| Bernar
Venet ( 1941 - )
 |
Born on April 20 1941 at Chateau-Arnoux-Saint-Auban
in the Alps of Haunte-Provence. His father, Jean-Marie Venet,
a schoolteacher and chemist, dies at the age of 40, leaving
his widow Adeline Gilly in charge of their four sons, of which
Bernar is the youngest.
1947-57
School as Chateau-Arnoux-Saint-Auban. As a boy, Bernar Venet
suffers from asthma, and is forced to spend long spells at spas
and an aerium at Saint-Raphael.
With the encouragement of a local artist, he is drawing and
painting extensively by the time he is ten.
At age 11, Bernar is invited to exhibit in the Salon de Peinture
Pechiney on Paris.
1958
Works as a stage designer for the Nice City Opera. Period of
highly stylized paintings described by himself as "symbolic".
1961
In February, he joins the army, and serves for 22 months. Initially
he is assigned to the army reception center in Tarascon. There
an attic is put at his disposal, which he converts into a studio.
Initially Venet's paintings art gestural, and executed with
his feet. Quickly they develop into black monochromes made of
tar. In some scenarios, he works a surface without leaving trace
of his action.The blank surface nevertheless became a work.
These he called " fetichist works"
1963
returns to Nice; establishes studio in the old quarter; on rue
Pairoliere. Further development of the tar paintings and detailed
photographs of gravel and coal piles. Other experimental photographic
works. His first sculpture, Coal Paile with no specific dimensions.
THe work is characterized by extremely restrained means.
1964
Venet participates in the Salon Comparisons at the Museum of
Modern Art, Paris. He Exhibits alongside the New Realist and
Pop Artists, despite the intentionally divergent nature of his
cardboard reliefs.
1966
His first trip to New York lasts two Months. Views the collection
of Jean and Howard Lipman at an exhibition of minimalist artwork
at the whitney Museum. Venet in immediately struck by the formal
restraint of works by Judd, Flavin, Le Witt, etc. Returns to
Nice Invited to participate in the "Impact 1" exhibition
at the Ceret Museum, France; sends a blueprint for a tube. Become
aware of the objective aspect of blueprints, and their semantic
characteristics. Set to work extensively on diagrams. thus creating
his first mono-semiotic works.
Creates the project for a ballet to be dance on a vertical plane.
In December Venet decides to permanently settle in New York.
Initially lives in Arman's Studio, 84 Walker Street, Formerly
Tinguely's studio.
1967
Resides at the Chelsea Hotel; his conceptual work develops along
logical lines. meets Minimalist artists through the Dawn Gallery.
Frequents the mathematics & physics as Columbia University
and befriends two researchers, jack Ullman and martin Krieger.
He produces the "non visual" works on magnetic tape.
His focus is on content, not the visual characteristics of artworks.
Set up a four year program, intending to stop all artistic production
with it's completion.
Visits Marcel Duchamp, Remembers being greatly impressed by
Ad Reinhardt's numerous black paintings when he meets the artist
in his studio.
1968
Settles in to a loft in SoHo New York.
Venet collaborates with scientists from Columbia University,
to stage a performance at the Judson Church Theatre in SoHo,
New York.
Work first exhibited in the USA & Europe.
Two conceptual exhibitions at the Wide White Space Gallery,
along with Beuys and Broodthaters, at the Dusseldorf Kunsthalle.
Works are bought by the Krefeld Museum, who offer to stage his
first museum exhibition. The Museum of Modern Art, new York,
aquires a Venet piece.
Meets Daniel Templon, who becomes his dealer in paris at his
gallery on Rue Bonaparte. Participates in the exhibition Conception
Conzeption in Leverkusen, Germany.
Moves to a loft on Broadway, in SoHo.
1969-70
Frequently travels & lectures throughout Europe. The United
States, and Japan
1971
Stops his artistic activities. Retrospectives at the Krefeld
Museum, Germany, and New York Cultural Center, New York.
Publication of a Catalogue Raisonne of the conceptual
works in conjunction with the retrospective in New York.
1972
Returns to Paris
Period of reflection: Venet writes about conceptual art and
his own work. his purpose is to correct commentary that he judges
to be erroneous, and to elucidate and detail the specific nature
and originality of his efforts.
1974
Teaches "Art and Art Theory" at the Sorbonne, Paris.
Frequent lectures in France, England, Italy, Poland and Belgium.
Monograph by Catherine Millet published by Editions du Chene,
France and Edizioni Prearo, Italy.
