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Aurele Meissonier (1695-1750) French
He was born at Turin, but became known as a worker in Paris,
where he died. His Italian origin and training were probably
responsible for the extravagance of his decorative style. He
shared, and perhaps distanced, the meretricious triumphs of
Oppenard and Germain, since he dealt with the Baroque in its
most daring and flamboyant developments.
Rarely does he leave a foot or two of undecorated space; the
effect of the whole is futile and fatiguing. It was because
Meissonier carried the style of his day to its extreme that
he acquired so vast a popularity. Like the English brothers
Adam at a later day he not only as architect built houses, but
as painter and decorator covered their internal walls; he designed
the furniture and the candlesticks, the silver and the decanters
for the table; he was as ready to produce a snuff-box as a watch
case or a sword hilt.
Not only in France, but for the nobility of Poland, Portugal
and other countries who took their fashions and their taste
from Paris, he made designs, which did nothing to improve European
taste. Yet his achievement was not wholly without merit. His
work in gold and silver-plate was often graceful and sometimes
bold and original. He was least successful in furniture, where
his twirls and convolutions, his floral and rocaille motives
were conspicuously offensive. He was appointed by Louis XV Dessinateur
de la chambre et du cabinet du roi; the post of designer pour
les porn pes funbres et galantes was also held along with that
of Orfevre du roi.
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