| Richard
Serra (American, 1939 - )
Born San Francisco, CA
BFA and MFA, Yale University New Haven, CT
BA, University of California at Berkeley Berkeley, CA
Known for large-scale steel sculpture of geometric designs, has
created site-specific pieces that make three-dimensional designs
in space. He has also made wall reliefs and floor sculpture from
flexible materials that suggest organic shapes. He is committed
to the idea of utilizing quality materials and to the concept
that process is as important as the final result.
Serra was born in San Francisco and attended college at Berkeley
and Santa Barbara, majoring in English Literature. He studied
art at Yale University, earning a B.F.A. and an M.F.A. in 1964.
There he worked with Josef Albers and came into contact with
many leading artists of the New York School (Abstract Expressionists).
He also had a job working in a steel plant, which had lasting
influence on his career. On a Fulbright Scholarship, he studied
in France and Italy. In 1977, he married Clara Wyergraf.
In addition to steel as a medium for his sculptures, Serra
has utilized rubber belts, neon tubes, molten lead, and large
metal slabs. In 1968 he made his first "Splash-piece,"
where molten lead was thrown against the point at which floor
and wall meet. His 'Prop series" began around 1969 and
involved placing large lead sheets against each other, several
yards apart, or hung from ceilings. Many of his pieces are enormous
three-dimensional configurations from steel beams and steel
plates. His goal is to "create a 'field force . . . so
that space is discerned physically rather than optically' "
(Baigell 323).
Based in New York City, Serra has traveled extensively to oversee
his numerous site-specific sculptures including one for Videy
Island near Reykjavik, Iceland. Consisting of nine pairs of
basalt columns along the periphery of the island, it has been
the most time consuming of his works. He also spends several
months a year on Cape Breton island in Nova Scotia "to
fill up the reservoir."
| Exhibitions |
| 1999 |
Richard Serra: New Etchings: Torqued Ellipses
and Rounds, Gemini G.E.L. Los Angeles, CA |
| 1998 |
Richard Serra: Rounds, Eleven New Drawings, Galerie m
Bochum, Germany |
| 1998 |
Richard Serra, The Geffen Contemporary at the Mus. of
Contem. Art Los Angeles, CA |
| 1998 |
Richard Serra: Weight and Measure Drawings, Gagosian Gallery
New York, NY |
| 1997 |
Leone and Macdonald/Richard Serra, , Rena Bersten Gallery
San Francisco, CA |
| 1996 |
"Weight and Measure" Etchings and Ike and Tina:
a Drawing Installation, Matthew Marks Gallery New York,
NY |
| 1996 |
Richard Serra Drawings, Galerie Nieves Fernandez Madrid,
Spain |
| 1996 |
Richard Serra: Weight and Measure Etchings, John Berggruen
Gallery San Francisco, CA |
| 1996 |
Richard Serra: Prints, International Biennial of Easel
Graphik Kaliningrad-Konigsberg, Russia |
| 1996 |
Richard Serra: Thirteen Intaglio Prints, Gemini G.E.L.
Los Angeles, CA |
| 1995 |
Richard Serra: To Whom it May Concern, Matthew Marks Gallery
New York, NY |
| 1995 |
From Bauhaus to Pop: Masterworks Given by Philip Johnson,
The Museum of Modern Art New York, NY |
| 1995 |
L'Informe; Mode d'Emploi, Centre Georges Pompidou Paris,
France |
| 1995 |
Abstraction in the Twentieth Century: Total Risk, Freedom,
Discipline, Soloman R. Guggenheim Museum New York, NY |
| 1994 |
Beyond Boundaries - Art of the 60s and 70s, San Francisco
Museum of Modern Art San Francisco, CA |
| 1994 |
Sculpture's Maquettes, Pace Wildenstein New York, NY |
| 1994 |
After and Before, The Renaissance Society at the Univ.
of Chicago Chicago, IL |
| 1994 |
The Tradition of the New: Postwar Masterpieces from the
Guggenheim Collection, Soloman R. Guggenheim Museum New
York, NY |
| 1993 |
The Tradition of Geometric Abstraction in American Art
1930-1990, The Whitney Museum of American Art New York,
NY |
| 1991 |
Johns, Kelly, Lichtenstein, Serra: Works Loaned by the
Artists in honor of Neill Rudenstein, Fogg Art Museum, Harvard
University Cambridge, MA |
| 1991 |
Richard Serra: The Afangar Icelandic Series, The Museum
of Modern Art New York, NY |
| 1991 |
Richard Serra: Sculpture and Drawings, Gagosian Gallery
New York, NY |
| 1991 |
Richard Serra: Skulptur, Malmö Konsthall Malmö,
Sweden |
| 1990 |
Richard Serra:Tekeningen/Drawings, Bonnefantenmuseum Maastrict,
Netherlands |
| 1990 |
Richard Serra: The Hours of the Day, Kunsthaus Zurich |
| 1990 |
Image World: Art and Media Culture, The Whitney Museum
of American Art New York, NY |
| 1989 |
The Linear Image: American Master Work on Paper, Marisa
del Re Gallery New York, NY |
| 1988 |
Richard Serra; Graphik, Galerie Cora Hölzl Dusseldorf |
| 1988 |
Richard Serra: Gravures Récentes, Galerie Lelong
Paris |
| 1987 |
Richard Serra: New Editions, Pace Primitive/Prints New
York, NY |
| 1987 |
Richard Serra: Sculpture, Leo Castelli Gallery and Pace
Gallery New York, NY |
| 1985 |
Black: Jasper Johns, Frank Stella, Richard Serra, Akira
Ikeda Gallery Tokyo, Japan |
| 1984 |
Richard Serra: Room Installation and Drawings from "Clara-Clara",
Leo Castelli Gallery New York, NY |
| 1984 |
Richard Serra: Sculpture, Galerie Daniel Templon Paris |
| 1983 |
Gemini G.E.L., Art and Collaboration, National Gallery
of Art Washington, D.C. |
| 1982 |
A Century of Modern Drawing (org. under the Int'l. Council
of MOMA, NY), The British Museum London |
| 1981 |
Richard Serra: Recent Drawings, Blum Helman Gallery New
York, NY |
| 1980 |
Richard Serra: Elevator 1980, The Hudson River Museum
Yonkers, NY |
| 1980 |
91e Salon des Artistes Independants, Grand Palais Paris |
| 1974 |
Art as Language (org. under the Int'l. Council of MOMA,
NY), Museo de Arte Moderna Bogota (traveled) |
| 1973 |
Opinions and Alternatives: Some Directions in Recent Art,
Yale University Art Gallery New Haven, CT |
| 1971 |
Sixth Guggenheim International, The Solomon R. Guggenheim
Museum New York, NY |
| 1968 |
Primary Structure, Minimal pop Art, Anti-Form, Galerie
Ricke Kassel, Germany |
| 1966 |
From Arp to Arschwager 1, Noah Goldowsky Gallery New York,
NY |
To Artist Showroom
|