Dorothea Rockburne

Sets, Series, and Suites, Contemporary Prints, catalogue to accompany exhibition. Ackley, Clifford S. (Curator of Prints and Drawings), Museum of Fine Arts, Boston, January 19 – May 30, 2005, checklist 45, with reproduction.

Boca Raton Collects, A Visual Feast of Promised Gifts and Bequests, Selections from the Dani and Jack Sonnenblick Collection and the Isadore Friedman Collection, catalogue to accompany exhibition. Blazier, Wendy M. (Senior Curator), Boca Raton Museum of Art, January 26-April 17, 2005, p. 12, with reproduction.

2004 “Dorothea Rockburne and Klaus Kertess in Conversations with Bill Bartman,” The Brooklyn Rail, December 2004 – January 2005, pp.22-23.

Cooper, Bernard. “Bare Essentials, Minimalism reveals surprising vitality in MOCA’s massive retrospective,” Los Angeles Magazine, Arts Section, pp102-104.

Bois, Yve-Alain. “Black-Box Theater, Specific Objections,” Artforum International, Summer 2004, pp. 194-203, 289.

Dove, Amy. “A Minimal Future? Art as Object 1958-68, MOCA Los Angeles,” Flash Art, Vol. XXXVIII, No. 236, May-June 2004, p. 78

Lacayo, Richard. “Blunt Objects,” Time Magazine, May 24, 2004, pp. 75-76.

Schjeldahl, Peter. “Bare Minimal, Views from New York and Los Angeles,” The New Yorker, May 3, 2004, pp. 108-109.

Haithman, Diane. “Little Goes a Long Way,” Los Angeles Times, May 2004, Calendar Section.

Richards, Judith Olch (editor). Inside the Studio, Two Decades of Talks with Artists in New York. Independent Curators International (ICI), New York, NY. Pages 154-157.

2003 Temin, Christine, "A Different Dimension of Serra," The Boston Globe, December 17, 2003, p. E7.

Davis, Reed, "The Morning After," ArtForum, March 2003, p. 210.

"Design Academicians," The New York Sun, Arts & Letters Section, March 3, 2003.

Saltz, Jerry, Out of Line,The Village Voice, June 27, 2003, p. 27.

Waltemath, Joan, "in conversation: John Yau with Joan Waltemath," The Brooklyn Rail, Art Section, April, 2003.

2002
Wei, Lily. Watching the Skies, except from Art in America, April 2000, p. 132, ARTEMIS Fine Arts, 2003, p. 60-61.

Reed, David, "The Morning After", ArtForum, March 2003, pg. 210.

Johnson, Linger, Art Guide, The New York Times, June 28, 2002

Dunham, Carroll, "Road Fool," Artforum, October 2002, pg. 136.

2001
Brenson, Michael, Visionaries and Outcasts: The NEA, Congress, and the Place of the Visual Artist in America, New York, The New Press, 2001.

Ratcliff. Carter, "Paper Remade in 1960s conceptualism," Art on Paper, April 2001, p. 54-61.

Saltz, Jerry, "Wall Power," The Village Voice, January 30, 2001, pg. 69.

Reed, David, "Making Waves", Artforum, October 2001, pg. 122.

2000
Glueck, Grace, "Six Abstract Artists at the Millenium", Art in Review, The New York Times, February 18, 2000, pg. E44.

Lloyd, Ann Wilson, "Allowing a Long-Interred Past Out of Its Containers" The New York Times, March 12, 2000, Art/Architecture, pg. 25.

Ratcliff, Carter, Out of the Box: The Reinvention of Art, 1965-1975, New York, Allworth Press, 2000. p. 96-97, 274 (Drawing Which Makes Itself, illustrated, pg. 94).

Smith, Roberta, "Dorothea Rockburne "10 Years of Astronomy Drawings, 1990-2000Õ" The New York Times, March 24, 2000

Wei, Lilly, "Watching the Skies," Art in America, April, 2000, p. 128-133.

Zimmer, William, Connecticut Supplement of the New York Times, March 13th, 2000.

1999
Bee, Harriet Schoenholz (ed.), MoMa Highlights, New York: Harry N. Abrams, 1999, page 277 (Scalar illustrated).

Butler, Cornelia, Afterimage: Drawing Through Process. Cambridge, MA: The MIT Press, 1999.

Friends of Art and Presentation in Embassies Newsletter, vol. 3, no. 1, Fall 1998/ Winter 1999.

Rowe, Noel, "A Sampling of Americana" The Southampton Press, August 26, 1999.

Smith, Roberta, "Conceptual Art: Over, and Yet Everywhere," The New York Times, Sunday, April 25th, 1999, Art and Leisure, page 1, 38.

Smith, Roberta, "Art Rediscovers a Home On the Upper East Side," The New York Times, Friday, April 30, 1999, Weekend, Fine Arts Leisure, page E31.

Wei, Lilly. "The Art of Comets." Essay for brochure The Art of Comets, University of Michigan, Ann Arbor, MI, 1999.

1998
Bradley, Karla and Schwartz, Joyce (eds.). Defining Structures. Charlotte, North Carolina; LaSalle Partners at Nations Bank.

Brody, Jacqueline (ed.). Paper. Works on Dieu Donné Paper. New York, NY: Published and organized by Dieu Donné Papermill, Inc.

Cajori, Marion, "Chuck Close: A Portrait in Progress," MUSE film and Television and The Art Kaleidoscope Foundation and Thirteen/WNET; 1998.

Carrier, David. Garner Tullis and the Art of Collaboration. New York: David Carrier, 1998. P. 134. (Untitled Monoprint with Pastel 1992-94).

Cotter, Holland. "An Era Still Driven to Abstraction," Art Review, NY Times, 1997.

Ehrhart, Shannah (ed.) After the Fall: Aspects of Abstract Painting Since 1970. New York, NY: Milanostampa. p. 92, 147.