Film produced by Jean Pierre Mirouze on Bernar Venet, Exhibit
of his conceptual works at the institute of Contemporary Art,
London. Represents France as the XII Sao Paulo Bienniale, Brazil,
with Gottfried Honnegger and Francois Morellet.
1976
Returns to New York in January. Moves to West Broadway and becomes
compelled to again produce art. The first canvases from the
series Angles and Arcs, are a group of extremely restrained
paintings of elementary geometrical figures. Retrospective of
his conceptual works at la jolla Museum of Contemporary Art,
La Jolla, California.
1977
Exhibits at Documenta VI, Kassel, Germany. Exhibition of recent
work at the Musée d'Art Moderne in Saint-Étienne,
France.
1978
Participates in the exhibit "From Nature to Art. From Art
to nature.", at the Venice Biennale, Italy.
1979
Begins the series of wood reliefs entitled "Arcs, Angles,
Diagonals", and creates the first Indeterminate Line. Starts
work on steel sculptures composed of two arcs. Concept for a
monumental arc on a highway. Receives a grant from the National
Endowment of the Arts. Develops the series of wood reliefs:
"Indeterminate Lines".
1983
First maquettes for steel sculptures of Indeterminate Lines.
Seth Schneidman produces the film "Bernar Venet 1983"
in New York. Works on projects involving monumental sculptures.
1984
November: starts creating his sculptures at Atelier Marioni,
a foundry in the Vosges region of France. First exhibition of
Indeterminate Lines, (floor/wall) sculptures at Galerie Templon,
Paris. First plans for, and photo collages of, "The Major
185.4° Arc".
1987
For the 750th anniversary of Berlin, the French Ministry of
Foreign Affairs and Air France present the city with "Arc
of 124.5°". This sculpture measures 70 x 140 feet.
1988
Jean-Louis Martinoty asks Bernar Venet to stage his ballet "Graduation"
(conceived in 1966) at the Paris Opéra. The artist is
the author of the music, choreography, set designs, and costumes.
Receives the Design Award for his sculpture in Norfolk, Virginia.
Exhibition of Photographs: 1961-1988 at Galerie Michèle
Chomette, Paris. The E.P.A.D. commissions the monumental "Two
Indeterminate Lines" for the new La Défense business
center on the edge of Paris. Installation of "Arc of 115.5°"
for Telic-Alcatel, Strasbourg. Publication of a substantial
monograph "Venet" by Jan van der Marck Editions de
la Différence, Paris.
1990
Inauguration of the monumental sculpture "Indeterminate
Line" at Place de Bordeaux, Strasbourg, France. First furniture
exhibition at Galerie Mostra, Paris, and then Galerie Eric Van
de Weghe in Brussels. Creates first maquettes and large scale
versions of Random Combinations of Indeterminate Lines.
1991
Creates several musical compositions including "Sound"
and "Resonance" at the Studio Miraval, Var, France.
Release of two compact discs on the Circé-Paris label,
"Gravier/Goudron", 1963, and "Acier Roulé
E 24-2", 1990. Executes a series of new, heavy, torch-cut,
steel furniture. "Noir Noir et Noir", a book on Bernar
Venet's photographic work from 1961 to 1991, is published by
Editions Marval, Paris. Text by Jean-Louis Schefer. Completes
"Le Rocher des Trois Croix", (joint homage to Giotto,
Grünewald, and El Greco) installed atop the mountain Roquebrune-sur-Argens,
in the Var region of France.
1992
Bernar Venet records the sounds of the Air France Concorde engine,
for the musical composition "Wall of Sound". He shoots
the film "Acier Roulé XC-10" at the Marioni-Vosges
atelier. Travels to Japan for the inauguration of the sculpture
at Adachi-ku, Tokyo. Starts a series of steel reliefs composed
of arrows: "Arbitrary and Simultaneous Directions".
1993
Invited to participate in the artist's film festival in Montreal
for his film "Acier Roulé XC-10" ("Rolled
Steel XC-10"). Retrospective exhibition at the Musée
d'Art Moderne et d'Art Contemporain in Nice, France, which travels
to the Wilhelm-Hack Museum in Ludwigshafen, Germany.
1994 In March, presents a retrospective of his work at the Museo
de Arte Moderno, Bogota, in Colombia. Mr. Jacques Chirac, then
Mayor of Paris, invites Venet to present 12 sculptures from
his Indeterminate Lines series on the Champ de Mars. Later that
autumn, he exhibits at the Total Museum of Contemporary Art
in Seoul, and at the Boca Raton Museum of Art in Florida. Works
on the first sculptures "Barres Droites". A monograph
by Carter Ratcliff is published by Editions Cercle d'Art, Paris.
