| Jean Cocteau, French (1889-1963)
The French poet, writer, artist, and film
maker Jean Maurice Eugene Clement Cocteau was born to a wealthy
family on July 5, 1889 in a small town near Paris, France. Cocteau's
father committed suicide when he was about 10 years old.
In 1900, he entered a private school and was expelled in 1904.
After his expulsion from school, Cocteau ran away to Marseilles
where he lived in the "red light district" under a
false name. Police discovered him in Marseilles and returned
him to his uncle's care.
At the age of 17 or 18, Cocteau fell in love with an actress
named Madeleine Carlier. She was 30 years old at the time. She
later ended the relationship.
In 1908, Cocteau associated himself with Edouard de Max. De
Max was a reigning tragedian of Paris stage at this time. De
Max encouraged Cocteau to write and on April 4 of that year
rented the Theatre Femina for the premiere of the young writer's
poetry.
In 1909, Cocteau met the Russian impresario Sergey Daighilev
who ran the Ballets Russes. Daighilev encouraged Cocteau to
venture into the genre of ballet. The Russian challenged Cocteau
to "Ettonne-moi" (Surprise me). The remark pushed
Cocteau to write the libretto for an exotic ballet called Le
Dieu Bleu. During this time, Cocteau also met composer Igor
Stravinsky who was working on his composition The Rite of Spring.
In the spring of 1914, Cocteau visited Stravinsky in Switzerland.
It was during this visit that Cocteau finished his first book,
Le Potomak.
The First World War broke out in the summer of 1914 and though
Cocteau never served in the military, he did help run an ambulance
service. He acquainted himself with a group of marines. Cocteau
was arrested and returned to civilian life in 1915.
In 1917, he met Pablo Picasso. Cocteau and Picasso went to Rome
where they met up with Diaghilev. At this point, Cocteau helped
prepare the ballet Parade. Picasso designed the sets, Erik Satie
wrote the music, and the ballet was choreographed by Leonide
Massine. The Paris opening in May of that year was a disaster.
A few years later the ballet was successful.
After the war Cocteau continued his association with several
well known artists. He founded a publishing house called Editions
de la Sirene. The company published Cocteau's writings and many
musical scores of Stravinsky, Satie and a group of composers
known as Les Six.
In 1918, Cocteau formed an intimate friendship with a 15 year
old novelist, Raymond Radiguet. Radiguet strongly influenced
Cocteau's art and life. The young writer would die from typhoid
fever in 1923. His death was a severe blow to Cocteau and drove
him to use opium. During Cocteau's recovery from his opium addiction,
the artist created some of his most important works including
the stage play Orphee, the novel, Les Enfants terribles, and
many long poems.
In 1930 Cocteau's first film, Blood of a Poet was released.
The film was a commentary on his own private mythology. Cocteau
designed the work concerning the adventures of a young poet
condemned to walk the halls of the Hotel of Dramatic Follies
for his crime of having brought a statue to life. In the early
1930's, Cocteau wrote what some believe is his greatest play,
La Machine Infernal. The play was a treatment of the Oedipus
theme. Cocteau also wrote La voix humaine(1930, The Human Voice),
Les chevaliers de la table rounde (1937, The Knights of the
Round Table), Les parents terribles (1938, Intimate Relations),
and La machine a ecrire (1941, The Typewriter).
During the next 15 years the artist's work lapsed. One reason
for this is his recurring addiction to opium. His return to
work in the early 1940's was primarily due to the influence
of his close friend, actor Jean Marais.
In 1945, Cocteau directed his adaptation of La Belle et la
Bete (Beauty and the Beast). The film marked a triumphant return
of Cocteau to the screen. Marais starred in the film as the
Beast, Beauty's suitor, and the Prince.
In the late 1940's, Cocteau adapted two of his plays to film;
The Eagle with Two Heads and The Storm Within.
In 1950, Cocteau directed the film Orpheus which again starred
Marais. This time the theme revolves around a poet beset by
artistic and romantic rivals. When his wife dies, Orpheus descends
to Hell to rescue her. In Hell, Orpheus' fate is determined
before a tribunal. Also in 1950, Cocteau used his artists' eye
to decorate the Villa Santo Sospir in Saint-Jean-Cap-Ferrat
and begin a series of graphic works.
In 1954, on the death of his friend Collette, the novelist,
Cocteau took her place in the Belgian Academy. In 1955, he was
elected to the French Academy.
In 1959, Cocteau made his last film as a director, The Testament
of Orpheus. The elaborate home movie stars Cocteau and also
features cameos from many celebrities including Pablo Picasso,
Yul Brynner and Jean-Pierre Leaud.
The artist died of a heart attack at age 74 at his chateau
in Milly-la-Foret, France on October 11, 1963 after hearing
the news of the death of another friend, the singer Edith Piaf.
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