Fine, Ruth E. Thirty ÐFive Years at Crown Point Press: Making Prints, Doing Art. Los Angeles, California; University of California Press, p. 82, 88.

Fichner-Rathus, Lois, Understanding Art/Fifth Edition. Engelwood Cliffs, NJ; Paramount Publishing (Arena IV), p. 41.

Kesten, Joanne (ed.) The Portraits Speak; Chuck Close in conversation with 27 of his Subjects. New York, NY: Art Press.

Newhouse, Victoria, Towards a New Museum, New York, NY; The Monacelli Press Inc., p. 50, 74, 75.

Nicholson, Stuart. "Dorothea Rockburne, Choosing Figures of Significance," Cover Magazine, (photo: Timothy Greenfield-Sanders), August 1997, Vol. 11, #3, p. 30.

Scobie, Ilka, "Broome Street Walkabout" NY Arts. New York, NY; May 1998.

Sewall-Ruskin, Yvonne, "Too Bad We’re Not in Max’s Kansas City Anymore", New York Magazine, November 9, 1998, p. 39-40.

Wilkinson, Jeanne. "After the Fall: Aspects of Abstract Painting Since 1970," Review Art Magazine, May 15, 1997. p. 11-12.

1997
Sterling, Susan Fisher, Women Artists, Abbeville Press, p. 260-261.

1996
Berriolo, Elena and Flexner, Ronald. "Art in the Folds," New Observations, Issue #10, Jan.-Feb. 1996, pg. 16 (Egyptian Painting Saggarah, 1979).

Gardner, Paul. "Pleasure, Pain & Protocol." ARTnews, March 1996.

"More Than Minimal: Feminism and Abstraction in the 70s," Best of Boston (review of catalog), Boston Magazine, August 1996.

Morton, Adam. Philosophy in Practice. Cambridge, Massachusetts: Blackwell Publishers Inc. Cover illustration.

Piras, Sebastiano. Artists Exposed. Nuoro, Italy: Ilisso, 1996.

Stapen, Nancy. "More than Minimal: Feminism and Abstraction in the ’70s," Artnews, September 1996. p. 138.

Unger, Miles. "Needful Things: Feminism and Abstraction," Art New England, August/September, 1996.

Wilson Lloyd, Ann. "More Than Minimal: Feminism and Abstraction in the ’70s," review, Sculpture, October 1996. p. 62-63.

1995
Art Now Gallery Guide,"The Emotional Life of Trees" at Tricia Collins - Grand Salon, May 1995, p. 26.

Bloch, Ricardo (Ed.) Mortal Remains. Ricardo Bloch and Don Celender, 1995.

Danto, Arthur C."In With the Out Crowd," Artforum, March, 1995 p. 12.

Fichner-Rathus, Lois. Understanding Art/ Fourth Edition. Engelwood Cliffs, NJ: Paramount Publishing (Arena IV) p.39,41.

Goodman, Jonathan. "Top of the Heap, A No. 1," The Gazette, Montreal, Saturday May 6, 1995, Section G, p.4.

Hagen, Charles. Review, The New York Times, May 26, 1995.

Lucie-Smith, Edward. ArToday, Regents Wharf, London: Phaidon Press Limited. p. 324-326 .

Zimmer, William. "Dreams, Landscapes and Wall Paintings" The New York Times. Sunday March 19, 1995. p. 26.

1994
Beckett, Sister Wendy. The Story of Painting. New York: Dorling Kindersley Ltd., 1994. p. 379 (Capernum Gate).

Bergmann, Meredith. The New York Review of Art, Vol. I, No.2, April 1994. p. 16.

Glueck, Grace. "Gallery Watch," The New York Observer, (Emmerich review), February 7, p. 18, 1994.

Goodman, Jonathan. "Dorothea Rockburne," Artnews, (Emmerich review), April, p. 162, 1994.

Green, Denise. "Painterly Thought and the Unconscious," (Katz, Stella, Rockburne), Art Press, 188 International Edition, photographs p.E4 and E6, February, p E1-E6, 1994.

The New Yorker (Emmerich Review), February 7th, p.20.

The New Yorker, (Emmerich review), illustration, February 21st, p. 22.

New York Newsday, "For Art Lovers," Part 2, A 57th Street UserÕs Guide (Emmerich review), January 21, 1994.

Ocvirk, Otto, et al. (Eds.) Art Fundamentals. Madison, WI: Brown & Benchmark, 1994. pp. 65, 73.

Smith, Roberta. " Dorothea Rockburne," The New York Times, Art in Review, Friday February 11, 1994 p. C36.

Stagnos, Nikos (ed.), The Thames and Hudson Dictionary of Art and Artists, New York, 1994, p. 309-310.

"The Print CollectorÕs Newsletter" (Monoprints review), September-October 1994, p. 147.

Wei, Lilly, "Dorothea Rockburne, Stargazer, " Art in America, October 1994 , pages 110-113.

Westfall, Stephen. "Space Extending," Essay for Catalogue: Painting from Nature Exhibition, AndrŽ Emmerich Gallery, 1994.

Zellen, Jody. North California "ArtScene"(Fred Spratt Gallery review), July/ August, 1994, p.4- 5.

1993
Adams, Brooks. "The High Windows, Dorothea Rockburne’s Skyscapes," ARTFORUM, PhotographÕs by Tina Barney, May 1993, p. 78-82.

Brozan, Nadine. "Chronicle- U.S. delegate to United Nations holding party to show off some art," The New York Times, June 22, 1993.

Deuthsch, Claudia H., "Carving Chippendale Into the Sony Image," The New York Times, Sunday February 21, 1993, Section 10, p.1, 13.

Essex, Andrew, "Sheltering the Sky," The New Yorker, April 5, 1993, p.17.

