Richet began exhibiting in the Paris Salons in 1869. At the Salon of 1885, he was awarded honorable mention and he was awarded a second place medal in the Salons of 1888 and 1901.
Richet’s best known landscapes are those set in the forest Fountainbleau where Richet depicts a figure on a tree-lined path or standing by a lake or pond. In these paintings we can very easily sense that, passionately inspired by Diaz’s work, Richet strove to capture the profoundly agrarian aspect of nature, and that he sought to study the effects of light in much the same way the Impressionists would do only a few years later.
Like many painters of the 19th century, Richet traveled extensively. He painted in the countryside of Auvergne, Picardie, and seascapes in Tréport and as far away as Guéret in the center of France. He even traveled to Belgium. His subjects were not limited to Barbizon or the Fountainbleau forest. Richet wanted to record the nature and the effects of light on the diverse landscapes of his travels.
Leeds Museum, Forét de Fountainbleau
Montréal Museum, Vieux Chênes and Forét de Fountainbleau
Musee de Nice, Paysage
Musee de Reims, Paysage avec marais
E. Benezit, Grund, vol.VIII, pg. 742
Thieme Becker Lexikon
Index of Artists, Mallet
Dictionnaire des Petits Maîtres de la peinture 1820-1920, Gérald Schurr & Pierre Cabanne, vol. I, pg. 336, illustrated pg. 337