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Late Afternoon in the Museum of Art lithograph | Howard Hodgkin,{{product.type}}
Late Afternoon in the Museum of Art lithograph | Howard Hodgkin,{{product.type}}
Late Afternoon in the Museum of Art lithograph | Howard Hodgkin,{{product.type}}
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Late Afternoon in the Museum of Art

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Howard Hodgkin

Howard Hodgkin

$4,500

British (1932–2017)

  • Date: 1979
  • Etching, signed, numbered, and dated in crayon
  • Edition of 20/100
  • Size: 29.5 x 39 in. (74.93 x 99.06 cm)
  • Frame Size: 38.5 x 42 inches
  • Printer: Petersburg Press, New York
  • Publisher: Petersburg Press, New York

$4,500

Framed

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about Late Afternoon in the Museum of Art

This etching by Howard Hodgkin is from a set of four, all set in the "Museum of Art".

For this series he changed the plates slightly for each pair. 'Late Afternoon' is paired with his other print 'Early Evening", where Hodgkin adds shadows and blacks out part of the image to add to the illusion of evening.

Late Afternoon in the Museum of Art lithograph | Howard Hodgkin,{{product.type}}
Late Afternoon in the Museum of Art lithograph | Howard Hodgkin,{{product.type}}
Late Afternoon in the Museum of Art lithograph | Howard Hodgkin,{{product.type}}
1 / 3

About The Artist: Howard Hodgkin

Hodgkin was born in 1932 in London and studied at the Camberwell School of Art and Bath Academy of Art from 1949 – 54. His work has been shown around the world and is included in many international museum collections. The only previous retrospective of his work was shown in 1976 at the Museum of Modern Art, Oxford, though major exhibitions of recent works were seen in London at the Whitechapel Art Gallery in 1985 and at the Hayward...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Late Afternoon in the Museum of Art

Howard Hodgkin

1979

Framed

Late Afternoon in the Museum of Art

Howard Hodgkin

1979

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