Born in 1941 in Lawrence, Kansas, Thomas McKnight grew up in suburbs of Montreal, New York City and Washington, D.C. After receiving his Bachelor's Degree from Wesleyan University, he studied art history at Columbia University. He then served in Korea with the army for two years, and later worked for Time Magazine.
McKnight discovered art at at about age thirteen when his mother gave him a set of oil paints, and his first painting - a snowy castle on a hill - was similar to those he still creates. When he was sixteen, McKnight's choice of career was confirmed by the famous designer and art director of Harper's Bazaar, Alexey Brodovitch, who told him that he "had it".
After growing up in various suburbs of Washington, D.C., Montreal, and New York, he attended Wesleyan University, a small liberal arts college in Middletown, Connecticut, where he was one of only five art majors. Perhaps this fostered his independent, even eccentric, approach to the art "isms" of his time.
Since deciding to devote himself to painting full time in 1972, McKnight’s work has been exhibited in over two hundred and fifty one man shows through out the United States, Europe and Japan, and has appeared everywhere from the cover of Reader’s Digest to pages of Japanese calendars to the walls of restaurants in southern China. His prints have appeared in numerous movies and television shows including Beverly Hills 90210 and When Harry Met Sally. At a recent Cannes Film Festival, actor director Robert Redford remarked that McKnight was his favorite artist. McKnight's private, public, corporate and museum collections are too numerous to list here.
His work began to sell, although slowly, in America and Germany. In the early 1980's he discovered a larger audience by creating limited edition serigraph prints. By then he had found that, for his work at the time, the silkscreen technique was a natural choice - its brilliant colors and clean shapes echoed his own visions.
Throughout the 1980s McKnight’s art became increasingly popular, and by the end of the decade he was at the top of his field: six books (including two in Japanese) had been devoted to his work, and hundreds of silkscreen editions had been sold. His art was perhaps even more well-known in Japan, where he was commissioned to paint a series of views of Kobe for the city’s 1993 fair.
In 1994 he was commissioned by the White House to paint the first of three images for President Clinton’s official Christmas card. In the middle of the nineties McKnight deepened his visions, and in the process began to paint larger and more built-up canvases. McKnight’s work is represented in the permanent collection of New York’s Metropolitan Museum of Art, as well as in the Smithsonian Institution.
Today, McKnight and his wife live in a large neo-colonial house in the picturesque village of Litchfield, Connecticut. He has converted the top floor to a loft-like studio where he spends most of his time reading, dreaming, and creating pictures of real and imagined Arcadias.