brian. Review of "L'hiver de l'amour," World Art, no. 2
Königer, Maribel, Review of "L'hiver de l'amour," Artforum, October
Verzotti, Giorgio. Review of "L'hiver de l'amour," Artforum, October
1993 The Return of the Cadavre Exquis, exhibition catalogue, Drawing Center, New York
1992 Cotter, Holland. Review of “Ikebana,” New York Times, 21 February
Mahoney, Robert. Review, Arts, New York in Review, January, 84
1991 Hagen, Charles. Review, New York Times, 25 October, C5
Goings On About Town/Photography, New Yorker, October 28
1990 Weinstein, Michael. “Art Break,” New City, 25 April
Artner, Alan. “Art,” Chicago Tribune, 20 April, 57
1989 American Pop Culture Today III, exhibition catalogue, La Foret Art Museum, Tokyo
Bellevue, exhibition catalogue, Museum of Modern Art, Vienna
Camera Austria, nos. 31/32, 124 (reproduction of artwork)
Image World: Art and Media Culture, exhibition catalogue, Whitney Museum of American Art,
New York
Moscow-Vienna-New York, exhibition catalogue, Festival of Vienna, Vienna
Decter, Joshua. Review, Arts, March, 96
Haus, Mary Ellen. “Dike Blair,” Tema Celeste, July-September, 77
Pedersen, Victoria. Gallery Go ’Round, Paper, March
Smith, Roberta. “Downtown Galleries: Old, New, Traditional, and Alternate Spaces,”
New York Times, 5 May, C30
1988 Haus, Mary Ellen. “The Unnatural Landscape,” ARTnews, January, 128-132
Salvioni, Daniela. Review, Flash Art, March/April, 111
Stein, Jerry. “Galleries Starting ’88 on an Intellectual Note,” Cincinnati Post, 8 January, 6B
1987 The New Romantic Landscape, exhibition catalogue with texts by Chantal Combes and Peter
Doroshenko, Whitney Museum of American Art, Fairfield County, CT
Heller, Sally. Review, 108: An East Village Review, January, 2
Indiana, Gary. “Guys and Dogs,” Village Voice, 22 December
Indiana, Gary. “New York Diary,” Wolkenkratzer, March/April, 44
Miller, John. Review, Artscribe, May, 78
Rian, Jeffrey. Review, Art in America, April, 220
1986 Activated Walls, exhibition catalogue with text by Ilene Shepard, Queens Museum, New York
Landscape in the Age of Anxiety, exhibition catalogue with text by Nina Castelli Sundell, Lehman
College Arts Gallery, Cleveland Center for Contemporay Art, Cleveland, OH
Painting and Sculpture Today, exhibition catalogue, Indianapolis Museum of Art, Indianapoolis, IN
Castle, Frederick. Review, Art Monthly, April, 5-6
Indiana, Gary. “The No Name Review,” Village Voice, 28 January, 81-82
Sturtevant, Alfred. Review, Arts, April
Bomb, Spring (reproduction of artwork)
Preview, NY Talk 2, no. 22, contents page
1983 Bass, Ruth. Review, ARTnews, October, 183
1982 Cohen, Ronny H. “Dike Blair,” Artforum, January, 78-80
Pierre, Florence. “Dike Blair,” in Energie New York, exhibition catalogue, Centre d'Exhanges, Lyon,
France, 12-13
1980 I-80 Series, exhibition catalogue with text by Holliday Day, Joslyn Art Museum, Omaha, NE
Moser, Charlotte, “The Nation,” ARTnews, November, 181-182

Selected Projects
2004 Marnie, Adam. Strange Place (The Noun Trilogy, Volume One: Place), Never Die Books, New York,
9-12 (portfolio)
“Waterworks,” Catalyst Arts Program, Pawtucket, MA; exhibition created with RISD graduate
2003 “Ideal Office,” Outcasts, Inc., Paris; office design for PR company
2002 “Electric Pool”; exhibition created in workshop at Ecole des Beaux Arts, Nimes, France
2001 “Virtual Encounters,” online forum, Museum of Contemporary Art Chicago, Chicago; participant
2000 “Elysian Fields,” Centre Georges Pompidou, Paris; exhibition design with Dominique Gonzales
“Virtual Encounters,” online forum, Museum of Contemporary Art, Chicago; participant
“EAT: Entertainment, Art, Technology (Engagement: Am I Having Fun Yet?),” online forum,
Walker Art Center, February 27-March 11; participant
“Here Comes Rhody,” Allston Skirt Gallery, Boston; curator
1997 “Gregnik Proto II,” Public Art Fund Project by Gregory Green; audio piece for model satellite
1996 “Telephone - mind the gap,” Basilico Fine Arts, New York; collaboration with Laura Stein 1994
“The Winter of Love,” P.S.1 Contemporary Art Center, Long Island City, NY; curator
1993 “49¢ Breakfast,” Temporary Contemporary, Las Vegas, NV; curator
“June,” Galerie Thaddaeus Ropac, Paris; co-curator
1988 “Messages to the Public,” Spectacolor Light Board, Times Square, New York; presented by
the Public Art Fund
“Cascade,” Channel 4, London; collaborative video tape with MICA-TV, Dan Graham, and
Christian Marclay

Related Activities
1997-present Adjunct Professor, Painting Department, Rhode Island School of Design, Providence, RI
1995-present Contributing Editor, THE THING (www.thing.net), New York
1995-2005 Contributing and Associate Editor, Purple, Paris
1993-1996 Contributing Editor, Zapp Magazine, Amsterdam

Contributor to Artforum, ARTnews, Art Presse, Bomb, Flash Art, Harpers, Paper, Parkett, Time Out New York

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