| Saul
Steinberg (1914 - 1999)
Born in Rumania, he lived most
of his life in New York, becoming a well known 20th-century
comic illustrator and philosopher, who used a variety of mediums
including collage and mural painting. He is perhaps most famous
for his poster of the New Yorker whose shortsighted view of
the world causes the cityscape of Manhattan to be the landmark
from which everything else recedes.
He studied at the University of Bucharest and the Reggio Politecnico
in Milan, earning a doctoral degree in architecture in 1940,
but he never designed a single building. He had drawings featured
regularly in Italian weeklies, and they like the ones he later
did in the United States were popular for their doodling, rococo
style and tongue in cheek commentary.
In 1941, he fled fascist Italy for the United States but was
sent to Santo Domingo because the quota for Rumanians was filled.
From there he sent the "New Yorker" magazine editors
cartoons, and they sponsored his move to New York in 1942.
In 1943, he married the artist Hedda Sterne and also had his
first one-man show, held at the Wakerfield Gallery in Manhattan.
He was also drafted into the United States Navy during World
War II, and the "New Yorker" editors published his
visual accounts of the war from Italy and North Africa.
He continued at the "New Yorker" as staff artist
and also did murals for the American Express Line and the Terrace
Hotel in Cincinnati. It was said that after the war, his style
became more abstract, philosophical, and symbolic. In the 1950s,
he devised a whole series of animals to symbolize members of
society. A major post-war, one-man show was held in 1952 at
the Sidney Janis Gallery.
He died in Manhattan at the age of 84.
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