April Gornik, American (1952 - )

April Gornik

April Gornik lives and works in New York City, where she has been a resident since 1978, and in North Haven, Long Island, NY. Born in Cleveland, Ohio, in 1953, she received a BFA from the Nova Scotia College of Art and Design, Nova Scotia, Canada, in 1976. She has work in the Metropolitan Museum of Art, NY, the Whitney Museum of American Art, NY, the Museum of Modern Art, NY, the National Museum of American Art in Washington, DC, the National Museum of Women in the Arts in Washington, DC, the Cincinnati Museum, the High Museum of Art, Atlanta, the Modern Art Museum of Art of Fort Worth, the Orlando Museum of Art, and other major public and private collections. She has shown extensively, in one-person and group shows, in the United States and abroad.

Some noteworthy one-person exhibitions have been at the Pennsylvania Academy of the Fine Arts in conjunction with the University of the Arts, Philadelphia, PA, 1998; Guild Hall Museum, East Hampton, NY, 1994; the Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA, 1993; and the Parrish Art Museum, Southampton, NY, 1988. She had work represented in the 1989 Whitney Biennial in NY, the 10+10 Show of American and Soviet Painters originating at the Fort Worth Museum in 1989, the Art Museum of the Rhode Island School of Art and Design in 1988, and "Paradise Lost; Paradise Regained" at the American Pavillion of the Venice Biennale in 1984. April Gornik is represented by the Danese Gallery in New York City, and has had one-person shows in New York regularly since 1981. She received a Lifetime Achievement Award from Guild Hall Museum in 2003, and was the Neuberger Museum’s Annual Honoree in 2004. A mid-career retrospective began at the Neuberger Museum of Art in Purchase, NY in early fall, 2004. It has traveled to the Art Gallery of Nova Scotia, the Sheldon Memorial Art Gallery in Nebraska, and its final venue was the Allen Memorial Art Museum in Oberlin, Ohio, from March–June, 2006. A monograph, also serving as catalogue for the show, was published by Hudson Hills Press and the Neuberger Museum. It features over 140 color plates, an essay by Donald Kuspit, and an interview with Dede Young, Contemporary Curator at the Neuberger Museum. It has sold out but may be available used.

April Gornik's most recent one-person show in New York was at the Danese Gallery in Chelsea, which ran from November 17, 2005–January 7, 2006.

l
APRIL GORNIK

l
Born: April 20, 1953, Cleveland, Ohio
Lives: New York, NY


EDUCATION
l
1976 Nova Scotia College of Art and Design, Canada, B.F.A.


ONE PERSON EXHIBITIONS

2006 Allen Memorial Art Museum, Oberlin, OH
2005 Art Gallery of Nova Scotia, Halifax, NS, Canada
lSheldon Memorial Art Gallery, Lincoln, NE
lDanese Gallery, New York, NY
2004 Neuberger Museum of Art, Purchase, NY
2003 Danese Gallery, New York, NY
2002 Huntington Museum of Art, Huntington, WV
2001 Danese Gallery, New York, NY
2000 Edward Thorp Gallery, New York, NY
1999 Glenn Horowitz Booksellers, East Hampton, NY
lHarley Baldwin Gallery, Aspen, CO
1998 The University of the Arts, Philadelphia, PA
lMuseum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, PA
1997 Turner & Runyon Gallery, Dallas, TX
1996 Edward Thorp Gallery, New York, NY
1995 Kohn-Turner Gallery, Los Angeles, California
1994 Edward Thorp Gallery, New York, NY
lGuild Hall Museum, East Hampton, NY
lOffshore Gallery, East Hampton, NY
1993 Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA
lMary Ryan Gallery, New York, NY
1992 Edward Thorp Gallery, New York, NY
1990 Edward Thorp Gallery, New York, NY
1988 University Art Museum, California State University, Long Beach, CA
lThe Sable-Castelli Gallery, Toronto, Canada.
1987 Edward Thorp Gallery, New York, NY
1986 Edward Thorp Gallery, New York, NY
1985 The Sable-Castelli Gallery, Toronto, Canada
lGalerie Springer, Berlin, West Germany
1984 Edward Thorp Gallery, New York, NY
1984 Texas Gallery, Houston, TX
1983 The New Gallery of Contemporary Art, Cleveland, OH
1983 Edward Thorp Gallery, New York, NY
1982 Edward Thorp Gallery, New York, NY
lUniversity of Colorado Art Galleries, Boulder, CO
1981 Edward Thorp Gallery, New York, NY


SELECTED GROUP EXHIBITIONS

2007 Herbert F Johnson Museum of Art, Ithaca, NY. “Paper Trails: A Century of Women’s Prints, Drawings, and Photographs”
lPace Prints, NY, NY. "Monoprints"
lHeckscher Museum of Art, Huntington, NY. "Picturing Long Island"

2006 National Museum of Gdansk, Gdansk, Poland. "New Old Masters"
lSullivan Goss Gallery, Montecito, CA. "Tapestries"

2005 Marlborough Gallery, New York, NY. "Landscapes and Cityscapes"
lRoyal Academy, London, England. “The 237th Summer Exhibition, 2005”
lSpanierman Gallery, East Hampton, NY. “Artists and Nature on Eastern Long Island: 1940s to the Present””
lYoshiaki Inoue Gallery, Osaka, Japan. "Contemporary Woodblock Prints"l
lCleveland Museum of Contemporary Art, Cleveland, OH. "Drawn to Cleveland"

2004 Lehman College Art Gallery, Bronx, NY, "Images of Time and Place: Contemporary Views of Landscape"
lGuild Hall Museum, Southampton, NY. "A Celebration of the Arts Lifetime Achievement Honorees in the Visual Arts"
lParrish Art Museum, Southampton, NY. "North Fork/South Fork"
lGuild Hall Museum, Southampton, NY. "Art from the Paris Review"
lPalmer Museum of Art at Pennsylvania State University, University Park, PA. “Graphic Masters: Highlights from the Smithsonian American Art Museum”
lHunter Museum of American Art, Chattanooga, TN. “Graphic Masters: Highlights from the Smithsonian American Art Museum”
lFrances Lehman Loeb Art Center, Poughkeepsie, NY. “Graphic Masters: Highlights from the Smithsonian American Art Museum”
lPlains Art Museum, Fargo, ND. “Graphic Masters: Highlights from the Smithsonian American Art Museum”
lHaines Gallery, San Francisco, CA. “temporalscape”

2003 Heckscher Museum of Art, Huntington, NY, “Graphic Masters: Highlights from the Smithsonian American Art Museum”

2002 Elizabeth Harris Gallery, New York, NY, "Curious Terrain"
lDanese Gallery, New York, NY, "Northern Light"
lSears-Peyton Gallery, New York, NY, "Darkness and Brightness"

2001 Michael Kohn Gallery, Los Angeles, CA, "Inaugural Exhibition"
lBellagio Gallery, Los Vegas, NV, "The Private Collection of Steve Martin"
lParrish Art Museum, Southampton, NY, "Follies"
lKagan Martos Gallery, New York, NY, "peaks"
lSteven Scott Gallery, Baltimore, MD. "Stormy Weather"

2000 Barbara Gladstone Gallery, New York, NY, "Drawings 2000"
lWinston Wachter Mayer Fine Art, New York, NY, "Art of the 80s"
lWinston Wachter Fine Art, Seattle WA, "Group Landscape Exhibition"
lResidence of the American Ambassador of The Slovak Republic, Bratislava, The Slovak Republic, "Works on Paper 2000"
lHarn Museum of Art, Gainesville, FL, "The Perpetual Well: Contemporary Art from the Collection of the Jewish Museum"
lMobile Museum of Art, Mobile AL. "water: A Contemporary American View", travelling to:
lLeigh Yawkey Woodson Art Museum, Wausau, WI