Gan, Stephen. "Dorothea Rockburne," SOHO JOURNAL, (Published by the SoHo Partnership), Fall 1993, photographs and contribution, p. 50-53.

Goodman, Jonathan. "Reaching for the Sky," The Gazette, Photograph by Barbara Yoshida, Decmenber 24, 1993, Art Section.

Kramer, Hilton. "Sony to ’Michelangelo’: Just Stick It In the Corner", The New York Observer, March 1, 1993, p. 1 cont. on p.19.

Manhattan Arts, photographs by Ivan Valtchev, Summer 1993, p. 23.

Metro, Santa Clara Valley’s Weekly Newspaper, "Editor’s Choice- Best Surprise Inside A Crackerjack Box," September 30-October 6, 1993.

Nathan, Jean. "Game, Set and Perspective," New York Times, May 16, 1993, Styles section of Sunday Times.

Pomerance, Murray. "Dorothea Rockburne; A Canadian Star Shines in New York," Canadian Art, Fall 1993, Volume 10, No. 3, p. 47-51.

Saunders, Wade. "Making Art Making Artists," Art In America, January 1993, p. 88-89.

The New York Times, Sunday, February 21, 1993, Section 10, p. 1 cont. on p. 13.

1992
AMACADMY, Newsletter of the American Academy in Rome. Summer 1992, p. 14.

American Art, 1930-1970, Fabbri Editori (Gruoop Editoriale Fabbri, Bompiani, Sonzogno, Etas SpA, Milano, 358416),1992, p. 315.

Art in America, February 1992, p. 24, illustrated.

Betti, Claudia and Teel Sale. Drawing: A Contemporary Approach, (New York: CBS College Publishing, 1986), p. 220. Second printing, page 63.


Danto, Arthur C., "What happened to Beauty?" The Nation, March 30, 1992, p.418-421.

Independent Curators Incorporated, "International Associates Bulletin," Spring July 1992, p.103.

Kimmel, Roberta. In Artists’ Homes. New York, New York: Clarkson Potter.

Nauman & Gobel. Art of This Century, A Drwaing Which Makes Itself, 1992.

Rose, Barbara. "The Abstract Art Renaissance," Art & Auction, April 1992, p. 36-40.

Simmons, Casey Fitz. "Dorothea Rockburne," Artweek, January 30, 1992, p. 11-12.

Strickland, Carol, "For Vincente, at 89, ’No End’ to Maturing," The New York Times, Sunday April 26, 1992.

Westfall, Stephen. "Dorothea Rockburne at Andre Emmerich," Art in America, (photograph Parameters and Perimeters) July, p.103, 1992.

Women Artists: 1992 Engagement Book/Calendar, (New York: Abbeville Press, 1991).

"’The Dream of Egypt’: The Influence of Ancient Wisdom on Modern Art," The Journal of Art, May 1991, p. 14. (illustration only: Egytian Painting: Sepa).

1991
Annual Exhibition, School of Fine Arts, catalogue American Academy In Rome (photograph of Magenta Light), 1991.

Brenson, Michael. "Concentrated Passion of the Circle and the Square," New York Times, February 15, 1991, p. C18.

Burkhart, Dorthy. "Gallery Walls with a Wallop," San Jose Mercury News, November 24,1991, pp. 9, 15.

Contemporary American Women Artists, Cedeco Publishing Company, San

Jones, Alan, "Books in ArtistsÕ Lives, Part II," Arts, February 1991, p.25. May 1991, p. 73.

Morgan, Robert C. "Dorothea Rockburne," (Emmerich review), Arts, Rafael, CA . 1991), p.70 - 73.

Sherman, Anne Elliot. "Curves Ahead," Metro, November 27-December 4, 1991.

Slesin, Aviva, "Voices in Celebration," Aviva Films, New York & the National Gallery of Art. 1991.

The Artist Observed: 28 Interviews with Contemporary Artists, (New Jersey: a capella books, 1991), p.307-314.

Wilson, William. "Famous Figures Relax With Cut, Paste," Los Angeles Times, Calendar, Section F, January 25, 1991, p. F17.

Women Artist: Address Book, (New York: Abbeville Press, 1990)

1990
Bass, Ruth. Reviews, "Dorothea Rockburne," (Emmerich review), Art News, April 1990, pp. 160-161, illustration p. 161.

Brenson, Michael. "New Curator at Modern Challenges Convention," New York Times, December 28, 1990, p. C26.

Brenson, Michael. "Papyrus and Pyramid Power in Art," International Herald Tribune, January 6-7, 1990, p. 5.

Collins, Amy Fine. "Dorothea Rockburne at Emmerich," (Emmerich review), Art in America, April 1990, p. 259.

Cyphers, Peggy. "New York in Review," (Emmerich review), Arts Magazine, March 1990, p.114, reproduction p.113.

Lyon, Christopher, editor. "Contemporary Art in Context," The Museum of Modern Art, p. 61.

Ostrow, Saul. "Dorothea Rockburne," (Emmerich review), Flash Art, May/June 1990, p. 154, illustration p. 155.

Preston, Sandy. "Art Gallery International, Book Review," The Contemporary CollectorÕs Magazine, April 1990, (review of "Lines of Vision"catalogue).

Review of Cut-Ins. Mizue, Autumn 1990.

Rockburne, Dorothea. "Light in Geometry, A Project for Artforum by Dorothea Rockburne," Artforum, May 1990, pp. 142-144.

Yau, John. "Light and Dark," Introdution for the exhibition catalogue, " Dorthea Rockburne: New Work : Cut-Ins," Andreé Emmerich Gallery, New York, December 2, 1989-January 2, 1990.

1989
Abstraction, Geometry, Painting, exhibition catalogue (accompanying travelling show "Abstraction, Geometry, Painting" organized by the Albright-Knox Museum, Buffalo, N.Y.) with an essay by Michael Auping, Harry N. Abrams, Inc. New York, in association with Albright-Knox Art Gallery, 1989, pp. 176-177.

