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Stanley William Hayter, The Aquarius Suite Screenprint - RoGallery

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The Aquarius Suite

Name: The Aquarius Suite
Brand: RoGallery
SKU: 69888

Stanley William Hayter

$3,600

British (1901–1988)

Date: 1970
Four Screenprints, Each signed and numbered in pencil
Edition of 150; XXX
Image Size: 21 x 17 inches
Size: 28 x 23 in. (71.12 x 58.42 cm)

$3,600

Unframed

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RoGallery framing experts will choose the best moulding to match your artwork based on your color selection. If you have custom framing requests contact us.

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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about The Aquarius Suite

A suite of four silkscreens by the master of the famed Atelier 17.

Stanley William Hayter, CBE (December 27, 1901 – May 4, 1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Among the artists, Hayter was credited with influencing were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Jackson Pollock, Mark Rothko, Mauricio Lasansky, K.R.H. Sonderborg, K.P. Brehmer, and Tinca Stegovec.

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About The Artist: Stanley William Hayter

Stanley William Hayter, CBE (December 27, 1901 – May 4, 1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists Hayter was credited with...

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About The Medium: Prints

Unlike paintings or drawings, prints generally exist in multiple examples. They are created by drawing a composition not directly on paper but on another surface, called a matrix, and then, by various techniques, printing that image on paper. Those techniques may involve the use of one or another kind of printing press and ink, or the image may be transferred by pressing the paper by hand onto the ink surface of the matrix and rubbing. Multiple impressions are made by printing new pieces of paper from the matrix in the same way. The total number of impressions an artist decides to make for any one image is called an edition. In modern times each impression in an edition is signed and numbered by the artist, but this is a relatively recent practice becoming more common practice in the 1960s.

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