1999 Gibbes Museum of Art, Charleston SC. "water: A Contemporary American View"
lCrown Point Press Gallery, San Francisco, CA. "Why Draw a Landscape?"
lKaren McCready Gallery, New York, NY. "Why Draw a Landscape?"
lSteven Scott Gallery, Baltimore, MD. "A Place in the Sun"
lAtlanta College of Art Gallery, Atlanta, GA. "As Far as the Eye Can See"

1998 Turner & Runyon Gallery, Dallas, TX. "Encyclopedia"
lParrish Art Museum, Southampton, NY. "Gifts for a New Century"
lHerter Art Gallery, Amherst, MA. "After Nature"
lCrown Point Press Gallery, San Francisco, CA. "New Releases: April Gornik, Tom Marioni, Pat Steir"
lKaren McCready Fine Art, NY, NY. "Cityscape/Landscape"
lElizabeth Mayer Fine Art, NY, NY. "80s Artists Then and Now"
lGuild Hall Museum, East Hampton, NY. "Selections from the Collection: Guild Hall Museum"
lThe Cleveland Museum of Art, Cleveland, OH, "Cleveland Collects"
lPlattsburgh Art Museum, Plattsburgh, NY. "The Joe Wilfer Show: Collaborations in Paper and Printmaking"
lThe Parrish Art Museum, Southampton, NY. "The Centennial Open"
lSoutheast Center for Contemporary Art, Winston-Salem, NC. "Divining Nature"
lPaul Kuhn Gallery, Calgary, Alberta, Canada. "Prints by Painters"
lDorfman Projects, New York, NY. "The Portraits Speak: Chuck Close in Conversation with 27 of his subjects"
lWinston Wächter Fine Art, New York, NY. "Movements of Grace: Spirit in the American Landscape"
lMeyerson & Nowinsky, Seattle, WA. "Landscapes"

1997 Center for Curatorial Studies Museum, Bard College, Annandale, NY. "In Plain Sight"
lTurner and Runyon Gallery, Dallas, TX. "A Reversal of Scale"
lEmily Fisher Landau Center, Long Island City, NY. "Woodwork"
lHammond Gallery, Lancaster, OH. "Eight From Ohio: In and Out of Bounds"

1996 Samuel P. Harn Museum of Art, Gainesville, FL. "Destiny Manifest: American Landscape Paintings in the Nineties"
lFreedman Gallery, Albright College Center for the Arts, Reading PA."20/20: The Visionary Legacy of Doris Chanin Freedman"
lJames Graham & Sons, New York, NY. "water"
lFine Arts Gallery at Southampton College, Southampton, NY. "Master Workshop Exhibition"

1995 Arnot Art Museum, Elmira, NY. "Re-Presenting Representation II"
lMary Ryan Gallery, New York, NY. "Elementum"
lCalifornia Center For the Arts Museum, Escondido, CA. "Revisiting Landscape"
lGalerie de la Tour, Amsterdam, The Netherlands. "100 Personal Heroes Part 2"
lFlorida International University, Miami, FL. "American Art Today: Night Paintings"

1994 Neuberger Museum of Art, Purchase, NY. "Inspired by Nature"
lFeigen Inc., Chicago, IL. "Changing Views"
lAldrich Museum, Ridgefield, CT. "Timely and Timeless"
lGallery Camino Real, Boca Raton, FL. "Landscape Not Landscape"
lAspen Art Museum, Aspen, CO. "Mountains of the Mind: American Mountain Landscape Painting from 1850 to the Present"

1993 The Morristown Museum, Morristown, NJ. "Living With Art: The Collection of Ellyn and Saul Dennison"
lCleveland Center for Contemporary Art, Cleveland, OH. "25 Years"
lWhitney Museum,, Fitchburg, CT. "Landscape as Metaphor"

1992 The Aldrich Museum of Contemporary Art, Ridgefield, CT. "Four Friends", travelled to::
lRayburn Foundation, New York, NY
lRingling Museum, Sarasota, FL
lOklahoma Museum of Art, Oklahoma City, OK
lTransamerica Pyramid Lobby, San Francisco, CA. "Selective Vision"

1991 The Parrish Art Museum, Southampton, NY. "Romance and Irony in Recent American Art"
lThe National Museum of Women ,Washington, DC. "Presswork: Art of Women Printmakers"
lMary Ryan Gallery, New York, NY. "Landscapes"
lAnnina Nosei Gallery, New York, NY. "Landscape Painting"

1990 Museum of Art, Rhode Island School of Design, Providence, RI. "Terra Incognita"
lResidence of the Ambassador, Mexico City, Mexico, Mexico City, Mexico. "Contemporary American Artists"
lWhitney Downtown at Federal Reserve Plaza, NY and Fairfield County, CT. "The (Un)Making of Nature"
lThe Art Gallery of Western Australia, Perth, Australia. "Romance & Irony in Recent American Art"
lVirginia Museum of Fine Arts, Richmond, VA. "Harmony & Discord: American Landscape Today"
lChicago Public Library Cultural Center, Chicago, IL. "Didier Nolet: Dreams of a Man Awake"

1989 Modern Art Museum of Fort Worth, TX. "10 + 10: Contemporary Soviet & American Painters," travelled to:
lSan Francisco Museum of Modern Art, San Francisco, CA
lAlbright Knox Art Gallery, Buffalo, NY
lMilwaukee Art Museum, Milwaukee, WI
lThe Corcoran Gallery of Art, Washington DC
lArtist's Union Hall of the Tretyakov Embankment, Moscow, USSR
lCentral Artists' Hall, Tbilisi, Georgian Soviet Socialist Republic
lCentral Exhibition Hall, Leningrad, USSR
lThe Whitney Museum of American Art, New York, NY. "1989 Biennial Exhibition"
lThe Parrish Art Museum, Southampton, NY. "Painting Horizons: Jane Freilicher, Albert York, April Gornik"
lDaniel Weinberg Gallery, Los Angeles, CA. "A Decade of Drawings: 1980-1989"
lThe Dayton Art Institute, Dayton, OH. "A Certain Slant of Light: The Contemporary American Landscape"
lNational Gallery of Art, Washington, DC. "The 1980s: Prints from the Collecton of Joshua P. Smith"
lThe Whitney Museum of American Art at the Equitable Center, New York, NY. "Nocturnal Visions in Contemporary Painting"
lThe Montclair Art Museum, Montclair, NJ. "Art of the '80s from the Chemical Bank Collection"
lThe Art Museum at Florida International University, Miami, FL. "American Art Today: Contemporary Landscape"

1988 Museum of Art, Rhode Island School of Design, RI. "Art for Your Collection"
lThe Parrish Art Museum, Southampton, NY. "Drawing on the East End, 1940-1988"
lMarlborough Gallery, New York, NY. "Changing Perspectives in Contemporary Representations"
lNational Academy of Design, New York, NY. "Realism Today: American Drawings from the Rita Rich Collection", travelled to:
lSmith College, Northampton, MA
lThe Arkansas Arts Center, Little Rock, AK
lThe Butler Institute of American Art, Youngstown, OH

1987 Hood Museum, Dartmouth College, Hanover, NH. "Art of the Twentieth Century"
lThe Whitney Museum of American Art, Stamford, CT. "The New Romantic Landscape"
lWellesley College Museum, Wellesley, MA. "1976-1986: Selections from the Edward R. Downe, Jr. Collection"
lThe Rockwell Museum, Corning, NY. "Boundless Realism: Contemporary Landscape Painting in the West"

1986 Phoenix Art Museum, Phoenix, AZ. "New Narrative Painting: Selections from The Metropolitan Museum of Art"
lAldrich Museum of Contemporary Art, Ridgefield, CT. "A Contemporary View of Nature"
lWeatherspoon Art Gallery, The University of North Carolina at Greensboro, NC. "Art on Paper"
lCorcoran Gallery of Art, Washington, DC. "Spectrum, Natural Settings"
lMichael Kohn Gallery, Los Angeles, CA. "Still Life/Life Still"
lBrooklyn Museum, Brooklyn, NY. 24th National Print Exhibition, "Public and Private: American Prints Today"
lLehman College Art Gallery, Bronx, NY. "Landscape in the Age of Anxiety"