ArtNews Advertising Supplement, ArtNews, October 1989, p. 190.

Art Now Gallery Guide, Boston/ New England Edition, May 1989, p.27, listing of Rose Art Museum exhibition.

Brenson, Michael. "Egyptian Art is Alive and Well in the West," New York Times, Arts & Leisure Section, December 31, 1989, p.33.

Carlock, Marty. "Rockburne’s week is more complex than it seems," (Rose Art review), The Wayland-Weston Town Crier, June 1, 1989, p. 34.

Giuliano, Charles. "Shapes and Colors," (Rose Art review), The Tab, May 30, 1989, p. 49.

Giuliano, Charles. Rose Art review, Art New England, July/August 1989, p. 32.

Gonzalez, Manual. Schedjahl, Peter (editor), "A Biennial Of Our Own," 7 Days, May 3, 1989, pp. 26-27.

Jones, Nancy. "Lives of the Artists," New York Woman, May 1989, pp. 80-81.

"New York Preview- Dorothea Rockburne at Andreé Emmerich Gallery," Art Now Gallery Guide, New York Edition, December 1989, p. 5.

Rose Art Museum; Yau, John.

Stapen, Nancy. "Dorothea Rockburne," (Rose Art review), Art News, September 1989, p. 185.

Stapen, Nancy. "Rockburne an Eye Opener," (Rose Art review), The Boston Herald, June 9, 1989.

Sterling, Susan Fisher. "A Conversation with Dorothea Rockburne," (interview), Newsletter, The National Museum of Women in the Arts ,Washington, D.C., Volume VII, No. 2, Summer 1989.

Taylor, Robert. "Dorothea Rockburne Exhibition is First-rate in Every Way," (Rose Art review), Boston Globe, June 4, 1989, p.A3.

1988
Beckett, Wendy. Contemporary Women Artists, (Oxford:Phaidon Press, 1988), p.94.

"Art Prices: Selling," Seven Days, April 6, 1988.

Bijutsu Techo, October 1988, vol. 40, no.600, pp. 176-178.

Brenson, Michael. "Dorothea Rockburne," New York Times, March 18, 1988, p. C29.

Brenson, Michael. "A New-World Painter Views the Masterpieces of Old-World Innovators," New York Times, April 29, 1988, pp. C1, C36.

"For the Artists of the 1980’s, Pop and Minimal Still a Guiding Spirit," New York City Tribune, March 25, 1988.

Haus, Mary Ellen. Review, Art News, Summer 1988, p. 71.

Higuchi, Sholchiro. "Series 8-1, 2,3: Art in New York Today," IDEA International Art Advertising Magazine, September 1988, Tokyo, Japan, p. 106.

Kaufman, Jason. "Art, Dorothea Rockburne, New Paintings," New York City Tribune, March 25, 1988, p. 10.

Larson, Kay. "What Price Glory?" New York, March 28, 1988, p. 78.

Loughery, John. " Dorothea Rockburne," Arts Magazine, May 1988, p.92.

Mennekes, Friedhelm. "Dorothea Rockburne : Schweigende Bilder," Spuren des mystichen in der modernen kunst, February 1988, pp. 102-103.

Ostrow, Saul. "Dorothea Rockburne," (interview), Bomb, Fall 1988, pp. 30-35.

Review of André Emmerich catalogue, The Print Collector’s Newsletter, May- June 1988.

Smith, Roberta. Review, New York Times, January 13, 1988.

Storr, Robert. " Rockburne’s Wager," Pascal and Other Concerns, introduction to the catalouge for show, André Emmerich Gallery Inc.,March 5, 1988.

Tuchman, Phyllis. "An Artistic Synthesis of Old and New," Newsday, March 24, 1988, pp. 20-21.

1987
Abadie, Daniel (ed.).Le cadre & le socie dans l’art du 20eme siecle, (Paris: Musee Nationald’Art moderne, Centre George Pompidou, 1987).

Artner, Alan G. "Exhibit Provides and Update on Rockburne," Chicago Tribune, February 6, 1987, Section 7, p. 51.

Brenson, Michael. "Art," The New York Times, The Guide, March 9, 1986. p. 2.

Field, Richard S. and Fine, Ruth E. A Graphic Muse: Prints by Contemporary American Women, Hudson Hills Press, New York, 1987.

Gruen, John. "Artist’s Dialogue: Dorothea Rockburne," Architectural Digest, February 1987, pp. 40-47.

Harris, Mary E. The Black Mountain College, M.I.T. Press, Cambridge,MA.

Jones, Amelia. "Room for Conceptual Experimentation," Art Week, December 20, 1987.

Raynor, Vivien. "Exhibitions of Prints at Yale by Women and French Artists," The New York Times, Art Section, December 27, 1987.

Robinson, Walter, compiler, "Victor Ganz," ArtWorld, December 1987, p.176.

Smith, Roberta. "Art: Legendary Influence of Black Mountain College," The New York Times, p. C26, December 4, 1987.

1986
Betti, Claudia and Teel Sale. Drawing: A Contemporary Approach, (New York: CBS College Publishing, 1986), p. 220.

O’Doherty, Brian. "Shapes of Desire," essay for catalogue to the exhibition, "Dorothea Rockburne, A Personal Selection, Paintings 1968-1986, Xavier Fourcade, Inc., New York, NY

Boettger, Suzan. "Dorothea Rockburne," Artforum, Summer 1986, pp. 129-130.

Brenson, Michael. "Art," The New York Times, The Guide, March 9, 1986. p. 2

"Creativity: Six Perspectives," Dialogue: An Art Journal, vol. 9, no. 5, September/ October 1986, p.73, illustration.

Grubb, Nancy. American Watercolors. New York: Cross River Press, 1986. pg. 279.

