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Paris Review Screenprint | Louise Nevelson

Paris Review

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Louise Nevelson

Louise Nevelson

$2,000

Russian/American (1899–1988)

  • Date: circa 1968
  • Screenprint, signed and numbered in pencil
  • Edition of 100
  • Image Size: 28.5 x 21 inches
  • Size: 40 x 26 in. (101.6 x 66.04 cm)

$2,000

Unframed

see framing options

RoGallery framing experts will choose the best moulding to match your artwork based on your color selection.  If you have custom framing requests contact us

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware. 

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Ships Free in US & Canada!

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About The Artist: Louise Nevelson

Born Louise Berliawsky in Kiev, Russia in 1899, she moved as a small child to Rockland, Maine with her family. At age twenty she married Charles Nevelson and moved to New York. She later left her family to pursue her art, heading to Germany to become a student of Hans Hofmann. She also worked as an assistant to Diego Rivera. In the 1940’s, Nevelson began collecting wood objects of all types and putting them together in unusual and...

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About The Medium: Screenprint

A stencil process employing a frame on which silk or synthetic fabric is stretched. Stencils are hand-drawn or hand-cut and placed on the stretched fabric and act as a block out when the ink passes through the screen by means of a squeegee onto the paper, the non-stencil areas create the image. Also known as silkscreen or serigraph.

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Paris Review

Louise Nevelson

circa 1968

Unframed

see framing options

Paris Review

Louise Nevelson

circa 1968

Optional Framing Choices

RoGallery framing experts will choose the best moulding to match your artwork based on your color selection.  If you have custom framing requests contact us

$330

Black

$330

White

$330

Light Wood

$330

Gold

$330

Silver

$330

Dark Wood

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware. 

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Paris Review Screenprint | Louise Nevelson

Paris Review

Louise Nevelson

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