1985 The Aspen Art Museum, Aspen, CO. "American Painting 1975-1985: Selections from the Collection of Aron and Phyllis Katz"
lThe Taft Museum, Cincinnati, OH. "Night Lights"
lInstitute of Contemporary Art, Boston, MA. "Currents"
lThe Henry Art Gallery, Seattle, WA. "Sources of Light"

1984 American Pavillion, Venice Biennale, Venice, Italy. travelled to:
lLisbon, Portugal
lMadrid, Spain
lAthens, Greece
lBelgrade, Yugoslavia
lBudapest, Hungary
lSidney Janis Gallery, New York, NY. "A Celebration of American Women Artists, Part II: The Recent Generation"
lHolly Solomon, New York, NY. "The Innovative Landscape"
lArcher M. Huntington Art Gallery, The University of Texas at Austin, TX. "A Tribute To James and Mari Michener"


BIBLIOGRAPHY

BOOKS AND CATALOGUES

Acker, Kathy and Ronell, Avital. Time Capsule: A Concise Encyclopedia by Women Artists. New York: Creative Time & SOS International, 1995.

Albee, Edward, and Ash, Lorinda. Works on Paper 2000. Exh. cat. Bratislava, The Slovak Republic, 2000.

Armstrong, Richard, and Hanhardt, John G, and Marshall, Richard, and Phillips, Lisa. 1989 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1989.

Arthur, John. Green Woods and Crystal Waters: The American Landscape Tradition. Exh. cat. Tulsa, O.K.: The Philbrook Museum of Art, 1999.

Baur, John I.H. Realism Today: American Drawings from the Rita Rich Collection. Exh. cat. New York, N.Y.: The National Academy of Design, 1987.

_____, Bluer. Exh. cat. Chicago: Carrie Secrist Gallery, 2000.

Broun, Elizabeth, and Kloss, William. National Museum of American Art. New York: Little, Brown and Co, 1995

Brown, J Carter, Gift To the Nation. Washington, D.C.: Friends of Art and Preservation in Embassies, 2001.

Brown, Kathan and Kushner, Robert. Contemporary Woodblock Prints, Print by Tadashi Toda. Exh cat. Osaka, Japan: Yoshiaki Inoue Gallery, 2005.

Brown, Kathan. ink, paper, metal, wood: Painters and Sculptors at Crown Point Press. San Francisco: Chronicle Books, 1996.

Brown, Kathan. Why Draw a Landscape? San Francisco: Crown Point Press, 1999

_____, A Celebration of American Women Artists–Part II: The Recent Generation. Exh. cat. New York: Sidney Janis Gallery, 1984

Charlotte, Susan. Creativity: Conversations With 28 Who Excel. New York: Momentum Books, 1993.

Colacello, Bob, and Becker, Jonathan. Studios By the Sea: Artists of Long Island's East End. New York: Harry N Abrams, 2002.

Combes, Chantal. The New Romantic Landscape. Exh. cat. Fairfield, C.T.: Whitney Museum of American Art, 1987

Dennison, Lisa. Living With Art: the Collection of Ellyn & Saul Dennison. Exh. cat. New Jersey: The Morris Museum, 1993.

Dingwall, Kenneth and Moore, John L. Drawn to Cleveland. Exh. cat. Cleveland, OH: Museum of Contemporary Art, 2005.

Ebony, David. 80s Artists Then and Now. Exh. cat. New York: Elizabeth Mayer Fine Art, 1998.

Einspruch, Julia and Molesworth, Helen. The (Un)Making of Nature. Exh. cat. New York: Whitney Museum of American Art, 1990.

Enright, Robert. Peregrinations: Conversations with Contemporary Artists. Winnipeg & Buffalo: Bain and Cox, 1997.

Ezersky, Lorinda Ash. “April Gornik: A Master of Light and Landscape.” Avenue 28, no. 11 (November, 2004): 20.

Fenner, Gallagher, and McCarty, the @tached document #2, Boston: Bootstrap Press, 2002.

Ferguson, Bruce W. Appearing. Exh. cat. Halifax, N.S.: Art Gallery Mount Saint Vincent University, 1983.

Ferguson, Bruce W. Four Friends. Exh. cat. Ridgefield, C.T.: The Aldrich Museum of Contemporary Art, 1992.

Fine, Ruth E. and Brown, J. Carter. The 1980s–Prints from the Collection of Joshua P. Smith. Exh. cat. Washington, D. C.: National Gallery of Art, 1989.

Floria, David and Hoffeld, Jeffrey. American Paintings 1975-1985–Selections from the Collection of Aron and Phyllis Katz. Exh. cat. Aspen: The Aspen Art Museum, 1985.

Frank, Peter. Historically Speaking UAM: 25 Years of Excellence. Exh. cat. Long Beach, Calif.: University Art Museum, 1999.

Freeman, Keller Cushing, and Press, Aida K. Just Like a Woman. Exh. cat. North Carolina: Greenville County Museum of Art, 1988.

Gallati, Barbara Dayer. American Art Today: Night Paintings. Exh. cat. Miami: The Art Museum at Florida International University, 1995.

Garver, Thomas H. Water: A Contemporary American View. Exh. cat. Charleston: Gibbes Museum of Art, 1999.

Gedeon, Lucinda H. Inspired By Nature. Exh. cat. Purchase, N.Y.: Neuberger Museum of Art, 1994

Grachos, Louis. Romance and Irony in Recent American Art. Exh. cat. Perth: Art Gallery of Western Australia, 1989

Hansen, Trudy Victoria and Heartney, Eleanor. Presswork: The Art of Women Printmakers. Exh. cat. Washington, D.C.: The National Museum of Women in the Arts, 1991.

Harkavy, Donna. The Perpetual Well: Contemporary Art from the Collection of the Jewish Museum. Exh. cat. Gainesville, Flor.: Harn Museum of Art, 2000.

Harrison, Helen A., and Denne, Constance Ayers. Hamptons Bohemia: Two Centuries of Artists and Writers on the Beach. New York: Chronicle Books, 2002.

Helsell, Charles. Women in Print: Prints from 3M by Contemporary Women Printmakers. Exh. cat. St. Paul: The Concourse Gallery, 1995.

Kertess, Klaus. OO: Drawings 2000 at Barbara Gladstone Gallery. Exh. cat. New York: Barbara Gladstone Gallery, 2000.

Kertess, Klaus. Painting Horizons. Exh. cat. Southampton, N.Y.: The Parrish Art Museum, 1989.

Kertess, Klaus. Drawing on the East End, 1940-1988. Exh. cat. Southampton, N.Y.: The Parrish Art Museum, NY, 1988.

Korn, Henry and Panzera, Lisa. Selections from the Collection: Guild Hall Museum. Exh. cat. East Hampton, N.Y.: Guild Hall Museum, 1998.

Krim, Dr. Mathilde, Taylor, Elizabeth, and Oliva, Achille Bonito. Drawing the Line Against AIDS. Exh. cat. Venice, Italy: AMFAR International, 1993.

Kuspit, Donald. April Gornik: Paintings and Drawings. New York and Manchester: Hudson Hills Press, 2004

Landau, Ellen G. and Talalay, Marjorie and Anselm. 25 Years: A Retrospective. Exh. cat. Cleveland: Cleveland Center for Contemporary Art, 1993.

Manchester, Robert C. Boundless Realism. Exh. cat. Corning, N.Y.: Center for Western Art at the Rockwell Museum, 1987.

Martin, Steve. Kindly Lent Their Owner: The Private Collection of Steve Martin. Exh. cat. Las Vegas: Bellagio Gallery, 2001.