Gruen, John. "Dorothea Rockburne’s Unanswered Questions," Art News, March 1986, pp.97-101.

Gruen, John. "A Beckoning Stillness," Architectural Digest, February 1987, pp. 40, 44, 46. illustration.

Nygren, Edward, Et al. (Eds.) American Masters. Washington D.C.: Corcoran Gallery Of Art, 1986. P. 98-101.

Philadelphia Collects Art Since 1940, Philadelphia Museum of Art, Philadelphia, 1986, p. 93.

Rockburne, Dorothea. Statement by the artist. White Walls, A Magazine of Writing by Artists, Spring 1986, p. 51.

Rose, Barbara. Twentieth Century American Painting. New York: Rizzoli, 1986. p. 141-42.

Russell, John. " Dorothea Rockburne," New York Times, February 21, 1986.

Sozanski, Edward J. "A Focus on Work of Six Minimalists," The Philadelphia Inquirer, Nov. 20, 1986.

Stavitsky, Gail. "Dorothea Rockburne," Arts Magazine, May 1986, p.104.

Storr, Robert. "Painterly Operations," Art in America, February 1986.

Storr, Robert. " Dorothea Rockburne l’illusion d’une geometrie plane," Art Press, Paris, April 1986, pp.25-29.

Tuchman, Maurice, ed. The Spiritual in Art: Abstract Painting 1890-1986, Los Angeles County Museum of Art, New York: Abbeville Press 1986, pp. 321, illustration.

1985
Bell, Jane. "Dorothea Rockburne: Xavier Fourcade," Art News, May 1985, pp.115-116.

Brenson, Michael. " Dorothea Rockburne," New York Times, March 1, 1985.

Cohen, Ronny. "Dorothea Rockburne " Art Forum, Summer 1985, p.111.

Glueck, Grace. "Art: Modern Shows Off Some of Best Drawings," New York Times, J anuary 11, 1985, p. C19.

Lucie-Smith, Edward. American Art Now (New York: William Morrow & Co., Inc. 1985), pp.21,156.

Melot, Michel and Antony Griffiths and Richard S. Field. Prints, History of an Art, (New York: Skira, Rizzoli 1985).

The Museum of Modern Art, New York, Henry N. Abrams, Inc. New York. 1984. reproductions p. 250 and 320.

1984
Freeman, Phyllis (ed.) New Art, (New York: Harry M. Abrams, Inc.,1984), p. 159.

Glueck, Grace. "Art: Janis Presents American Women," New York Times, January 20, 1984.

Grubb, Nancy and Pastan, Amy (ed.), Gemini G.E.L. Art and Collaboration. Abbeville Press. New York, New York.

Mays, John Bentley. "A Bumpily Uneven Display of Expatriate Art," The Globe and Mail, March 30, 1984.

Raynor, Vivien. "Art: A Pioneer’s Experiments with Abstraction," New York Times, April 6, 1984.

Rockburne, Dorothea, "A Project by Dorothea Rockburne, Putting Together Thoughts on the New Painting," Artforum, October 1984, pp. 72-75.

1983
Donohoe, Victoria. "A Curious Exhibit of 20th Century U.S. Watercolors," Philadelphia Inquirer, September 16, 1983.

"Dorothea Rockburne at Xavier Fourcade," Art News, January 1983.

Glueck, Grace. "Art: Show Honors De Kooning," The New York Times, December 23, 1989.

Hall,Lee. "Material Pleasures," House and Garden, April 1983.

Hapgood, Susan."Drawings: Xavier Fourcade," Flash Art, November, 1983, p. 68.

Herrera, Hayden. " Dorothea Rockburne at Fourcade," Art in America , February 1983, pp. 129-130.

Kuspit Donald. "Dorothea Rockburne", Artforum, March 1983, p.77.

Levin, Kim. "Drawings." The Village Voice, August 9, 1983, p.56.

Marden, Brice, "Dorothea Rockburne," Art News, January 1983, p.141.

Russell, John. "Art: Show of Drawings at Xavier Fourcade," The New York Times, July 29, 1983, p.C20.

Russell, John. "It’s Not ’Women’s Art’ It’s Good Art, " The New York Times, July 24, 1983.

Smith, Roberta. "Reductivism Reduce," The Village Voice, February 22, 1983.

1982
Abstract Drawings 1911-1981, catalogue to accompany 1982 exhibition of selection from the Permanent Collection at the Whitney Museum of American Art, New York.

Architectural Digest, April 1982, p. 105, illustration.

"Editors Choice: Selected Gallery Previews," Portfolio, vol. IV, no. 6, Nov./Dec. 1982, p. 22, illustration.

Frank, Elizabeth. "Dorothea Rockburne at Xavier Fourcade," Art in America January 1982, p.138.

Glueck, Grace. "Art," The New York Times, October 10, 1982.

Goodman, Vera. "Women of the Americas Exhibit Excellence," New Directions for Women, Nov/Dec 1982.

Larson, Kay."Women by a Woman," New York, November 22, 1982.

Mays, John Bentley. "Rockburne Show Touches the High Points," The Globe and Mail, November 1982.

Miller, Steven Paul. "Rockburne at Xavier Fourcade," The Art Gallery Scene, through Dec. 4, 1982, reproduction, "Messenger Angel: Uriel."

Prints by Contemporary Sculptors, catalogue to accompany 1982 exhibition of Selections at Yale University Art Gallery, New Haven, CT.

Russell, John. "In the Arts: Critics Choices," The New York Times, October 31, 1982.

Smith Howard. "Here Today Gone Tomorrow," The Village Voice, November 9, 1982.

Smith, Roberta. "Abstraction Simple and Complex," The Village Voice, November 23, 1982.

1981
Abatt, Corinne. "Paintings Destined for Brief Life," The Eccentric, Thurs. January 22, 1981 p. B1C.

Alexander, Chris. "Ars Brevis" (Texas Gallery review), Performing Arts Magazine, February 1981, p.22.

