| LLOYD
LOZES GOFF (1908 - 1982)
Like most boys raised in the West, Lloyd Goff's
favorite childhood game was "Playing Cowboy" and his earliest
drawings depict his heroes in boots and spurs. Even his first
formal art training was with the trail-driver cowboy turned
cattle painter, Frank Reaugh of Oak Cliff, Texas. In spite of
a strict regimen of painting and drawing from nature, "the Reaugh
trips," annual sketching and camping jaunts were a delight to
the boy artist.
"It was on one of these trips when, as the
youngest member, I was 'The Kid'" Goff recalls. I was excited
by an overnight stay at the famous 'Four Six Ranch,' the 6666,
on the Texas Plains. The next day our truck and car caravan
crossed into the 'Land of Enchantment' and it was not long until
I fell under the spell of this land and loved it. The ardent
infatuation lives on more than ever!"
Goff enrolled in the Fine Arts Department of
the University of New Mexico after five years as a Schnakenberg
Scholarship Student at the Art Student's League of New York,
studied at the Academie Juliene, Paris, and spent several years
as a Fellow at the Louis Comfort Tiffany Foundation. At the
university, he studied with Kenneth Adams and Raymond Jonson,
and later taught as Assistant Professor of Art. During his second
year of teaching, Goff was Acting Head of the Art Department.
Lloyd Lozes Goff has lived and worked in New
York, London and Albuquerque where his studio is a 200-year
old adobe ranch house. At home in many climates. Goff approaches
landscape with a native's insight, distilling with equal skill
atmospheres as divergent as Europe, Africa and the Americas.
Far from being prosaic recordings, Goff captures both the spirit
and color of many lands.
In his personal philosophy concerning his art,
Goff says, "I practice a free flow of feeling about a subject.
I am trying to produce an atmosphere, a spirit of the theme.
I am not reproducing a scene or object, not copying a subject,
but rather making a new creation . . . using whatever subject
matter as a springboard, not as an end in itself."
NEW YORK ONE-MAN SHOWS
- Artz Gallery, 1957,1959
- Juster Gallery, 1960, '62, '65
- Blondelle Gallery, 1966
- Roko Gallery, 1968
- Roko Gallery, 1971
- Roko Gallery, 1972
- Roko Gallery, 1974
GROUP EXHIBITIONS
- American Academy and Institute of Arts & Letters
- The Whitney Museum of American Art
- The Carnegie Institute "Painting In U.S." Annual Exhibit
- National Academy of Art
- Pennsylvania Academy of Art
- Corcoran Museum, Washington, D.C.
- Dallas Museum of Fine Arts, Dallas, TX.
- Galeria of Arte Mexicano, Mexico, D.F.
- Museum of New Mexico, Santa Fe
- Santa Fe Opera Association, Santa Fe, N.M.
- Lawrence Galleries, Dallas, TX.
- Furman Gallery, Farmington, N.M.
- The New West, Albuquerque, N.M.
- The Lovelace Medical Cent., Albuquerque, N.M.
MURALS
- Helena Rubinstein, Fiffh Avenue Salon, NYC
- Garden Mural, Beau Village Restaurant, Greenwich Village,
NYC
- Home Mural, Judge Lindley Miller Estate. Oyster Bay, NY
- Federal Bldgs. Hollis, OkIa., Cooper, TX
- Home Mural, John Bush, "Sailtops Farm," Rudgwick, England
PERMANENT COLLECTIONS
- Whitney Museum of American Art
- Wadsworth Atheneum, Hartford Museum
- Library of Congress
- West Point Collection
- U.S. Military Academy, Berg Collection
- N.Y. Public Library
- Yale University Music Collection
- American Academy of Arts and Letters
- Syracuse University Collection
- American Academy of Arts and Letters
- University of Vermont
- U.S. Department of the Interior
- Dallas Museum of Fine Arts
- Museo de Belles Artes, Mexico
PRIVATE COLLECTIONS
- Helena Rubinstein
- Betty Parsons
- Stuyvesant Van Veen
- Edith Meiser
- Lucille Ball
- Philip Ober
- William Herz, Jr.
- Vivian Vance
- Paul Cadmus
- Katheryn Hurd
- H.E. Schnakenberg
- Sidney Presberg
Artist's Showroom
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