Maxwell, Douglas. April Gornik: Paintings and Waterways. Exh. cat. New York: Edward Thorp Gallery, 1996.

Maxwell, Douglas. Landscape Not Landscape. Exh. cat. Boca Raton, Flor.: Gallery Camino Real, 1994.

Maxwell, Douglas. Timely and Timeless. Exh. cat. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1994.

McCready, Eric. New American Painting: A Tribute to James and Mari Michener. Exh. cat. Austin: Archer M. Huntington Art Gallery, 1983.

Meyer, Ruth K. Night Lights. Exh. cat. Cincinnati: The Taft Museum, 1985.

Negroponte, Diana Villiers. Contemporary American Artists. Exh. cat. Mexico City, Mexico: Residence of Ambassador and Mrs. John D. Negroponte, 1990-1993.

Oresman, Janice. Art of the 80's From the Collection of Chemical Bank. Exh. cat. New Jersey: Montclair Art Museum, 1989.

Orr, Chris and Farthing, Stephen. Royal Academy Illustrated 2005. Exh. cat. London, England: Royal Academy of Arts, 2005.

Price, Marla. 10 + 10: Contemporary Soviet and American Painters. Exh. cat. New York: Harry N Abrams, 1989.

Princenthal, Nancy. Prints and Books: Artist Collaborations with Printmaker Ruth Lingen. Exh. cat. Walla Walla,WA: Donald Sheehan Gallery, 2005.

Radcliffe, Carter. April Gornik. Exh. cat. New York: Edward Thorp Gallery, 1990.

Richardson, Trevor. After Nature. Exh. cat. Amherst, Mass: Herter Art Gallery, 1998.

Robinson, Joyce Henri, PhD. As Far as the Eye Can See. Exh. cat. Atlanta: Atlanta College of Art, 1998.

Rosenblum, Robert. On Modern American Art. New York: Harry N Abrams, 1999.

Rosenfeld, Daniel. Terra Incognita: New Directions in Contemporary Landscape. Exh. cat. Rhode Island: Museum of Art, Rhode Island School of Design, 1990.

Sandler, Irving. Art of the Postmodern Era. New York: Icon Editions, 1996.

Scala, Mark. Of Darkness and Light: Contemporary Landscape Painting. Exh. cat. Roanoke, Virg.: Art Museum of Western Virginia, 1999.

Scott, Sue. Collector's Choice II: Contemporary Art from Central Florida Collections. Exh. cat. Orlando: Orlando Museum of Art, 2000.

Shaw, Reesey. Revisiting Landscape. Exh. cat. Escondido, Calif.: California Center forthe Arts Museum, 1995.

Silberstein-Storfer, Muriel, with Mablen Jones. Doing Art Together. New York: Harry N Abrams, 1997.
p.
Silverman, Lanny. didier nolet–dreams of a man awake. Exh. Cat. Chicago: The Chicago Public Library Cultural Center, 1991.

Simms, Patterson and Stroh, Susan. 1976–1986: Ten Years of Collecting Contemporary American Art–Selections from the Edward Downe, Jr. Collection.. Exh. cat. Wellesley, Mass.: Wellesley College Museum, 1986.

Straka, Barbara. April Gornik, Bilder + Pastelle. Exh. cat. Berlin, W. Germany: Galerie Springer Berlin, 1985.

Strassfield, Christina Mossaides and Korn, Henry. April Gornik. Exh. cat. East Hampton, N.Y.: Guild Hall Museum, 1994.

Sussler, Betsy. speak art! the best of BOMB magazine's interviews with artists. New York: G+B Arts International, 1997.

Talalay, Marjorie. Cleveland Revisited. Exh. cat. Cleveland: The New Gallery of Contemporary Art, 1984.

Talbott, Susan Lubowsky. Divining Nature. Exh. cat. Winston-Salem: Southeastern Center for Contemporary Art, 1998.

Tanaka, Hiroko. Art Is Beautiful; Interviews with 25 New York Artists. Tokyo: Kawade Shobo Shinsha, 1990.

Vine, Naomi and Hales, Peter Bacon. A Certain Slant of Light: the Contemporary American Landscape. Exh. cat. Dayton: Dayton Art Institute, 1989.

Vonnegut, Kurt. Waterscapes, Landscapes. Exh. cat. New York: Glenn Horowitz Booksellers, 1999.

Walker, Barry. Public and Private: American Prints Today–the 24th National Print Exhibition. Exh. cat. Brooklyn: Brooklyn Museum, 1986.

Walker, Barry. Echo Press: A Decade of Printmaking. Exh. cat. Bloomington: Indiana University Art Museum, 1990.

West, Harvey. Sources of Light: Contemporary American Luminism. Exh. cat. Seattle: Henry Art Gallery, 1985.

Wheeler, Susan. April Gornik, Paintings and Drawings. Exh. cat. New York: Edward Thorp Gallery, 2000.

Yau, John. A Contemporary View of Nature. Exh cat. Ridgefield, Conn.: Alrdich Museum of Contemporary Art, 1986.

Young, Dede and Maxwell, Douglas. Destiny Manifest: American Landscape Painting in the Nineties. Exh. cat. Gainesville, Flor.: Harn Museum of Art, 1996.

Youngs, Christopher. 20/20: The Visionary Legacy of Doris Chanin Freedman. Exh. cat. Reading, Penn.: Freedman Gallery Albright College, 1996.

Yount, Sylvia. Embodied Landscapes. Exh. cat. Philadelphia: Rosenwald-Wolf Gallery and the Museum of American Art of the Pennsylvania Academy of the Fine Arts, 1998

ARTICLES AND REVIEWS

Altabe, Joan. “Beautiful Dreamers.” Sarasota Herald Tribune, Sept. 17, 1993, p. 1.

Altabe, Joan. “Ringling show quadruples your pleasure.” Sarasota Herald Tribune, Sept. 12, 1993, sec. G, p. 1.

_____, “Gallery: April Gornik.” Art Express (Fall 1982): pp. 50-51.

Artner, Alan G. “Fantasies feed romance of Night Lights.” Chicago Tribune, December 7, 1984, sec. 7, p. 11.

_____, “10 + 10.” American Way: American Airlines Magazine, May 1, 1989, pp. 96-104.

Artner, Alan G. “Fantasies feed romance of ‘Night Lights’.” Chicago Tribune, Dec. 7, 1984, sec. 7, p. 11.

_____, “Venice: A Funny Thing Happened on the Way to the Biennale.” Art and Auction (June 1984): 73-4.

_____, “Gallery View.” Art Express, (February, 1982) pp. 50-1.

_____, “Gallery: April Gornik.” Art Express (January, 1981): 51.

_____, “Romance and Irony.” Arts Review, June 11-July 8, 1991.

Balfour, Brad. “April in the Hamptons.” New York Resident 16, no. 2 (June 30, 2003): 34.

Barreneche, Raul A. "Of No Use but Delight". New York Times, May 17, 2001, LI sec.

Barrie, Lita. “US artists twist nostalgic convention.” NBR Weekend Review, New Zealand, Dec. 1, 1990, sec. W, p. 9.

Becker, Robert. "Art: Creative Coupling." Interview (October 1982) 80-5.

Berlind, Robert. “April Gornik.” Art in America no. 7 (September 1981): 157.

Berman, Ann. "Power of the City/Women in the Hamptons." New York Woman, August 1989, pp. 32-4.

Blau, Douglas. "April Gornik at Edward Thorp Gallery." Art in America no. 8 (September1983): 167.

_____, “Some Promising First Appearances.” Art in America Annual (1982): 9.

Boettger, Suzaan. "Nocturnal Visions." Contemporanea II, no. 7 (October 1989): 95.

Bourdon, David. "On View," House & Garden (August 1987): 44.

Braff, Phyllis. "Collective Spaces, but Individual Visions: April Gornik". New York Times, August 22, 1999, LI sec, p. 10.