1995
In the spring, travels to San Francisco for the inauguration
of his monumental sculpture "Indeterminate Line",
at the Runnymeade Sculpture Farm. In May, he inaugurates in
Kowloon, Hong Kong, at the Museum of Modern Art, the first exhibition
of the world tour of the works presented in 1994 at Champ de
Mars. In June, he is the first artist to inaugurate the new
Museum of Art in Shanghai. A sojourn to Graphicstudio, in Tampa,
Florida, for an edition of large prints realized with tar and
a steam roller. He develops his new work on the theme of the
straight line: "Accident Pieces". New reliefs executed
in steel with an acetylene torch: "Indeterminate Area".
1996
Invited as a "Master in Residence" at the Atlantic
Center for the Arts, in Florida. Is awarded the honor of "Commandeur
dans l'ordre des Arts et Lettres" by the Minister of Culture
in France. Thierry Spitzer films an installation of "Accident"
- the new works composed of straight lines, which are also exposed
at the Galerie Karsten Greve in Paris, and in July at the Espace
Fortant de France in Sète. From May through July, the
city of Brussels invites Venet to exhibit ten large sculptures
from the Indeterminate Lines series on Avenue Franklin Roosevelt.
1997
Moves to a studio in Chelsea, New York City. Begins a news series
of sculpture titled "Four Arcs and Five Arcs". Designs
a museum complex, for an exhibition in Espace d'Art Concret,
in Mouans-Sartoux, France. Becomes a Member of the European
Academy of Sciences and Arts in Salzburg, Austria.
1998
Travels to China. Is invited by the Mayor of Shanghai to participate
in the Shanghai International Sculpture Symposium. Executes
large scale "Four Arcs Sculptures", and intensively
develops "Indeterminate Area Reliefs" during the summer
in Le Muy.
1999
The third and definitive version of the film, "Tarmacadam",
from 1963, is realized with the help of Arkadin Productions
for the exhibition "Bernar Venet (1961-1963)", at
the Musée d'Art Moderne et Contemporain, Geneva. Black
and white. 3 minutes and 20 seconds. Installation of a public
sculpture in the City of Cologne, Germany, in honor of the G-8
Summit. Publication of his poetry "Apoétiques 1967-1998",
by the Musée d'Art Moderne et Contemporain, Geneva. Public
commissions for the new university in Geneva.
2000
Develops a new series of wall paintings called "Major Equations",
which are exhibited at the Museum of Modern Art in Rio de Janeiro,
Brasília, and Saõ Paulo, and at the Centre Georges
Pompidou, in Cajarc, as well as at MAMCO in Geneva. Public commission
for the City of Bergen, Norway. A year of important publications:
"Bernar Venet 1961-1970", a monograph about the young
artist by Robert Morgan; "Sursaturation", an original
work about reflections on the possibilities of literature; "Bernar
Venet – Sculptures & Reliefs", written by Arnauld
Pierre; "La Conversion du regard", with texts and
interviews from 1975-2000; "Global Diagonals", a catalog
concerning a humanistic, artistic, and technological project
with straight lines (300 feet each) virtually connecting the
five continents.
2001
Exhibition of the new paintings on canvas at the Galerie Jérôme
de Noirmont, Paris. Poetry reading at the White Box Gallery
with Robert Morgan. Inauguration of the Chapelle Saint Jean
in Chateau-Arnoux, with the stained glass windows and all the
furniture designed by Bernar Venet. His furniture is exhibited
at SM'ART (Salon du mobilier et de l'objet design) at the Caroussel
du Louvre in Paris. Exhibition of furniture at the Rabouan Moussion
Galerie in Paris. On this occasion Editions Assouline published
a book "Furniture", with text by Claude Lorent, on
all of Venet's designs.
2002
Performance-poetry-film-music at the Centre Georges Pompidou,
Paris, France. Invited by the European Academy of Sciences and
Arts to lecture at the Solomon R. Guggenheim Museum on the theme
of "Arts as a Mediator of Tolerance". Exhibition of
"Indeterminate Lines" at the Galerie Academia in Salzburg,
Austria, as well as in solo show at the Robert Miller Gallery,
New York. Twelve large sculptures are exhibited at "The
Fields - Art OMI International Sculpture Park" in New York
state. This show moves to Florida (at the Atlantic Center for
the Arts) in 2003. Solo shows of new paintings at Ludwigsmuseum
in Koblenz, Germany, in addition to solo exhibit of single equation
and new saturation paintings at Grant Selwyn Fine Art in New
York.
