William Stone, American

William Stone

Lives and works in New York, NY

Solo Exhibitions

2011 Framed, James Fuentes, New York, NY

2009 Wares, James Fuentes, New York, NY

2007 Letʼs Subtle Down Together, James Fuentes, New York, NY

2004 Plural Nouns and Vicious Circles, Art Moving Gallery, New York, NY

2000 Mind Your Head, James Fuentes, New York, NY

1999 Emily Harvey Gallery, New York, NY

1998 Chair Repair in the Former Superintendentʼs Apartment, Thatcher, New York, NY

1991 Diverse Works, Houston, TX

1990 Tom Cugliani Gallery, New York, NY

1989 Tom Cugliani Gallery, New York, NY

1988 Tom Cugliani Gallery, New York, NY Hillman Holland Gallery, Atlanta, GA

1987 The Clocktower, P.S. 1 Museum, New York, NY 1984 Emily Harvey Gallery, New York, NY

Selected Group Exhibitions

2014 The Body Metonymic, curated by Stephen Goody and Monica Bowman, Oakland University Art Gallery, Detroit, MI

2013 Something About a Tree, curated by Linda Yablonsky, Flagg Art Foundation, New York, NY

Extravagant Features, curated by Clarissa Dalrymple, C24 Gallery, New York, NY 2012 Potential Fields, CR10 Arts at Clermont Historic site, Tivoli, NY

Heavy Equipment, curated by Francine Hunter McGivern, CR10 Arts at Clermont Historic site, Tivoli, NY
Nada Hudson, with James Fuentes, Hudson, NY
Furniture, Invisible Exports, New York, NY

2011 Alchemy, Curated by Sabrina Blaichman, Caroline Copley and Genevieve Hudson- Price, 7Eleven Gallery, New York, NY

2010 Make Yourself at Home, Curated by Sabrina Blaichman, Caroline Copley and Genevieve Hudson-Price, 7Eleven Gallery, New York, NY
Cinema Poesis, The Emily Harvey Foundation, New York, NY

2009 Outside In, Maxon Mills, Wassaic, NY
Beginnings, Middles, and Ends, Curated by Gianni Jetzer, as part of Curated by__Vienna 09, Engholm Engelhorn Galerie, Vienna, Austria
State Fair, Socrates Sculpture Park, Long Island City, NY

2008 Found/Gevonden/Trouvé, Voorkamer, Lier, Belgium Moab Video Project, Curated by Christy Gast, Moab, UT

2007 Wit on Wry, Islip Art Museum, Islip, NY
Programming Chance, The Emily Harvey Foundation, New York, NY Drawing is a Verb and a Noun, James Fuentes, New York, NY

2006 WORD., Curated by L. Brandon Krall, Deborah Colton Gallery, Houston, TX

2005 Summer group show, Postmasters Gallery, New York, NY Group show, Archivo Emily Harvey, Venice, Italy
Group show, Art Moving Gallery, New York, NY

2004 Yesterday Begins Tomorrow, Deste Foundation, Athens, Greece

2003 Site Specifics ʼ03, Islip Art Museum, Islip, NY
Territories, Curated by Denise Markonish, Artspace, New Haven, CT and Gallery Fur, Landschaftkunst, Hamburg, Germany

2002 Location, Location, Location, Postmasters Gallery, New York, NY Inaugural exhibition, Archivo Emily Harvey, Venice, Italy

2001 Hydro, Curated by Erin Parish, Marcel Sitcoske Gallery, San Francisco, CA
Between Sound and Vision, Curated by Hannah Higgins, Gallery 400, University of Illinois at Chicago
To the Flag: Taking Liberties, Curated by Kimberly Marrero, Three Rivers Arts Festival Gallery, Pittsburgh, PA
Recovery Drum, installation, Pratt Sculpture Park, New York, NY

2000 The Notion of Motion, Curated by Karen Shaw, Islip Art Museum, Islip, NY LIT. FIG.: Work from Words, The Space @ Media Triangle, New York, NY Installation, Pratt College Sculpture Park, New York, NY

1999 Forces of Nature in Contemporary Art, Hudson River Museum, Yonkers, NY
All Day I Hear the Noise of Many Waters Making Moan, Postmasters Gallery, New York, NY

1998 Group show, Emily Harvey-Lance Fung Galleries, New York, NY

1996 Funhouse, E.S. Vandam Gallery, New York, NY

1995 Synesthesia, San Antonio Museum of Contemporary Art, San Antonio, TX Clocks, TZ Art, New York, NY
Three Group Shows, Curated by Erin Parish, Mad River Post, New York, NY

1994 Old Glory, Curated by David Rubin, Cleveland Center for Contemporary Art, Cleveland, OH

1993 Flux Attitude, The New Museum, New York, NY Group show, Lok Gallery, New York, NY
10 x 10, TZ Art, New York, NY

1992 Comfort, Christopher Grimes Gallery, Santa Monica, CA Transparency, Louise Ross Gallery, New York, NY

1991 The Technological Muse, The Katonah Museum of Art, Katonah, NY Better Homes and Monuments, Memorial Arch, Brooklyn, NY

1990 Artificial Nature, Curated by Jeffrey Deitch, The House of Cyprus, Deste Foundation, Athens, Greece

Fluxus Group Show, Emily Harvey Gallery, New York, NY
All Quiet on the Western Front, Gallerie Antoine Candou, Paris, France