Braff, Phyllis. "APhotographic Return to People and Places," New York Times, April 5, 1998, LI sec., p. 24.

Braff, Phyllis. "The Works of Art That Inspire the Artist." The New York Times, November 15, 1998, p. 37.

Braff, Phillis, “Casting a Spell, From Lasers and Video to Light and Shadows.” New York Times, October 22, 1995, sec. C, p. 24.

Braff, Phyllis. “Meaning and Context Are Unimportant Except in Landscapes.” New York Times, August 28, 1994, LI sec., p. 18.

Braff, Phyllis. “Exhibition Is Window On Society.” New York Times, July 28, 1991, LI sec., p. 1.

Braff, Phyllis. "Landscape Themes Clarified." The New York Times, August 13, 1989, LI sec., p.18.

Braff, Phyllis. "Drawing Lines: East End Anthology." The New York Times, November 6, 1988, LI sec., p. 6.

Braff, Phyllis. "Private Pieces on Public View." The New York Times, November 29, 1987, LI sec., p. 38

Braff, Phyllis. “Faculty Show: Range of Ideas.” The New York Times, September 6, 1987, p. 14.

Brandenberg, John. “’Four Friends’ Inhabit Abstract World.” Daily Oklahoman, April 8, 1994.

_____, “Mother Nature.” The New Yorker, November 16, 1992, p. 17.

–––––, “Curious Terrain.” New York Times, January 25, 2002, p.

_____, “Newscapes–Land and City/States of Mind.” New York Times, February, 1984.

Brenson, Michael. “April Gornik.” The New York Times, October 23, 1987, sec. C, p. 34.

Brenson, Michael. "Are the Whitney Satellites Out of Orbit?" The New York Times, August 9, 1987, sec. H, pp. 31-2.

Brenson, Michael. “April Gornik.” The New York Times, April 18, 1986, sec. C, p. 28.

Brown, Gerard. "Beauty and Brains." Philadelphia Weekly, February 4, 1998, p. 50.

Brown, Kathan. “April Gornik: A Spiritual Approach.” Overview (November 1998): 1-2.

Byrd, Cathy. "Land, lots of land." Atlanta Creative Loafing 27, no. 39, (February 13, 1999): 1.

Cameron, Dan. "Opening Salvos, Part One." Arts Magazine (December 1987): 89-93.

_____, “’Four Friends’ Exhibit To Open.” Capitol Hill Beacon, March 31, 1994.

Cecil, Sarah. "April Gornik." ARTnews 84, no. 3 (March 1985): 96.

Cohrs, Timothy. "Hudson River Editions, Pelavin Editions-- A Report Back from the Other-World of Printmaking." Arts (November 1986): 41.

Costello, Kevin. “Four Friends,” Sarasota Arts Review, November 1993, p. 1.

Cotter, Holland. “A Bland Biennial”, Art in America no. 9 (September 1989): 81.

Cullinan, Helen. "Landscape given new meaning." The Cleveland Plain Dealer, January 17, 1987, sec. A, p. 2.

Cullinan, Helen. “Creativity is alive, well in new home.” Cleveland Plain Dealer, Feb. 1984

Cummings, Mary. "Thoughtful Questions On the Nature of Gifts." Southampton Press, 19 November, 1998, p. 20.

Cummings, Mary. “Designing Devices for a Timeless Weather Puzzle.” Southampton Press, August 29, 1991, p. 19.

Delatiner, Barbara. "The Spotlight Shines on Drawings."The New York Times, September 11, 1988,

Delio, Michelle. "Moving Pictures: Ancient tradition meets portable technology in the world of art." Portable Computing Direct Shopper 1, no. 12 (January 1998): 82-93.

_____, “A Look at the Natural and Unnatural.” Denver Post, March 14, 1982, sec. R, p. 11.

Diamond, Jared, “The Riddle of the Ancient Mariners.” The Sciences, May–June 1985, p. 42-43.

Diehl, Carol. "Double or Nothing." Arts & Antiques (February 1987): 73-81.

Dodero, Tony. “Landscape artist opens program at art museum.” Daily Forty-Niner, Oct. 13, 1988, p.7.

Edelman, Robert G. "Le Paysage dans la Peinture." ArtPress (March 1991): 22-29.

Enright, Robert. "The Pleasure of Their Company: Steve Martin, April Gornik and Eric Fischl in Conversation with Robert Enright." Border Crossings 19 no. 3 (August 2000): 26-46.

Enright, Robert. "The Seductions of Landscape: A Conversation with AprilGornik", Border Crossings 16, no. 3 (Summer 1997): 18-29.

Enright, Robert. Interview, Border Crossings 12 no. 1 (Winter 1993): 29-32.

Ernst, Eric. "Superstars, Nascent Stars at Parrish". The Southampton Press, July 1, 2004, Sec. 2, p. 4.

Ernst, Eric. "The Best, Not Just the Brightest". The Southampton Press, July 29, 2004, Sec. 2, p. 5.

_____, “Art in Paradise” Avenue 28, no. 7 (July, 2004): 13-14.

Ezersky, Lorinda Ash. “April Gornik: A Master of Light and Landscape” Avenue 28, no. 11 (November, 2004): 20.

_____, “Eye on Nature.” The Scarsdale Inquirer, November 4, 1994, Arts sec. p. 17.

Flam, Jack. "...And Looking Like Provincials." The Wall Street Journal, June 12, 1990, sec. A, p. 16.

Ferris, Mark. "Lesser Lights Shine." Newsday, 27 November, 1998, Arts sec., p. 1.

Fisher, Jean. "April Gornik." Artforum XXIII, no. 7 (March 1985):144-5.

_____, “‘Four Friends’ Exhibit to Open.” Capital Hill Beacon, Mar. 31, 1994,

Fox, Marilyn, J. "Freedman's First 10 Years, Anniversary of Art Gallery Celebrated." Reading Eagle, November 23, 1986, sec. D, p. 6.

Freeth, Samuel J. “Incident at Lake Nyos.” The Sciences, May–June, 1992, pp. 30-6.

_____, “‘Friends Unite for Art Show.” Daily Oklahoman, April 1, 1994, p.

Gall, Sally and Gornik, April. “Interview.”Bomb 40 (Summer 1993): .

_____, “An American Landscape.” Bomb 6 (Winter 1985): 40.

Gambino, Erica-Lynn. "A Thank-You Show at Parrish." The Southampton Press, December 17, 1998, sec. B, p. 1-2.

Garcia, Erin. "Temporalscape". Camerawork 31 No. 2 (October 2004): 55.

Genocchio, Benjamin. "Nature in an Untouched State, Before Suburbia Called." The New York Times, February 18, 2007, Sec. LI, p. 12.

Genocchio, Benjamin. "As Fall Beckons, Women Rule." The New York Times, September 5, 2004, Sec. WE, p. 11.

Genocchio, Benjamin. "Landscapes Where the Sky is the Limit." The New York Times, September 19, 2004, Sec. 14WC, p. 8.

Giachetti, Romano. “Accademia d’Avanguardia”, Arte 261 (1989): 116.

Gilbert, Andrea. "Pilgrim's Progress: A Journey to Long Island's South Fork." ARTI Art Today 17 (November-December 1993): 144-165.

Gilmore, Jonathan. “April Gornik: The Nature of Painting.” Art in America no. 9 (October, 2005): 152-155.

Glueck, Grace. "In Artists' Prints, Work and Play", New York Times, November 5, 1999, p.

Glueck, Grace. "The New Romantics Paint the Past." New York Times, September 10, 1989, Magazine sec., p. 44.

Glueck, Grace, “April Gornik.” New York Times, November 23, 1984, sec. C, p. 20.

Goodman, Jonathan. "April Gornik at Edward Thorp." Art in America no. 2 (February 1997): 105.

Gornik, April. "Rooms in the View." Arts & Antiques (Summer 1988): 72-7.

Gottlieb, Shirle. “‘April in Long Beach.” Seabreeze, October 12, 1988, p. 10.

