| Moses
Soyer (1899 - 1974)
Dedicated to art expression
with social-realist themes of the Depression Era in America,
Moses Soyer was born in Czarist Russia in 1899, and was one
of three artistic brothers, the others being Raphael and Isaac.
Raphael Soyer was Moses' identical twin. Later in his career,
Moses Soyer turned to the depiction of female figures, especially
ballet dancers.
The Soyer brothers were raised in an intellectual atmosphere
created by their father, a Hebrew scholar. In 1912, the Soyers
emigrated to the United States and eventually settled in New
York City.
Moses Soyer's artistic studies began in 1916, and included
classes in New York at Cooper Union, the National Academy of
Design, the Educational Alliance, and the Modern School, where
he was influenced by Robert Henri and George Bellows. After
traveling to Europe on a fellowship, Soyer taught at several
schools until The Depression made such teaching positions scarce.
The Depression, in fact, set the mood for most of Soyer's art
expression. The Works Project Administration provided him with
work as well as the fellowship of other artists, but the era
itself provided the social sentiments which permeate most of
Soyer's work. Using some of the techniques of his favorite artists,
such as Van Rijn Rembrandt and Gustave Courbet, he portrayed
his subjects in the perseverance of hard work or in the uncertainty
of unemployment.
As an artist, Soyer was particularly sensitive to the lack
of work during the Depression and to the fact the Works Projects
Administration provided employment for many artists who would
have remained unemployed. He was opposed to landscape painting,
and pursued the opportunity to use art for the purpose of making
realistic social statements about his time.
Together, Moses and his twin worked on some large projects,
such as a mural commissioned by the Works Projects Administration
for the Kingsessing Station Post Office in Philadelphia.
After the Depression, Soyer tended towards ballet subjects,
reminiscent of Degas, yet his work retained his own personal
style of conveying sentimental moods. His paintings remained
popular throughout his life. Soyer died in 1974.
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