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Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
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Figure in Rotation

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Max Weber

Max Weber

Price on Request

Russian/American (1881–1961)

  • Date: 1915 (cast circa 1950)
  • Bronze Sculpture with painted patina, signature on base
  • Size: 24.5 in. x 7 in. x 6 in. (62.23 cm x 17.78 cm x 15.24 cm)
  • Printer: Roman Bronze Works Foundry Stamp

Price on Request

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about Figure in Rotation

Max Weber was a major proponent of Modernism in his paintings and sculpture.

He explored Cubism, Futurism and Abstraction in his art. "Figure in Rotation" reflects Weber’s firsthand knowledge of the work of Pablo Picasso and Henri Matisse, which he had seen in Paris when he studied there from 1905 to 1908. The nude’s twisted torso and exaggerated, asymmetrical facial features are typical Cubist distortions which also appear in his contemporaneous paintings. The stylized, mask-like face also indicates Weber’s interest at the time in African and Oceanic art. Signature inscribed and Roman Bronze Works Foundry stamp on base.

Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
Figure in Rotation Metal | Max Weber,{{product.type}}
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About The Artist: Max Weber

In a long career covering more than half a century, reflecting various revolutionary art movements of those years, and containing more than its share of adversity, Max Weber produced a body of work that is passionate and articulate, triumphant in its conspicuous excellence. At various times the consensus of art criticism has favored one or another phase of it, but as the totality of his huge output becomes clearer to us, its common...

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About The Medium: Bronze

A brown/orange color alloy metal of copper with up to one-third tin.

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