2003
Thomas McEvilley writes a monograph about his complete work.
An English version of "La Conversion du regard", a
compilation of writings and interviews from the years 1975 -
2003, is due to be published in the fall, with new texts by
Ken Allan and Enrico Pedrini. Seventeen one-man shows are expected
throughout the United States and Europe.
-----------------------------
SOLO EXHIBITIONS
1970 Museum Haus Lange, Krefeld, Germany
Kunsthaus, Hamburg, Germany
1971 New York Cultural Center, (retrospective) New York
1975 Institute of Contemporary Arts, London, Great Britain
1976 La Jolla Museum of Contemporary Art, La Jolla, California
1977 Bruno Bischofberger Gallery, Zürich, Switzerland
1978 Special Project at PS1, Long Island City, New York
1979 Galerie Daniel Templon, Paris, France
1984 Musée d'art moderne, Villeneuve-d'ascq, France
1987 Quadrat Museum - Moderna Gallery, Bottrop, Germany
1989 Galerie Van de Velde, Anvers, Belgium
1990 Castelli Gallery, New York
Theospacio, Madrid, Spain
1991 Fred Hoffman Gallery, Los Angeles, California
1993 Musée d'art moderne et d'art contemporain, Nice,
France
Wilhelm Hack Museum, Ludwigshafen, Germany
André Emmerich Gallery, New York
1994 Total Museum of Contemporary Art, Seoul, Korea
Gallery Hyundai, Seoul, Korea
1995 Hong Kong Museum of Art, Kowloon, Hong Kong
Shanghai Museum of Art, Shanghai, China
1996 Galerie Karsten Greve, Paris, France
1997 Musée de peinture et de sculpture, Grenoble, France
Le nouveau musée / Institut de villeurbanne, Lyon, France
Musée du Québec, Québec, Canada
1998 Musée d'art moderne de St. Étienne, St. Étienne,
France
Galleria Massimo Minini, Brescia, Italy
1999 Centro Cultural de Recoleta, Buenos Aires, Argentina
Improvisé - Inchevé - Non-Formulé, Mucsarnok,
Budapest, Hungary
Musée d'art moderne et d'art contemporain, Geneva, Switzerland
2000 Museu de Arte Moderna do Rio de Janiero, Rio de Janeiro,
Brazil
Centre Georges Pompidou, Cajarc, France
Museu Brasileiro da Escultura, São Paulo, Brazil
2001 Galerie jérôme de noirmont, Paris, France
Galerie Haas & Fuchs, Berlin, Germany
2002 Art of This Century, Paris, France
Galerie Academia, Salzburg, Austria
The Fields at Art Omi International Sculpture Center, Ghent,
New York
Galerie Hans Mayer, Berlin, Germany
Ludwig Museum, Koblenz, Germany
Robert Miller Gallery, New York
Grant Selwyn Fine Art, New York
SELECTED PUBLIC COLLECTIONS
Neue Galerie im Alten Kurhaus, Aix La Chapelle, Germany
Akron Art Institute, Akron Ohio
Georgia Museum of Art, Athens, Geargia
MIT Permanent Collection, MIT, Cambridge, Massachusetts
Museum of Contemporary Art, Chicago, Illinois
The Detroit Institute of Arts, Detroit, Michigan
Musée d'Art et d'Histoire, Geneva, Switzerland
Musée de Peinture et de Sculpture, Grenoble, France
Sonja Henie - Niels Onstad Foundations, Hovikodden, Norway
Kaiser Wilhem Museum, Krefeld, Germany
Sonje Museum of Contemporary Art, Kyongbuk, Korea
Musée National d'Art Moderne de Liège, Liège,
Belgium
Museum of Contemporary Art, Los Angeles, California
Fondation Piere Gianadda, Martigny, Switzerland
The Museum of Modern Art, New York, New York
The Solomon R. Guggenheim Museum, New York, New York
Musée d'Art Moderne et d'Art Contemporain, Nice, France
Musée des Arts Décoratifs, Paris, France
Centre Georges Pompidou, Paris, France
Musée du Quebec, Québec, Canada
Musée d'Art Moderne et d'Art Contemporain, Saint Etienne,
France
Contemporary Art Center, San Diego, California
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
The National Gallery of Art, Washington, D.C.
