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See Candy: Fruit Stripe

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Jonathan Lewis

Jonathan Lewis

$1,800

(1970)

  • Portfolio: See Candy
  • Date: 2001
  • Iris print, signed, titled and dated on verso
  • Edition of 2/20
  • Image Size: 19 x 19 inches
  • Size: 23 x 23 in. (58.42 x 58.42 cm)
  • Frame Size: 23.75 x 23.75 inches

$1,800

Framed

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about See Candy: Fruit Stripe

See Candy was inspired by my immigration to the USA, when an unfamiliarity with American brands turned a simple trip to the grocery store into a voyage of discovery.

The color coded shapes and symbols that I had taken for granted in British supermarkets no longer applied and the experience felt akin to learning a new language. Having experimented with a range of products including cereals, fizzy drinks, and soup, I eventually focused on the candy aisle, which supplied what I deemed to be a quintessentially American aesthetic. The shiny surfaces, energetic colors, and bold typography epitomized the contrast between the culture that I had left behind and the brave new world that lay before me. In this sense the series can be read as a joyful celebration of my assimilation but there’s also a darker commentary embedded in these barcode-like abstractions of diabetes-inducing junk! Add to that a color palette that chimes with distant memories of childhood treats and you have a mix that aspires beyond its personal origins to speak to a culture at large. by Jonathan Lewis. Provenance: Bonni Benrubi Gallery, Inc.

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About The Artist: Jonathan Lewis

I grew up in London but have lived in New Jersey, USA, since 2013. If I had to summarize my work in four words I’d say: computers, distillation, and humour;) Visually I have experimented extensively with the rude effects of pixelation and the noisy distortions of the screen-grab but a quieter thought process lies beneath the surface. Artist friends tease me with the moniker “Mr Pixel” and it’s true that I am slightly...

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About The Medium: Verso

The back of an artwork.

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See Candy: Fruit Stripe

Jonathan Lewis

2001

Framed

See Candy: Fruit Stripe

Jonathan Lewis

2001

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