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Sugar Hill Statesman Lithograph | Al Hirschfeld,{{product.type}}

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Sugar Hill Statesman

Name: Sugar Hill Statesman | Al Hirschfeld
Brand: RoGallery
SKU: 28247

Al Hirschfeld

$750

American (1903–2003)

Date: 1941
Lithograph on hand-made paper, signed in the plate
Edition of 482/1000
Size: 12 x 9.25 in. (30.48 x 23.5 cm)

$750

Unframed

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RoGallery framing experts will choose the best moulding to match your artwork based on your color selection. If you have custom framing requests contact us.

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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about Sugar Hill Statesman

Discover this distinguished American Art lithograph by Al Hirschfeld featuring a portrait of a refined gentleman from Sugar Hill, Harlem’s most prestigious neighborhood.

This sophisticated Caricatures and Portraits print exemplifies Hirschfeld’s mastery of American Art, capturing the dignity and statesmanlike bearing of a Sugar Hill resident with elegant red accents and the artist’s signature expressive linework. The composition honors the legacy of Sugar Hill, where Harlem’s elite established a community of cultural and intellectual achievement during the neighborhood’s renaissance. A refined addition for collectors of American Art, Caricatures, and Portraits seeking works that celebrate African American achievement and Harlem’s distinguished history.

About The Artist: Al Hirschfeld

Al Hirschfeld was born in St. Louis on the first day of summer, 1903. When he was eleven years old, an art teacher informed his mother, "There is nothing more we can teach him in St. Louis." The family moved forthwith to New York. Soon he was enrolled at the Art Student's League. Hirschfeld has never had to convince anyone that he's a genius; it has always been apparent.By the ripe old age of 17, while his contemporaries were learning how to...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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