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Nature Prays without Words IX Lithograph | Lebadang (aka Hoi),{{product.type}}

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Nature Prays without Words IX

Name: Nature Prays Without Words IX | Lebadang (aka Hoi)
Brand: RoGallery
SKU: 38112

Lebadang (aka Hoi)

$750

Vietnamese (1922–2015)

Date: 1967
Lithograph, Signed and Numbered in Pencil
Edition of LXXXVII/CL
Size: 30 x 22 in. (76.2 x 55.88 cm)

$750

Unframed

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Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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about Nature Prays without Words IX

This contemplative Asian art lithograph by Lebadang (aka Hoi) is part of his celebrated Nature Prays Without Words series, exploring the spiritual connection between humanity and the natural world through abstract forms and symbolic imagery.

The composition reflects the artist’s Buddhist philosophy and Vietnamese heritage, translating the silent language of nature into visual poetry through masterful printmaking techniques. Created by the renowned Vietnamese-French artist whose work bridges Eastern spirituality and Western modernism, this lithograph exemplifies Lebadang’s ability to convey profound meaning through elegant simplicity and harmonious composition. A meditative addition for collectors of Asian art, abstract prints, or spiritual artwork seeking museum-quality contemplative pieces.

About The Artist: Lebadang (aka Hoi)

Lebadang was born in Vietnam and emigrated to France in 1939 to study at the Ecole des Beaux-Arts in Toulouse. He had his first one-man show in Paris in 1950 and over the next thirty years gained prominence throughout France and Germany. He came to the attention of Americans in 1966 when the Cincinnati Art Museum hosted the first one-man exhibition of his paintings in the United States. Lebadang fuses the cultural influence of Europe and the...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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