| Tom
Lovell (1909 – 1997)
One of the best known illustrators
in New York and then a painter of Western subjects, Tom Lovell
paid great attention to details in his work and, because of
this, seldom completed more than a dozen major oil paintings
a year.
He was born in New York City and attended high school in Nutley
New Jersey. As valedictorian of his class, he spoke on the "Ill
Treatment of the American Indian by the U.S. Government,"
a harbinger of his depictions of the West. In 1931, he received
a Bachelor of Fine Arts from Syracuse University in New York.
For thirty-nine years he was a freelance illustrator for many
well-known magazines including "Colliers," "McCalls",
and "National Geographic." He was also known as a
pulp illustrator, associated with "Dime Mystery" where
his "ingenuity at picturing the bizarre instruments of
torture dreamed up in the pulp writers' imaginations was nothing
short of remarkable". (Haining 135).
In 1975, he and his wife moved to Santa Fe, New Mexico, and
that same year, he was elected to the Cowboy Artists of America.
Many of his paintings focus on historical western subjects such
as relations between white men and Indians and early expeditions.
Tom Lovell came to western subject matter with impeccable credentials
and the reputation of a mature, highly-regarded artist and illustrator.
A graduate of the College of Fine Arts at Syracuse University,
Lovell chose to use his talent to paint western subjects.
Lovell was drawn to the history of the Old West and its wealth
of insxpiration for the historical painter. Although drawn from
history, Lovell's paintings are fresh and vital, never tired
or hackneyed. The quality of his contribution to contemporary
western art is remarkable. Tom Lovell's work clearly illustrates
the argument that western art be regarded as fine art.
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