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Nature Prays Without Words 3 Lithograph | Lebadang (aka Hoi),{{product.type}}

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Nature Prays Without Words 3

Name: Nature Prays Without Words 3 | Lebadang (aka Hoi)
Brand: RoGallery
SKU: 54329

Lebadang (aka Hoi)

$750

Vietnamese (1922–2015)

Date: 1967
Lithograph on Arches, signed and numbered in pencil
Edition of III/CL
Size: 30 x 22 in. (76.2 x 55.88 cm)

$750

Unframed

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Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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about Nature Prays Without Words 3

This evocative Asian art lithograph by Lebadang (aka Hoi) is the third piece in his renowned Nature Prays Without Words series, exploring the silent communion between the natural and spiritual realms through abstract forms and contemplative composition.

The work reflects the artist’s deep connection to Buddhist philosophy and Vietnamese artistic heritage, expressing the ineffable language of nature through masterful printmaking techniques and harmonious visual balance. Created by the acclaimed Vietnamese-French artist whose work bridges Eastern meditation practices with Western modernist aesthetics, this lithograph exemplifies Lebadang’s ability to convey profound spiritual themes through elegant simplicity. A meditative addition for collectors of Asian art, spiritual prints, or abstract artwork seeking museum-quality contemplative pieces.

About The Artist: Lebadang (aka Hoi)

Lebadang was born in Vietnam and emigrated to France in 1939 to study at the Ecole des Beaux-Arts in Toulouse. He had his first one-man show in Paris in 1950 and over the next thirty years gained prominence throughout France and Germany. He came to the attention of Americans in 1966 when the Cincinnati Art Museum hosted the first one-man exhibition of his paintings in the United States. Lebadang fuses the cultural influence of Europe and the...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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