George Lee Quiñones (born 1960) is an American artist and actor of Puerto Rican ancestry. He is one of the several artists rising from the New York City Subway graffiti movement.
Quiñones was born in Ponce, Puerto Rico, to Puerto Rican parents but raised in the Lower East Side section of New York City, New York. Lee started drawing since the age of five.
He started with Subway Graffiti in 1974. By 1976, Lee was a legend, working in the shadow, leaving huge pieces of graffiti art across the subway system. As a subway graffiti artist, Lee almost exclusively painted whole cars, all together about 125 cars. Lee was a major contributor to the first-ever whole-train, along with DOC, MONO and SLAVE.
In November 1976, ten subway cars were painted with a range of colorful murals and set a new benchmark for the scale of graffiti works. This is documented in an interview with Quiñones in the book "Getting up" by Craig Castleman, MIT Press (MA) (October 1982). Quiñones apperad with several pieces in one of the most sold art books ever, "Subway Art", and the award winning documentary Style Wars. He became an influence for youths worldwide. Several of Quiñones whole cars made in the 70's and 80's has earned iconic status by graffiti writers all over the world, many of the pieces are only documented in cheap instamatic photos. "The Hell Express", "Earth is Hell, Heaven is Life", "Stop the Bomb" are some of Quiñones paintings that ran for months. Quiñones pieces were left untouched by other writers and some of them ran for years. Thousands of writers were painting on subway cars at that time.
Quiñones often added poetic messages in his pieces. "Graffiti is art and if art is a crime, please God, forgive me" is one of his most famous quotes. Except for subway cars, Lee also painted huge handball court murals in his neighbourhood, i e “Howard the Duck,” the first whole handball court mural, in the spring of 1978 outside of his old High School.
Quiñones was one of the first street artists to transition away from creating murals on trains and begin creating canvas-based paintings. The 1979 exhibition of his canvases at Claudio Bruni’s Galleria Medusa in Rome introduced street art to the rest of the world.