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Pastoral Landscape with Reclining Odalisque and Fruit

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Benjamin Benno

Benjamin Benno

Price on Request

American (1901–1980)

  • Date: 1930
  • Pastel on Paper, signed lower left
  • Size: 13.5 x 18.5 in. (34.29 x 46.99 cm)
  • Frame Size: 27 x 33 inches

Price on Request

Framed

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about Pastoral Landscape with Reclining Odalisque and Fruit

This reclining nude portrait of a woman on a picnic makes several different art historical references.

The bold, almost neon colors are reminiscent of the tropical paintings rendered by Gauguin at the end of the 19th century. The setting harkens back to "Luncheon in the Grass" by Manetl. And the pose is historically associated with sex workers and the goddess Venus, in paintings like "Olympia" by Manet, "Grande Odalisque" by Inges, and even further back like "Venus of Urbino" by Titian. By the early 1930s he had established a reputation as a member of the international avant-garde and exhibited with the most significant European artists including Paul Klee, Max Ernst, Wassily Kandinsky, Salvador Dalí, Joan Miró, Hans Arp, and Fernand Léger. Pablo Picasso sponsored Benno’s first one-man show in Paris in 1934.

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About The Artist: Benjamin Benno

Born in 1901, Benjamin Greenstein Benno was regarded as an artistic prodigy from a young age. After living in Russia for a short time after the death of his mother in 1905, Benno and his father relocated to New York where he was quickly enrolled in the Ferrer Modern School at the young age of eleven. After studying for several years at the progressive school, Benno moved to Paris in 1926 but returned to New York only a few years later in 1931....

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About The Medium: Pastel

An art medium in the form of a stick, consisting of pure powdered pigment and a binder. The pigments used in pastels are the same as those used to produce all colored art media, including oil paints; the binder is of a neutral hue and low saturation.

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