Baker, Kenneth. "Dorothea Rockburne’s Egyptian Paintings," Artforum, April 1981, p..24-25.

Colby, Joy Hakanson. "Cranbrook’s TKO," Detroit News, February 8, 1981.

Crossley,Mimi. Texas Gallery review, Houston Post, February 9, 1981.

Evaul, W. H. "Printmaking Ensuite with Rauschenberg, Rockburne, and Le Witt," Print Review, 1981, no. 14, pp.70-73.

Kalil, S. "Geometric Order and Subversion" (Texas Gallery review), Artweek, February 28, 1981, p.24.

Larson, Kay. "Dorothea Rockburne," New York, October 26, 1981, p.95.

Melot, Michel (Ed.). History of Art: Prints. New York: Rizzoli, 1981. p. 224-26.

Oakland Press, "Viewpoint ’81 Opens," Feb. 8, 1981.

Phillips, Deborah C. "Dorothea Rockburne," Fourcade review). Art News, December 1981, pp.173, 175.

Russell, John. "Art: Dorothea Rockburne," New York Times, Weekend Section, September 25, 1981. p.26.

1980
Art News, cover photograph, October 1980, issue about women artists.

Bertolo, Diane. "Paper Exhibition Shown Innovation, Variety," Buffalo Evening News, Sept. 16, 1980.

Blackwood, Michael and Rosen, Nancy. "14 Americans: Directions of the 1970’s," film distributed by Blackwood Productions, Inc. New York.

Branche, Bill. "With Paper, About Paper shows versatility of the unusual medium," Niagra Falls Gazette, Sept. 25, 1980.

Cleaver, Dale G. Art: An Introduction, 1980, illustration. Colby, Joy Kakanson. Focus/Art, Detroit News, Jan. 21, 1980 (review of Cranbrook Show).

Drawings: The Pluralist Decade, catalogue to accompany 1980-81 exhibition at Venice Biennale; ICA, Philadelphia; and other European stops, catalogue essays by John Neff, Rosalind Krauss, Richard Lorber, Edit Deak, John Perrault, and Howard Fox.

Huntington, Richard. "Throwaway Paper Put on a Pedestal," Buffalo Courier Express, Sept. 21, 1980.

Kuspit, Donald. "Exotic Modernism: Toronto," Vanguard, November 1980, p.23.

Lucie-Smith, Edward. Art in the Seventies, (Ithaca: Cornell University Press, 1980), p.40.

Miller, Donald. "Art Exhibit Attains Contemporary Heights," Pittsburgh Post-Gazette, Wednesday April 16, 1980.

Rose, Barbara. Vogue, review of Michael Blackwood’s film, "14 Americans: Directions of the 1970’s," Nov. 1980.

Rose, Barbara. American Painting: The Twentieth Century. New York: Rizzoli, 1980. p. 133,34.

The Seventies: New American Painting, catalogue to accompany traveling ICA exhibition, "The 70s : New American Painting," essay by Allan Schwartzman and Kathleen Thomas.

With Paper, About Paper, catalogue to accompany travelling ICA exhibition at Albright Knox Art Gallery, Buffalo, New York, essay by Charlotte Kotik.

1979
Bell, Tiffany. "Dorothea Rockburne," (John Weber review), Arts Magazine, January 1979, pp.44-50.

Brown, Milton (Ed.). American Art. New York: Harry N. Abrams, 1979. P. 573-74, illustration p. 630.

Cleaver, Dale G. Art : An Introduction, 4th ed.(New York: Harcourt Brace Jovanovich, 1980), pp. 440.

"Dorothea Rockburne, John Weber." (review) Flash Art, January- February 1979, p.39.

Perrone Jeff. "Working Through Fold by Fold," Artforum, January, 1979, pp. 44-50.

Saltzman, Cynthia. "Dorothea Rockburne"(John Weber review) Art News, January 1979, p. 156.

Thornson, Victoria (ed.) Great Drawings of the Twentieth Century, vols. I & II (Redding: Talisman Books,1979).

1979 Biennial Exhibition, catalogue to accompany 1979 exhibition at Whitney Museum of American Art, New York.

1978
Drawing: Structure and Curve, catalogue to accompany 1978 exhibition at John Weber Gallery, essay by Michael Marlais.

Lubell, Ellen, Review, SoHo Weekly News, November 9, 1978, p.34.

Olson, Roberta, " An Interview With Dorothea Rockburne ," Art in America, November/ December 1978, p.141-145.

Paper, catalogue, The Dayton Art Institute, 1978 contemporary Drawing/ New York, catalogue, University of California, Santa Barbara, 1978.

Paper, catalogue to accompany 1978 exhibition at Touchstone Gallery, New York, essay by Eric Siegeltuch.

Russell, John. "Gallery View," New York Times, November 19, 1978, p. D31.

Senie, Harriet. Review. New York Post. November 11, 1978, p.17.

1977
Frank, Peter. "Dorothea Rockburne," Womanart, April 1977, p.42.

Glynn, Eugene. "Museum and Dealers Catalogues," The Print Collector’s Newsletter, Jan.-Feb. 1977, p. 185.

Lubell, Ellen, "Dorothea Rockburne "(John Weber review), Arts Magazine, January 1977, p. 35.

Murray, Nancy. "Dorothea Rockburne" Parachute, Spring 1977, pp.35-37.

Rubenfien, Leo. "Beating the System," Artforum , January 1977,pp. 48-50.

Russell, John. Review. New York Times, January 21, 1977, p. C14.

Shapiro, L. S. John Weber review, Art in America, March 1977, p.112.

1976
Beamguard, Bud. "Prints by New York Artists," Newsweek, November 20, 1976, pp.1,16.

Bourdon, David. "Three Women Manipulate Geometry, Earth and Old Masters," The Village Voice, November 14,1976.