Kultur Speicher, Würzburg, Germany
SELECTED PUBLIC COMMISSIONS
Acropolis, Nice, France
Archon Company, Austin, Texas, USA
Bank Al Maghrib, Agadir, Morocco
Bejing Silver Tower Real Estate Development Co., Beijing, China
City of Adachi, Tokyo, Japan
City of Bergen, Bergen, Norway
City of Cologne, Cologne, Germany
Collège & École de Commerce Emilie-Gourd,
Geneva, Switzerland
Commande de la ville de Belley, Belley, France
Commande de la ville de Bergen, Bergen, Norvège
Commande de la ville de Epinal, Epinal, France
Commande de la ville de Lille, Lille, France
Espace Fortant de France, Sète, France
Goodman Segar Hogan, The World Trade Center, Norfolk, Virginia,
USA
Hansol Company, Seoul, Korea
Jardin Albert 1er, Nice, France
Kurpark, Bad Hamburg, Germany
La Chapelle Saint Jean, Chateaux-Arnoux, France
La Défense, Paris, France
Miyagi Prefectural Library, Sendai, Japan
Place de Bordeaux, Strasbourg, France
Rocher de Roquebrune, Roquebrune sur Argens, France
Runnymeade Sculpture Farm, Woodside, California, USA
Urania Platz, Berlin, Germany
Solo Exhibition Catalogs & Monographs
1970 Wember, Paul, Bernar Venet, exhibition catalogue. Musée
Haus Lange. Krefeld, Germany.
1971 Karshan, Donald, The Five Years of Bernar Venet, catalogue
raisonné. The New York Cultural Center. New York.
1974 Menna, Filiberto, Venet o del Significato (dell’arte).
Galerie Seconda Scala. Rome Italy.
Millet, Catherine, Bernar Venet, monograph. Éditions
du chêne. Paris, France.
1975 Amore, (d') Bruno, Thierry Kuntzel, and Filiberto Menna.
Textes Théoriques sur Bernar Venet. Edizioni Nuov Strumenti.
Brescia, Italy.
Kuntzel, Thierry, Logique du neutre. Arthur Hubschmid. Paris,
France.
1976 Alloway, Lawrence and Thierry Kuntzel, Bernar Venet, exhibition
catalogue. La Jolla Museum of Contemporary Art. La Jolla, California.
1977 Ceysson, Bernard, Bernar Venet, exhibition catalogue. Musée
d'art et d'industrie. Saint Étienne, France.
1984 Francblin, Catherine, Bernar Venet, Dessins 1963-1983,
exhibition catalogue. Musée sainte-croix. Poitiers, France.
1985 Huin, Bernard, La Négation du Style. Musée
départemental des vosges. Epinal, France.
Kwinter, Sanford, Pragmatique des Turbulences : Les Nouvelles
Lignes de Bernar Venet, exhibition catalogue. Galerie Daniel
Templon. Paris, France.
1986 Higginbotham, David, Bernar Venet, exhibition catalogue.
Galerie Elisabeth Franck. Knokke-le-Zoute, Belgium.
1987 Castle, Frederick Ted, Bernar Venet unregal mässige
Spiralen, exhibition catalogue. Josef Albers Museum. Bottrop,
Germany.
Millet, Catherine, "Lignes" sans Concession : Bernar
Venet Sculptures. Ministère des affaires étrangères.
Paris, France.
1988 Van der Marck, Jan, Venet, monograph. Editions de la différnce.
Paris, France.
1989 Daval, Jean-Luc, Bernar Venet - Dessins - Drawings. Galerie
daniel templon / Èditions galerie enrico navarra, Paris,
France.
Ragon, Michel, Bernar Venet, inauguration catalogue of "Deux
Arcs de 201.5°". Belley, France.
Ratcliff, Carter, Bernar Venet - The Question of Purpose - La
Question de la Finalité, exhibition catalogue. Galerie
Elisabeth Franck. Knokke-le-Zoute, Belgium.
Schefer, Jean-Louis, Bernar Venet - Ligne à Vif. Galerie
daniel templon. Paris, France.
1990 Kuspit, Donald, Bernar Venet, Art Random. Kyoto Shoin International
Company, Ltd. Kyoto, Japan.
Morgan, Robert, Venet's Indeterminacy, exhibition catalogue.
Person's Weekend Museum. Tokyo, Japan.
Serraller, Francisco Calvo, Bernar Venet, exhibition catalogue.
Galeria Theospacio. Madrid, Spain.