Gouveia, Georgette. “The relationship between nature, art is explored.” Gannett Suburban Newspapers, October 24, 1994.

Gouveia, Georgette. "Enchanted April." The Journal News, September 3, 2004, Sec. E, pp. 1-2.

Grimes, Nancy. "April Gornik." ARTnews 100, no. 11 (November 2000): 208.

Grimes, Nancy. "Whitney Biennial." Tema Celeste (July-September 1989): 65-68.

Grimes, Nancy. "April Gornik." ARTnews 87, no. 1 (January 1988) 153-4.

Halley, Mary. “A Window Into Life’s Realities.” Oklahoma Gazette, March 24, 1994, pp. 1-5.

Hansell, Freya. "Three Painters: Susan Rothenberg, April Gornik, Freya Hansell." Bomb 15 (Spring 1988): 18-23.

Harrison, Helen A. “Multiple Originals on Paper.” The New York Times, Long Island sec., June 25, 1989, p. 20.

Halley, Mary. “A Window Into Life’s Realities.” Oklahoma Gazette, March 24, 1994, p. 2.

Harrison, Helen A. "Seeing Double: Artworks That Reflect a Relationship" The New York Times. April 23, 2006, Sec. 14, p. 10.

Hayes, Erin. "Parrish Museum: North and South Forks Art Show" Hampton Jitney Magazine 5 (June 2004): 12-13.

Hay, R. Couri. “High Society.” Hamptons, June 21, 1991, p. 40

Heartney, Eleanor. "April Gornik's Stormy Weather." ARTnews 88, no. 5 (May 1989): 120 -5.

Heartney, Eleanor. “Transforming the Landscape: April Gornic.” Bijutsu Techo 41, no. 617 (December 1989): 30-45.

Hess, Elizabeth. "Gornik's Imaginary Landscapes." The New York Observer, November 2, 1987, p. 17.

Hinson, Tom. “Cleveland Collects Contemporary Art.” The Cleveland Museum of Art Members Magazine, November 1998, p. 4-6.

Hoban, Phoebe. “Artists on the Beach.” New York Magazine, July 1, 1991, pp. 37-44.

Howard, Christopher. "April Gornik: Paintings and Drawings". The Brooklyn Rail, January, 2005, p. 17.

Howe, Katherine. "April Gornik at Edward Thorp Gallery." Images and Issues, (November–December, 1983): 58-9.

Isler, Tom. "Updating the Art of Landscapes". The Southampton Press, July 1, 2004, Sec. 2, p. 3.

Israel, Nico. "this side of paradise." Vogue (June 2004) pp. 142-4
.
Johnson, Ken. “Art in Review: April Gornik.” New York Times, October 6, 2000, sec. E, p. 38.

Johnson, Ken. "The Hamptons, A Playground For Creativity". New York Times, August 6, 2004, Sec. E, p.29.

_____, “Inspired by Nature.” Journal of the Print World, 17 no. 4 (Fall 1994), p. 30.

_____, "April Gornik Acquisition, National Museum of American Art." Journal of the Print World 14, no. 2 (Spring 1991): p. 5.

_____, “Romance and Irony in Recent American Art.” Journal of the Print World 14, no. 3 (Summer 1991): 47.

Kalina, Richard. "Painting Horizons." Arts (November 1989): 92.

Kandel, Susan, “Gornik’s Work.” Los Angeles Times, Sept. 3, 1993.

_____, “A nice pair.” Kansas City Star, March 27, 1994.

Katz, Vincent. “April Gornik.” ARTnews 93, no. 11 (November 1994): 155.

Kazajian, Dodie. "Fast Forward." House & Garden, (February 1988): 76.

Keiser, Ellen, “April Gornik.” Country, August 18, 1995, p. 65.

_____, “A Nice Pair.” The Kansas City Star, March 27, 1994, p.

Kernan, Micheal. "A New Generation of Artists Ponder Nature's Prospects.” Smithsonian 21, no. 1 (April 1990): 104-111.

Kimmelman, Michael. “April Gornik.” New York Times, May 4, 1990, sec. C, p.

Kimmelman, Michael. "Art: 'Realism Today' at National Academy." New York Times, January 8, 1988, sec. C, p. 27.

Kimmelman, Michael. "Glasnost on Canvas: A Showing of Soviet and American Works." New York Times, May 16, 1989, sec. C, p. 15.

Kimmelman, Michael. "Nocturnal Visions in Contemporary Painting." The New York Times, April 28,1989, sec. C, p. 30.

Kohen, Helen L. "Landscape Show Rich in Tradition." Miami Herald, January 15, 1989, sec. K, p. 5.

Kohn, Michael. "April Gornik." Flash Art (April–May 1985): 39.

Kohn, Michael. "Gornik." New York Times, December 12, 1985, p. 47.

Kohn, Michael. “Gornik, Schuyff.” NY Talk, December 1994, p. 47.

Kramer, Hilton. "An Antidote to the Postmodern Blues: 'Realism Today' at the National Academy." The New York Observer, December 28, 1987, p.

Kutner, Janet. "Dallas: April Gornik at Turner & Runyon." ARTnews 97, no. 1 (January 1998): 140.

Kutner, Janet. "April Gornik at Turner and Runyon Gallery." Dallas Morning News, October 25, 1997, sec. C, p.12.

Kutner, Janet. "Spiritual mystique permeates artist's landscapes." Dallas Morning News, October 10, 1997, p. 46.

Kutner, Janet. “Preview: Turner and Runyon Reopens in Deep Ellum.” Dallas Morning News, December 13, 1996.

Landey, Jenny. “April Showers.” Hamptons, September 1, 1989, p. 39.

Landi, Ann. "April Gornik." ARTnews 101, no. 2 (February 2002): 126.

Landi, Ann. “Site Specifics.” ARTnews 96, no. 4 (April 1997): 117.

Larson, Kay. “The Children’s Hour.” New York Magazine, May 8, 1989, p. 94-5.

_____, “April Gornik, Man Ray, The Chicano Codices.” LA Weekly, September 24, 1993, p.

Lawson, Thomas. “April Gornik.” Artforum IXX, no. 10 (Summer 1981): 91.

Lawyer, Shauna. “’Four Friends’ Exhibit Opens.” Black Chronicle, March 24, 1994.

Leigh, Candace. “Honoring the Artists of the Hamptons: April Gornik.” Dan’s Papers, September 1, 1989, p. 36.

Lettingwell, Edward. "April Gornik at Danese." Art in America no. 4 (April 2002): 147-8.

Levin, Kim. “back to the landscape,” Mirabella 33 (February 1992): 32-4.

Levin, Kim. "April Gornik." Village Voice, November 10, 1987, p. 48.

Levkova-Lamm, Innesa. "10 + 10." Contemporanea II, no. 8 (November 1989): 86.

Levy, Mark. "American Sublime, Soviet Subversiveness." Art International (Spring 1990): 96-7.

Lewallen, Constance. “View: April Gornik.” Crown Point Press, Fall 1988, p. 24.

Lipson, Karin. “Modern Romantic Vision.” Newsday, June 28, 1991, p.

Lipson, Karen. "East End Drawings: With Bounds, Diversity." Newsday, October 7, 1988, p. 12.

Litt, Steven. "Finding Limelight Out of Town." Cleveland Plain Dealer, August 1, 1997, sec. E, p.1.

Litt, Steven, “Once in a lifetime smorgasbord of art in New York City.” Cleveland Plain Dealer, Nov. 8, 1992, sec. H, p. 4.

Litt, Steven. "The big picture." Cleveland Plain Dealer. March 19, 2006, Arts Sec., pp. 1–3.

Long, Robert. "Heavy Hitters At Guild Hall". East Hampton Star, July 1, 2004, Sec. C, pp. 1,6.

Long, Robert. "North Fork, South Fork". The East Hampton Star, June 3, 2004, Sec. C, p. 2-3.

