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Untitled - Boat at Docks Etching | Lebadang (aka Hoi),{{product.type}}

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Untitled - Boat at Docks

Name: Untitled - Boat At Docks | Lebadang (aka Hoi)
Brand: RoGallery
SKU: 54757

Lebadang (aka Hoi)

$1,200

Vietnamese (1922–2015)

Lithograph with Intaglio Etching, Signed in pencil
Edition of EA
Size: 30 x 22 in. (76.2 x 55.88 cm)

$1,200

Unframed

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RoGallery framing experts will choose the best moulding to match your artwork based on your color selection. If you have custom framing requests contact us.

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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about Untitled - Boat at Docks

Untitled - Boat at Docks by Hoi Lebadang is a contemplative etching that captures the quiet moment of a boat resting at the docks within Asian Art traditions.

This evocative work demonstrates Lebadang’s refined etching technique and his ability to transform everyday maritime scenes into meditations on stillness, waiting, and the rhythms of life along Vietnamese waterways. The artist’s Vietnamese heritage deeply informs this work with cultural authenticity and reverence for the maritime traditions that shape coastal communities, while his sophisticated use of line and tone creates atmospheric depth that invites viewers into the peaceful solitude of the docked boat. A beautiful piece for collectors who appreciate Asian maritime art and the contemplative exploration of daily life and cultural heritage through contemporary printmaking.

About The Artist: Lebadang (aka Hoi)

Lebadang was born in Vietnam and emigrated to France in 1939 to study at the Ecole des Beaux-Arts in Toulouse. He had his first one-man show in Paris in 1950 and over the next thirty years gained prominence throughout France and Germany. He came to the attention of Americans in 1966 when the Cincinnati Art Museum hosted the first one-man exhibition of his paintings in the United States. Lebadang fuses the cultural influence of Europe and the...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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