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II from the Ten Coconut Portfolio Etching | John Chamberlain
II from the Ten Coconut Portfolio Etching | John Chamberlain
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II from the Ten Coconut Portfolio

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John Chamberlain

John Chamberlain

$900

American (1927–2011)

  • Portfolio: Ten Coconuts
  • Date: 1982
  • Etching, signed and numbered in pencil
  • Edition of 12/25
  • Image Size: 7.5 x 8.75 inches
  • Size: 17 x 15 in. (43.18 x 38.1 cm)
  • Printer: Hudson River Editions

$900

Unframed

see framing options

RoGallery framing experts will choose the best moulding to match your artwork based on your color selection.  If you have custom framing requests contact us

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware. 

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Ships Free in US & Canada!

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about II from the Ten Coconut Portfolio

A print from John Chamberlain’s portfolio "Ten Coconuts".

Although known widely for his sculptural work, John Chamberlain was a prolific printmaker.

II from the Ten Coconut Portfolio Etching | John Chamberlain
II from the Ten Coconut Portfolio Etching | John Chamberlain
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About The Artist: John Chamberlain

John Chamberlain was born April 16, 1927, in Rochester, Indiana. He grew up in Chicago and, after serving in the navy from 1943 to 1946, attended the Art Institute of Chicago from 1951 to 1952. At that time, he began making flat, welded sculpture, influenced by the work of David Smith. In 1955 and 1956, Chamberlain studied and taught sculpture at Black Mountain College, near Asheville, North Carolina, where most of his friends were poets, among...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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II from the Ten Coconut Portfolio

John Chamberlain

1982

Unframed

see framing options

II from the Ten Coconut Portfolio

John Chamberlain

1982

Optional Framing Choices

RoGallery framing experts will choose the best moulding to match your artwork based on your color selection.  If you have custom framing requests contact us

$160

Black

$160

White

$160

Light Wood

$160

Gold

$160

Silver

$160

Dark Wood

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware. 

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II from the Ten Coconut Portfolio Etching | John Chamberlain

II from the Ten Coconut Portfolio

John Chamberlain

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