Foote, Nancy. "Drawing the Line," Artforum, May 1976, pp. 54-57.

Green, Robert L. "The Global Table," Clipper, Los Angeles, CA., Nov. 1976, p. 22.

Kutner, Janet. "Visceral Aesthetics of A New Decade’s Art," Arts Magazine, December 1976, p.100.

Lippard, Lucy. From the Center , (New York: E.P. Dutton & Co., Inc., 1976), p.64.

Rose, Bernice. Drawing Now, The Museum of Modern Art, New York: 1976, p. 81.

Rubinfien, Leo. "Beating the System," Artforum, Jan. 1977, p. 48.

Russell, John. "’Drawing Now’, One Of The Modern’s Best," New York Times, January 24, 1976.

Seventy-Second American Exhibition, catalogue, The Art Institute of Chicago, Chicago, IL. introduction by Anne Rorimer.

Smith, Roberta. "Drawing Now (And Then), Artforum, April 1976, p. 52.

Spector, Naomi. "New Color Work by Dorothea Rockburne," Dorothea Rockburne: Working with the Golden Section, 1974-76, p.7, JWG, New York.

Three Decades of American Art Selected by the Whitney Museum, catalogue, The Seibu Museum of Art, Tokyo, Japan, 1976, p. 50.

Today/Tomorrow, catalogue, Lowe Art Museum, University of Miami, FL., 1976, introduction by Paul E. Thompson.

Zeichnung Heute- Drawing Now, catalogue, Kunsthaus Zurich, Switzerland, 1976, p. 63.

1975
Adams, Eleanor. "Artists did Their Thing-Viewers Thought Theirs," The Cincinnati Enquirer, Jan. 9, 1975.

Battcock, Gregory. "Art in America: Confusione," Domus, March 1975, p.55.

Pleynet, Marcelin. "Tendances actuelles de la nouvelle peinture americaine," Art Press, Paris, September/October 1975, p.43.

Pleynet, Marcelin. Tendances Actuelles de la Nouvelle Peinture Americaine, catalogue, Musee dÕArt Moderne de la Ville de Paris, 1975.

Smith, Roberta. "34th Biennial of Contemporary American Painting, Corocoran Gallery of Art." Artforum, May 1975, p.71.

"Huit Jeunes Aristes au Museum of Modern Art," Art Press, Paris, Dec.-Jan. 1975, p.22.

Brown, Ellen. "Artist Who Ask You to Peer Inside Their Minds," Cincinnati Post, Jan. 1975.

Findsen, Owen. "The Square Root of Art," Cincinnati Enquirer Jan. 12, 1975.

Burkait, Michal. "Minimal Links in Space," Jan. 24,1975 Cincinnati, Olt.

Richard, Paul. "Corcoran’s Biennial: The Art of Show Biz," The Washington Post, Feb. 21, 1975, p.B1.

Russell, John. "Corcoran American Art Biennial is Uneven," The New York Times, Wed. March 5, 1975, p.29.

Pleynet, Marcelin. "De La Couleur àla Ligne," Peinture Cahiers Theoriques 10/11, December 1975, p.37.

1974
Ratcliffe, Carter. "Dorothea Rockburne: New prints," Print Collector’s Newsletters, May - June 1974, p. 30, illustration p. 31.

Anderson, Laurie. "Line as Language, Six Artists Draw," Review, Art News, Summer 1974, p. 113.

Rockburne, Dorothea. "Notes to Myself on Drawing," Flash Art, April 1974, p. 66.

Gilbert-Rolfe, Jeremy. "Line as Language: Six Artists Draw," Review, Artforum, June 1974, p. 67.

Art-Rite, Summer 1974, cover.

Russell, John. "Art: Refreshing Museum Shows," New York Times, August 24, 1974, p. 22.

Plagens, Peter, "Abstract Painting in California," Studio International, July - August 1974, p. 35.

Plagens, Peter. "Peter and the Pressure Cooker," Artforum, June 1974, pp. 28-33.

Russell, John. "Eight of Today’s Artists Exhibit at the Modern," New York Times, Sunday, oc 9, 1974, p. 52.

Bourdon, David. "The Mini-Conceptual Age," Village Voice, oc 17, 1974, p. 40.

Hughes, Robert. "Eight Cool Contemporaries," Time, no 11, 1974, p. 98.

Hess, Thomas. "Rules of the Game," New York, no 4, 1974, p. 92.

Hess, Thomas. "Rules of the Game, Part II: Marden and Rockburne," New York, no 11, 1974, p. 101.

Kozloff, Max. "Traversing the Field... Eight Contemporary Artists at the MOMA," Artforum, December 1974, p. 44.

Russell, John. "A Breath of Fresh Air at the Modern," New York Times, oc 20, 1974, p. D35.

Read, Herbert. A Concise History of Modern Painting. Thames and Hudson, Ltd. London, 1974. Reproduction p. 367, listing p.389.

1973
Mayer, Rosemary. Review, Arts Magazine, April 1973, p. 74.

Boice, Bruce. Review, Artforum, April 1973, p. 77, illustration, Drawing Which Makes Itself, 1973.

Goldberg, Lenore, "A Renewal of Possibilities," Arts Magazine, March 1973, p. 33, illustration, Drawing Which Makes Itself, 1973.

Smith, Roberta. "The Whitney Biennial: Four Views," Arts Magazine, March 1973, p.65.

Stitelman, Paul. "The Whitney Biennial: Four Views," Arts Magazine, March 1973, p.66.

Mayer, Rosemary. Review, Arts Magazine, March 1973, p. 72.

Crimp, Douglas. "Judd, LeWitt, Rockburne," Art News, March 1973, p. 71, illustration p. 72, Drawing Which Makes Itself.

Boice, Bruce. Dorothea Rockburne’s New Work, Hartford Art School, Hartford, CT , 1973.

