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Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}
Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}
Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}
Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}
Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}
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Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}

Fallacies of Enoch 2

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Malcolm Morley

Malcolm Morley

$1,500

British (1931–2018)

  • Date: 1983-84
  • Aquatint Etching, Signed and numbered in pencil
  • Edition of 43/75
  • Size: 20.5 in. x 30.75 in. (52.07 cm x 78.11 cm)

$1,500

Ships Free in US & Canada!

Have a question about this artwork? Email us.

Ships Free in US & Canada!

Have a question about this artwork? Email us.

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about Fallacies of Enoch 2

Surrealist etching by British-American artist Malcolm Morley.

In the 1980's Morley started to work with subject matter stemming from the Ancient Greeks and classical history. To the right-hand side we see Native American Kachina Dolls, which appear frequently in his work from this time period. 

Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}
Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}
Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}
Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}
Fallacies of Enoch 2 Etching | Malcolm Morley,{{product.type}}
1 / 5

About The Artist: Malcolm Morley

Malcolm Morley (born June 7, 1931) was a British artist who lived primarily in the United States. He was best known as a photorealist. Malcolm Morley was born in London in 1931. His childhood memories of the Blitz would continue to shape his repertoire of motifs: the bombed city, the Royal Navy, a model airplane he played with. After an adolescence spent in the bleak post-war years, during which Morley even had a brief stint in prison for theft,...

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About The Medium: Aquatint

An etching process in which tone is created by treating a plate with fine particles of acid resistant material (like powder resin) and then placing the plate in an acid bath. The acid bites into the plate between the grains of resin and when printed, the mass of tiny spots produces a textured area with tonal effects similar to watercolor wash.

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Fallacies of Enoch 2

Malcolm Morley

1983-84

Fallacies of Enoch 2

Malcolm Morley

1983-84

Please think of the trees and save to pdf not paper.
Phone 800.888.1063 or 718.937.0901

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