Long, Robert. “Visions From Down Under.” Southampton Press, July 4, 1991, p. 2.

Long, Robert. "Parish Exhibit Explores Variety of Perspectives." Southampton Press, August 17, 1989, sec. B, p. 1.

Long, Robert. "East End Drawing Exhibition at Parrish." Southampton Press, October 13, 1988, p.

Long, Robert. “Faculty Art Is Shown.” Southampton Press, September 3, 1987

Loper, David E. “Scorched Earth.” The Sciences (September–October 1990): 24.

Loughery, John. "Landscape Painting in the Eighties: April Gornik, Ellen Phelan, and Joan Nelson." Arts Magazine 62, no. 9 (May 1988): 44-8.

Loughery, John. "The New Romantic Landscape." Arts Magazine 62, no. 3 (November1987): 107.

Lyotard, Jean-Francois. "The Sublime and Avante-Garde." Artforum XXII, no. 8 (April 1984): 39.

Mahoney, Robert. “April Gornik.” Arts (September 1990): 101.

Mann, Kenny. "Seeing But Not Looking." House in the Hamptons International (March–April 1990): 24.

McGill, Douglas. "Landscapes in Repose." New York Times, November 13, 1987, sec. C, p. 36.

McGuigan, Cathleen. "Transforming the Landscape." Newsweek, December 26, 1988, pp. 60-2.

McKenna, Kristine. "The Allure of the Dark Side." Los Angeles Times, May 20, 1990, p. 3.

Merkling, Frank. “Aldrich: new look for a new year.” New-Times, December 28, 1986, sec. F, pp. 2-5.

Middendorf, Frances. “Land Lords,” The Newspaper, February 8, 1990, p. 10.

Newhall, Edith . “April Gornik.” ARTnews 92, no. 1 (January 1993): 129.

_____, “A Group Show Curated for NYTalk by Steven Kaplan.” NY Talk, October 1984, p. 29.

Mullen, Rachel. “Dennisons of Bernardsville lend collection to the Morris Museum.” Out and About, October 28, 1993, p. 1.

Nochlin, Linda. "En Plein Air: Recent Views of the Great Outdoors." Interview (April 1988): 18-23.

Ollman, Leah. "Art Reviews: The Great Drawing Show." Los Angeles Times, October 1, 1999, sec. F, p. 26.

Pardee, Hearne. "The New American Landscape." Arts (April 1984): 116-7.

Parks, Addison. "April Gornik," Arts (Summer1986): 116.

Parks, Addison. Arts (June 1981): 19.

Pemberton, Cade. "Guild Hall: Celebrating the Artist Next Door" Hampton Jitney Magazine 6 (July 2004): 6-9.

Pincus-Witten, Robert. "Entries..." Arts (February 1985): p. 89.

Pipkin, Francis. "Gravity Up in the Air." The Sciences (May-June 1984): 48.

Planca, Elisabetta. “un Paradiso Neoromantico.” Arte 261 (Aprile 1995): 56.

Polsky, Carol. “An Outpouring of Art.” Newsday, March 20, 1998, p. 25.

Pryor, Kelli. "Back to Nature." Avenue 13, no. 7 (February 1989): 128-137.

Raynor, Vivian. "Landscapes That Celebreate Their Makers." New York Times, August 10, 1997, Westchester sec., p.12.

Raynor, Vivien. “The Sublime, the Modern and the Literal in Views of the Land.” The New York Times, November 11, 1994, sec. WC, p. 20.

Raynor, Vivien. “An Optimist’s Eye in Ridgefield.”New York Times, December 5, 1993, sec. CN, p. 30.

Raynor, Vivien, “Art Review.” New York Times, Arts sec., May 31, 1992, p. 20.

Raynor, Vivien. “Views of Nature on Exhibit at Ridgefield’s Expanded Aldrich.” The New York Times, Arts sec., January 11, 1986, p. 30.

Raynor, Vivien. “Lipski’s Building Steam.” New York Times, Fall 1983.

Reno, Nicki. "Side By Side." The Sag Harbor Express, August 12, 2004, Sec. B, pp. 1,7.

Rice, Robin. "The Life Thing." Philadelphia City Paper, February 6, 1998, p. 29.

Rice, Robin. "Best Bets: Art." Philadelphia City Paper, January 16, 1998, p.22.

Rickey, Carrie. "Why Women Don't Express Themselves." The Village Voice, November 2, 1982, p. 1.

Rickey, Carrie. “Up Against the Wall Street: An Investor’s Guide to Galleries.” Village Voice, October 15, 1980, p. 69.

Rosenblum, Robert, “Art: Contemporary Romantic Landscapes.” Architectural Digest (May 1993): 193-230.

Rosenblum, Robert, “A Postscript: Some Recent Neo-Romantic Mutations.” Art Journal (Summer 1993): 79.

Russell, John. "Making Pen and Ink Seem Passé: The Proliferation of New Ways to Draw." The New York Times, August 11, 2000, sec. E, p. 32.

Russo, Alexander. “Master Class Offers Exhibit.” Southampton Press, August 25, 1988, sec. B, p. 1.

Sanders, Scott Russell, “Staying Put.” Orion (Winter 1992): 40.

Sansegundo, Sheridan. "American Art at the Parrish." East Hampton Star, 29 July, sec. III, p. 6.

______, “Eye on Nature.” The Scarsdale Inquirer, November 4, 1994, p. 17.

Schjeldahl, Peter. “The Muses on Strike.” Seven Days, May 17, 1989, pp. 96-105.

Sheets, Hilarie M. “April Gornik.” ArtNews 103, no.1 (January 2004): 138.

Shinoda, Tazmi. "The Landscape of April Gornik: Sensuality of the Anonymous." Mizue no. 953 (Winter 1989): 124-135.

Shinoda, Tazmi. “Best and Worst Artists in the Whitney Biennial.” Bijutsu Techo 41, no. 611 (July 1989): 166-169.

Shuebrook, Ron. “Appearances, N.S.” Vanguard (April 1984): pp. 21-25.

Shulman, Woody. “A Friendly Exhibition.” Bradenton Herald, September 24, 1993, p.

Sica, Connie. “The Illusory Space of a Landscape.” The Sag Harbor Express, July 27, 1989, Section II, p. 1.

Silverthorne, Jeanne. "April Gornik, Edward Thorp Gallery." Artforum XXII, no. 2 (October 1983): 70.

Slivka, Rose C.S. “From the Studio.” East Hampton Star, August 17, 1995, sec. II, p. 10.

Slivka, Rose C.S. “From the Studio.” East Hampton Star, December 8, 1994, sec. II, p. 8.

Slivka, Rose C.S. “From the Studio.” East Hampton Star, September 8, 1994, sec. II., p. 7.

Slivka, Rose C.S. “From the Studio.” East Hampton Star, June 30, 1994, sec. II, p. 11.

Slivka, Rose C.S. “From the Studio.” East Hampton Star, July 11, 1991, sec. II, p.11.

Slivka, Rose. "From the Studio." East Hampton Star, August 10, 1989, sec. II, p. 7.

Slivka, Rose C.S. "From the Studio." East Hampton Star, October 29, 1988

Smith, Roberta. "Hudson Valley Conversations." New York Times, July 18, 1997, sec. C, p. 26.

Smith, Roberta. “On Long Island, Photos, Portraits, Pollock, and Stereotyping.” The New York Times, August 9, 1991, sec. C, p. 22.

Smith, Roberta. “On Long Island: Vienna, Video and Visions of Nature.” The New York Times, August 4, 1989, sec. C, p. 22.

Smith, Roberta. "Taking a Look or Two Back in the Hamptons." The New York Times, June 16, 1989, sec. C, p. 22.

Smith, Roberta. "The Manor in the Landscape." The New York Times, December 12, 1986, sec. C, p. 26.