1991 Devolder, Eddy, Bernar Venet, exhibition catalogue. Galerie
Oscar Ascanio. Caracas, Venezuela.
Schefer, Jean-Louis, Noir, noir et noir, photographs 1963-1990.
Éditions marval. Paris, France.
1992 Martinoty, Jean-Louis and Laurence Louppe. Graduation,
Carte Blanche à... Bernar Venet, Théâtre
national de l'opera de Paris. Paris.
1993 Catoir, Barbara and Gilbert Perlein, Bernar Venet, exhibition
catalogue. Musée d'art moderne et d'art contemporain.
Nice, France; Wilhelm-Hack Museum. Ludwigshafen am Rhein, Germany.
Perlein, Gilbert, Conversation with Bernar Venet, exhibition
catalogue. André Emmerich Gallery, New York.
Ratcliff, Carter, Bernar Venet, monograph. Cercle d'art, Paris
; Abbeville Press, New York.
1994 Descendre, Nadine, Bernar Venet - Indeterminate Lines,
exhibition catalogue. Shanghai Museum of Art / Galerie Enrico
Navarra.
Eaton, Timothy, Venet, exhibition catalogue. Boca Raton Museum
of Art. Boca Raton, Florida.
Perlein, Gilbert. Bernar Venet - 1963-1993, exhibition catalogue.
Museo de Arte Moderno de Bogotá / Galeria Ressle / Galeria
Tovar & Tovar. Bogotá, Colombiá.
1995 Descendre, Nadine, Bernar Venet - Indeterminate Lines,
exhibition catalogue. Hong Kong Museum of Art / Galerie Enrico
Navarra.
Descendre, Nadine, Bernar Venet - Indeterminate Lines, exhibition
catalogue. Shanghai Museum of Art. Galerie Enrico Navarra.
1996 Ratcliff, Carter, Jean-Michel Foray. Bernar Venet * Droites
et accidents. exhibition catalogue. Espace fortant de France.
Sète, France.
1997 Hindry, Ann, L'Equation Majeure, exhibition catalogue.
Musée de peinture et de sculpture. Grenoble, France;
nouveau musée / Institut de villeurbanne. Lyon, France;
Musée d'art moderne de St. Etienne. St. Etienne, France;
Flammarion. New York / Paris, France.
Maubant, Jean Louis and Pascal Pique, Bernar Venet 1961-1979,
exhibition pamphlet. Nouveau musée institut de villeurbanne.
Lyon, France.
Ratcliff, Carter, John R. Porter and Michel Martin, Bernar Venet
- Lignes, exhibition catalogue. Musée du Québec.
Québec, Canada.
---, Bernar Venet, exhibition catalogue. Gallery Hyundai. Seoul,
Korea.
1999 Espartaco, Carlos Klitenik, Pierre Restany, and Catherine
Millet, Bernar Venet, exhibition catalogue. Centro Cultural
Recoleta. Buenos Aires, Argentina.
Morgan, Robert. Bernar Venet 1961-1970, monograph. Les Cahiers
Intempestifs. St Etienne, France.
Venet, Bernar, Apoétiques 1967-1998. Musée d'art
moderne et contemporain. Geneva, Switzerland.
2000 Pierre, Arnauld, Bernar Venet: Le discours et la méthode,
monograph. Prearo Editore. Milan, Italy.
Hindry, Ann, Bernar Venet: Brasil, exhibition catalog with an
introduction by Lygia Saboia. Museu de Arte Moderna do Rio de
Janeiro / Museu Brasileiro da Escultura / MUBE Sao Paolo / Arte
21. Conexao, Brazil.
Venet, Bernar, La conversion du regard: Textes et entretiens,
1975-2000, with an introduction by Christian Besson. Musée
d'art moderne et contemporain. Geneva, Switzerland.
Venet, Bernar, Sursaturation. Maison des Arts Georges Pompidou.
Cajarc, France.
Venet, Bernar, and Jan Van der Marck, Global Diagonals. E Speed.
New York.
2001 Lorent, Claude, Bernar Venet: Furniture, monograph. Assouline.
New York / Paris, France.
2002 McEvilley, Thomas, Bernar Venet: Displacing the Gravity
of Self, monograph. Benteli Verlag (German edition) / ARTHA
(French edition). Switzerland / Paris, France.
Greenburger, Francis, Bernar Venet, exhibition catalog for The
Fields Sculpture Park at Art OMI International Art Center. New
York.
2003 McEvilley, Thomas, Bernar Venet: Displacing the Gravity
of Self. ARTHA / Benteli (English edition).
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