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Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
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Ten Coconut Portfolio

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John Chamberlain

John Chamberlain

$3,500

American (1927–2011)

  • Date: 1982
  • Portfolio of Six Etchings, each signed and numbered in pencil
  • Edition of 4/25
  • Size: 19 x 16 x 1 in. (48.26 x 40.64 x 2.54 cm)

$3,500

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Ships Free in US & Canada!

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Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
Ten Coconut Portfolio Etching | John Chamberlain,{{product.type}}
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About The Artist: John Chamberlain

John Chamberlain was born in 1927, in Rochester, Indiana. He grew up in Chicago and, after serving in the navy from 1943 to 1946, attended the Art Institute of Chicago from 1951 to 1952. At that time he began making flat, welded sculptures, influenced by the work of David Smith. In 1955 and 1956, Chamberlain studied and taught sculpture at Black Mountain College near Asheville, North Carolina, where most of his friends were poets among them...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Ten Coconut Portfolio

John Chamberlain

1982

Ten Coconut Portfolio

John Chamberlain

1982

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