1989 Clockwork, List Center for Visual Arts, Massachusetts Institute of Technology, Cambridge, MA

The Drowned World, P.S. 1 Museum, Queens, NY
Homemade, The Nature of the Object, Bard College, Annandale-on-Hudson, NY PB: Works on Lead, Nora Haime Gallery, New York, NY
Strange Attractors: The Spectacle of Chaos, Curated by Klaus Ottmann, 1140 N. Dayton, Chicago, IL
Temperance, David Beitzel Gallery, New York, NY
Fluxus and Company, Emily Harvey Gallery, New York, NY
New Acquisitions, Progressive Corporation, Dayton, OH

1988 Fatal Strategies, Curated by Klaus Ottmann and Leslie Tonkonow, Stefan Stux Gallery, New York, NY

Redefining the Object, Curated by Barry Rosenberg, University Art Gallery, Wright State University and Cleveland Center for Contemporary Art, Cleveland, OH Interaction, Aldrich Museum, Ridgefield, CT
Complexity and Contradiction, Curated by Klaus Ottmann, Zilka Gallery, Wesleyan University, Middletown, CT

Group Show, Tom Cugliani Gallery, New York, NY
Motorized Sculpture, Curated by David Rubin, Freedman Gallery, Albright College, Reading, PA

1987 Art That Moves, Laguana Gloria Art Museum, Austin, TX
Inaugural Show, Tom Cugliani Gallery, New York, NY
The Multiple Object, Curated by Marjorie Jacobson and Judith Fox, Bank of Boston Gallery, Boston, MA

1984 Mechanisms, Curated by T om Finklepearl, P .S. 1 Museum, Queens, NY 1980 Bad Light Photography Show, The Strap, New York, NY
1979 Large Objects, Grommet Gallery, New York, NY
1977 13x13, 112 Greene Street, New York, NY

Bilbliography

2012 Morgan, Robert C., “William Stone”, Sculpture Magazine Volume 18, Spring

2009 “Recommended: William Stone,” New York Magazine, March

2007 Genocchio, Benjamin, “Humor, With a Serious Edge After All,” New York Times, December

Picard, Charmaine, “NADA: Emerging Artists Pay Homage to the Masters,” Art Newspaper, December
Selman, Joshua, “William Stone at James Fuentes LLC,” Artist Organized Art, July

1999 Liu, Timothy, Review, New Art Examiner, July/August
Nahas, Dominique, Review, d’Art International, Spring/summer

1990 Faust, Gretchen, Review, Arts, September
Nereim, Anders, “Who’s Muse? The Spectacle of Chaos,” Inland Architect, Jan./Feb. Brenson, Michael, Review, New York Times, January

1989 Brenson, Michael, “The Drowned World,” New York Times, June

Faust, Gretchen, “William Stone: Tom Cugliani Gallery,” NIKE, March/April Schwendenwien, Jude, “William Stone: Tom Cugliani Gallery,” Artforum, March Ben, Tsipi, “Interaction: Light, Sound, Motion,” Sculpture, January/February

1988 Morgan, Robert C., “Fatal Strategies: Exhibition Review,” CEPA Quarterly, Spring Preddy, Jane, “New Spaces,” Cover Magazine, April
Princenthal, Nancy, “Vik Muniz at Stux and William Stone at Tom Cugliani,” Art In America, April

Deitch, Jeffrey, “The Bad Light Photography Show at Strap,” Art in America, March Russel, John, “Provocative Exhibitions at Museums and Galleries that are near New York City,” New York Times, 14 August
Mahoney, Robert, “Fatal Strategies,” Arts Magazine, May

Raynot, Vivien, “Works by the New and the Eccentric,” New York Times, May Mahoney, Robert, “William Stone,” Arts Magazine, Summer
Ottman, Klaus, Review, Flash Art, Summer
Morgan, Robert C., “Anti-Style, or the Installation as a Pleasurable Text,” Arts Magazine, Summer

Ottman, Klaus, Review, Flash Art, Summer
1984 Brenson, Michael, “12 Artists Shown in ʻUnknownʼ at P.S. 1,” New York Times,

October

Publications

“Strange Attractors: the Spectacle of Chaos,” Curated by Klaus Ottmann, Dayton, OH
“New Art,” Harry N. Abrams, Publishers, NY
“Artificial Nature,” The House of Cyprus, Curated by Jeffrey Deitch, Deste Foundation, Athens, Greece

“Old Glory,” Curated by David Rubin, Cleveland Center for Contemporary Art, Cleveland, OH “Synesthesia” San Antonio Museum of Contemporary Art, San Antonio, TX
“The Drowned World” P.S. 1 Museum, Queens, NY
“Interaction: Light, Sound, Motion,” Essay by Miranda McClintic, Aldrich Museum “Redefining the Object,” Curated by Barry A. Rosenberg, Art Galleries, Wright State University, Essay by Dan Cameron

“The Multiple Object,” Jacobson, Marjorie Fox, Judith Hoos, brochure, Bank of Boston “Fatal Strategies,” Tonkonow, Leslie and Ottman Klaus, brochure, Stephan Stux Gallery

Public Collections

Progressive Art Collection David Bermant Foundation Margulies Collection
Dakis Joannou Collection

Artist's Gallery


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