Kraus, Rosalind. "Sense and Sensibility," Artforum, November 1973, p. 43, illustration p. 49, Drawing Which Makes Itself, 1973.

Boice, Bruce. "Il Nuovo Lavoro di Dorothea Rockburne," Data, Summer 1973, p. 36-41, illustrations, Domain of the Variable, 1972, Drawing Which Makes Itself, 1973,( M.G.); Drawing Which Makes Itself, 1973, (X.S.); Drawing Which Makes Itself, 1973, (pavimento).

Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972, Praeger Publishers, New York, 1973, p. 248.

Works in Space (catalogue). San Francisco Museum of Art, 1973. Introduction by Suzanne Foley.

Frankenstein, Alfred, "Exploring Galleries of Space," San Francisco Examiner and Chronicle, February 18, 1973, p. 37- 38.

Pincus-Witten, Robert. "Thought Itself is the Subject of this Art," New York Times, May 13, 1973, p. 23, illustration, Drawing Which Makes Itself, 1973 (New Haven).

Thomsen, Barbara. Review, USAA, May -June 1973, p. 99.

Young American Artists: Drawings and Graphics, catalogue, Copenhagen 1973, introduction by Steingrim Laursen.

Some Recent American Art, catalogue, National Gallery of Victoria, Melbourne, Australia, 1973, introduction by Jennifer Licht.

Crimp, Douglas. "New York Letter," Art International, April 1973, p. 59.

Borden, Lizzie. "Art Economics and the Whitney Drawing Show," Artforum, October 1973, pp. 85-88.

Rees, R.J. "Review," (Lisson review), Studio International, June 1973, p. 295, illustration, XÕs (Isomorphic Structure), 1973.

1972
Borden, Lizzie. "New York-Group Drawing Show, Bykert Gallery," Artforum, February 1972, p. 88, illustration p. 79, To Situate.

"Dorothea Rockburne" Artforum, March 1972, pp. 28-34, includes:
Bochner, Mel. "Dorothea Rockburne: A Note by Mel Bochner,"pp. 28.
Pincus-Witten, Robert, editor. "Works and Statements," pp.29-33.
Licht, Jennifer. "An Interview with Dorothea Rockburne," pp. 34-36.
diary entry October 27, 1971, p. 36.
Illustrations: front cover, Z (from Domain of the Variable), 1971-72; p.28, Untitled, 1969; p. 29, Three, 1970; p. 30, Set, 1970, Sign, 1970; p. 31, Group/And, 1971, Group/And, 1971; p. 32, Leveling, 1970, Disjunction/Or, 1970; p.33, Intersection, 1971, Scalar, 1971, p.34, Y (from Domain of the Variable), 1971-72; p.35, Gradient and Fields, 1971.

Wolmer, Denise. Review, Arts, March 1972, p. 58, illustration p. 59, Domain of the Variable

Licht, Jennifer. "Work and Method, Dorothea Rockburne Discusses Her Recent Work With Jennifer Licht," Art & Artists, March 1972, p. 32-35, illustrations, Disjunstion/Or, 1970, Intersection, 1971, A.C. &D., (from Group/And), 1970.

Hafif, Marsha. "A Fusion of Real and Pictorial Space," Arts, March 1972, p. 33, illustration p. 35, Domain of the Variable

Kurtz, Bruce. "Documenta 5: A Critical Preview," Arts Magazine, Summer 1972, p. 30, illustration p. 39, Syllogism, 1972 (and "Notes on Syllogism").

Bykert review. Art in America, January 1972, p. 41.

Rosenstein, Harris. Bykert review. Art News. March 1972. p. 53, illustration p. 12, Z (from Domain of the Variable), 1971-72.

Borden, Lizie. "Cosmologies," Documenta review, Artforum, October 1972, pp.45-50.

Trini, Tommoso. "Kassel Sana in Monaco Sano," DATA, Summer 1972, p. 76, illustration p. 76, Syllogism, 1972.

Jacobs, Jay. "Pertinent & Impertinent: ‘Art in Process’: An Observer’s Notes," The Art Gallery, March 1972, pp. W11-W13.

deJong, Connie. "New York Miscellaneous," Bykert review, Artitudes, February 1972, p. 14.

Rockburne, Dorothea. "Considerations of Procedure on the Series Carta Carbona," Flash Art, September/October 1972, p. 6, illustration, p. 6.

1971
Ratcliffe, Carter. "New York Letter," Art International, February 20, 1971, p. 69, illustration, detail of Disjunction/ Or, 1970.

Pincus-Witten, Robert. Review, Artforum, February 1971, illustration p. 75, A.C.&D., 1970.

Siegal, Jeanne. "Reviews & preview," Art News, January 1971, p.57.

Baker, Elizabeth. "Sexual Art Politics," Art News, January 1971, p.47, illustration p. 48, Sign, 1970.

Pincus-Witten, Robert. Review, Artforum, June 1971, p. 80, illustration p. 80, Intersection, 1971.

Muller, Gregoire. "Materiality and Painterliness," Arts, September - October 1971, p.34, illustration p.35, Disjunction Or, 1971.

Pleynet, Marcelyn. Art International, May 20, 1971, p. 78, illustration p. 79, A and B, 1970.

Davis, Douglas. "Art - The Invisible Woman Is Visible," Newsweek, November 15, 1971, p. 130.

Domingo, Willis. Bykert review, Arts, February, 1971, p. 56.

Rose, Barbara. "New Art in Action in Minneapolis," Vogue, June 1971, p. 70.

1970
Pincus-Witten, Robert. Review, Artforum, September 1970, p. 75, illustration p. 75, Set, 1970.

Perreault, John. "Art", Village Voice, December 17, 1970, p. 25-27.

1969
Rose, Barbara. American Painting: The Twentieth Century, Skira/Geneva, Rizzoli International Publications, New York.