Smith, Roberta. "Precise Visions." The Village Voice, June 7, 1983, p. 77.

Solomon Deborah. "Back to Nature." House & Garden (November 1988): 64-68.

Sozanski, Edward. "Elemental landscapes not quite of this world." The Philadelphia Enquirer, January 16, 1998, p. 32.

_____, “Scenic Strokes”, Spotlight, September 1989, p. 18, illus

Staniszewski, Mary Anne. “Gallery Guide.” Manhattan Inc. (November 1984): 107.

Straus, Marc. "Facts and Fancy." Contemporanea II, no. 5 (July–August): 86-9.

Stunda, Hilary. “April Gornik and Pat Steir.” ARTnews, 100, no. 2 (February 2000) 169.

_____, “’Cleveland Revisited’ Show to feature trio’s art works.” Sun Press, January 5, 1984, sec. A, p.9.

Sussler, Betsy. "Editor's Corner." Bomb Magazine. no. 93 (Fall, 2005): p. 14-15.

Tanaka, Hiroko. "April Gornik." High Fashion (October 1989): 288-9.

_____, “A Look at the Natural and Unnatural.” The Denver Post, March 14, 1982, sec. R, p. 11.

_____, “April Gornik review.” The New Yorker, November 16, 1992, p. 17.

Tarzan, Deloris. “Artists Trip the Light Fantastic.” The Seattle Times, April 4, 1985, Section G, p. 1-4.

Trebay, Guy. “An Opinionated Survey of the Week’s Events.” The Village Voice, May 31, 1983, p. 68.

Trittoleno, Martine. “La Vie Artiste.” French Vogue (March 1994): 223-6.

Tuchman, Phyllis. “Interpreting Nature in a SoHo Setting.” Newsday, July 27, 1988, sec. II, p.7.

Van Siclen, Bill. Outlandish Landscapes." Providence Journal-Bulletin, January 19, 1990, section D, p. 1.

Vogt, Jennifer. "April Gornik: Luminist landscapes excite the imagination." The Record-Review, February 4, 2005, p. 17.

von Mueffling, Dini. "April Gornik: The Nature of Things." Hampton Style. September 4, 2006, pp 56–59.

Wallach, Amei. "Landscape on the Horizon." Newsday, August 4, 1989, Weekend section, p. 23.

Watanabe, Nana. “April Gornik.” priv, vol 10, 2003: 84-87.

Watkins, Eileen. “Dennison Collection going on view at Morris Museum.” The Sunday Star Ledger, November 7, 1993, p. 22.

Weil, Rex. "Heaven in Earth.” ARTnews, 97, no. 3 (March 1998): 150-152.

Weinberg, Helen. "Coming Home." Dialogue (March-April 1984): 24-5.

Wolberg Weiss, Marion. "April Gornik at Danese Gallery: Where Exteriors and Interiors Meet." Dan's Papers, December 16, 2005, p. 71.

Weiss, Marion Wolberg. "Lifetime Achievement Honorees At Guild Hall" Dan's Papers, July 23, 2004, p. 74.

Weiss, Marion Wolberg. "East End Art Now at the Parrish" Dan's Papers, May 28, 2004, p. 134.

Weiss, Marion Wolberg. “Art Commentary.” Dan’s Papers, August 27, 1999, p.100.

Weiss, Marion Wolberg. "Art Commentary." Dan's Papers, December 25, 1998, p. 49.

Weiss, Marion Wolberg. "Art Commentary." Dan's Papers, April 17, 1998, p. 40.

Westfall, Stephen. "April Gornik at Edward Thorp," Art in America no. 9 (October 1986): 166-168.

Westfall, Stephen. Review, Arts Magazine (September 1982): 40.

Wilkin, Karen. "At the Galleries." Partisan Review, vol. LVII, no. 3 (1990): 452-3.

Wolberg Weiss, Marion. “Art Commentary.” Dan’s Papers, November 18, 1994, p. 51.

Wolberg Weiss, Marion. “The Masters IX At Southampton College.” Dan’s Papers, September 5, 1994, p. 143.

Wolberg Weiss, Marion. “David Salle and April Gornik at Guild Hall.” Dan’s Papers, August 19, 1994, p. 101.

Wolgamott, L. Kent. "Paintings about tension between familiar and unknown" Journal Star, August 28, 2005, Sec. K, p. 1-2.

Wulffen, Thomas. "Positionen amerikanischer Kunst." Kunstforum International Bd. 80, no. 3 (Juli-September 1985): 294.

Yau, John. “April Gornik.” Artforum XXX, no. 1 (September 1990): 153.

Zimmer, William. "Prints by Whistler in Wesleyan Exhibition." The New York Times, October 16, 1983, sec. C, p. 24.


SELECTED WEB SITE LISTINGS

April Gornik Home Page: http://www.aprilgornik.com

Art In Context: http://www.artincontext.com/listings/pages/artist/9/1zlojt29/menu.htm

Crown Point Press: http://www.crownpoint.com/html/gornik.html

Artist Info: http://www.artist-info.com/artists/gornik_april.html

Artlinx: http://desktopPublishing.com/artlinx.html

Pace Editions: http://www.paceprints.com/gornik.html

Varo Registry: http://www.netdreams.com/registry/gornik/index.html

World Wide Arts Resources: http://wwar.com/artists/period/contemporary_artists2.html


PUBLIC COLLECTIONS
ll
llAllen Memorial Art Museum, Oberlin, OH
lArt Gallery of Ontario, Toronto, CANADA
lBlanton Museum of Art, Austin, TX
lBoise Art Museum, Boise, ID
lBrooklyn Museum of Art, NY
lCastellani Museum of Art, Niagra, NY
lCincinnati Museum, Cincinnati, OH
lCity College of New York, New York, NY
lllCleveland Museum of Art, Cleveland, OH
lColby College Museum of Art, Waterville, ME
lDallas Museum of Art, Dallas, TX
lDayton Art Institute, Dayton, OH
llDouglas S. Cranmer Foundation, Los Angeles, CA
lFine Arts Museums of San Francisco, CA
lFisher Landau Center, Long Island City, NY
lFort Worth Museum, Fort Worth, TX
llFort Wayne Museum of Art, Fort Wayne, IN
lGuild Hall Museum, East Hampton, NY
lHerbert F. Johnson Museum of Art, Ithaca, NY
lHigh Museum of Art, Atlanta, GA
llHuntington Museum of Art, Huntington, WV
lJane Voorhees Zimmerli Museum, New Brunswick, NJ
llThe Jewish Museum, New York City, NY
lMetropolitan Museum of Art, NY
lMilwaukee Art Museum, Milwaukee, WI
lModern Art Museum of Fort Worth, Fort Worth, TX
llMuseum of Fine Arts, Houston, TX
lMuseum of Modern Art, NY
lNational Museum of American Art, Smithsonian Institution, Washington, DC
llNational Museum of Women in the Arts, Washington, D.C.
llNew Jersey State Museum, Trenton, NJ
lNeuberger Museum, Purchase, NY
lOrlando Museum of Art, Orlando, FL
lParrish Art Museum, Southampton, NY
lSnite Museum, Notre Dame, IN
lSmith College Museum of Art, Northampton, MA
llUnited States Embassy, Beijing, China
lUnited States Embassy, Moscow, Russia
lUniversity Gallery, University of Massachusetts, Amherst, MA
lUniversity Art Museum, C.S.U., Long Beach, CA
lWhitney Museum of American Art, NY
lWilliam & Florence Schmidt Art Center, Belleville, IL

Information from http://www.aprilgornik.com


Artist's Gallery


HOME | AUCTIONS | ARTISTS | PAINTINGS | PRINTS | PHOTOS | SCULPTURE | CATEGORIES | MAILING LIST

RoGallery Logo

Phone: 800.888.1063 or 718.937.0901 - Email: art@rogallery.com

47-15 36th Street - Long Island City, NY 11101

© - ROGALLERY.COM