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Horses (Cheveaux) Etching | Lebadang (aka Hoi),{{product.type}}
Horses (Cheveaux) Etching | Lebadang (aka Hoi),{{product.type}}

Horses (Cheveaux)

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Lebadang (aka Hoi)

Lebadang (aka Hoi)

$5,000

Vietnamese (1922–2015)

  • Date: 1968
  • Portfolio of 27 Lithographs, Etchings, and Reliefs on japon nacre paper, 7 rejected sheets and one plate, signed and numbered in pencil
  • Edition of M/M
  • Size: 11 x 15 in. (27.94 x 38.1 cm)
  • Frame Size: Case Size 19 x 17 x 4 inches

$5,000

Framed

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about Horses (Cheveaux)

Horses (Cheveaux) by Hoi Lebadang is a powerful etching that celebrates the dynamic energy and spiritual significance of horses within Asian Art traditions.

This striking work demonstrates Lebadang’s exceptional command of the etching medium, where bold lines and expressive mark-making capture the muscular grace and untamed spirit of these magnificent creatures. The artist’s Vietnamese heritage infuses the composition with cultural symbolism, transforming the horses into emblems of strength, freedom, and natural beauty that resonate across Eastern and Western artistic traditions. An essential acquisition for collectors seeking museum-quality Asian art and those who appreciate the timeless subject of equine imagery rendered with masterful technical skill and cultural depth.

About The Artist: Lebadang (aka Hoi)

Lebadang was born in Vietnam and emigrated to France in 1939 to study at the Ecole des Beaux-Arts in Toulouse. He had his first one-man show in Paris in 1950 and over the next thirty years gained prominence throughout France and Germany. He came to the attention of Americans in 1966 when the Cincinnati Art Museum hosted the first one-man exhibition of his paintings in the United States. Lebadang fuses the cultural influence of Europe and the...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Horses (Cheveaux)

Lebadang (aka Hoi)

1968

Framed

Horses (Cheveaux)

Lebadang (aka Hoi)

1968

Please think of the trees and save to pdf not paper.
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