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O.V.N.I. No. 4 Oil | Omar Rayo,{{product.type}}
O.V.N.I. No. 4 Oil | Omar Rayo,{{product.type}}
O.V.N.I. No. 4 Oil | Omar Rayo,{{product.type}}
O.V.N.I. No. 4 Oil | Omar Rayo,{{product.type}}
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O.V.N.I. No. 4 Oil | Omar Rayo,{{product.type}}

O.V.N.I. No. 4

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Omar Rayo

Omar Rayo

Price on Request

Colombian (1928–2010)

  • Date: 1967
  • Oil on Canvas, signed, titled and dated verso
  • Size: 26 in. x 26 in. (66.04 cm x 66.04 cm)
  • Frame Size: 27.5 x 27.5 inches

Price on Request

Framed

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about O.V.N.I. No. 4

Omar Rayo's painting is a striking example of the1960s style of Op Art for its deep contrast, use of patterns, and illusory quality.

Rendered with the illusion of a woven textile, the layered rectangles bear black and white stripes that generate movement and add to the immersive quality of the work.

O.V.N.I. No. 4 Oil | Omar Rayo,{{product.type}}
O.V.N.I. No. 4 Oil | Omar Rayo,{{product.type}}
O.V.N.I. No. 4 Oil | Omar Rayo,{{product.type}}
O.V.N.I. No. 4 Oil | Omar Rayo,{{product.type}}
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About The Artist: Omar Rayo

Omar Rayo was an artist involved in various types of artwork, such as painting, sculpture, plastic, and caricature. He was best known for using Abstract Geometry as his style. Rayo was one of the foremost pioneers of Op Art. He studied drawing at Academie Zier of Buenos Aires. He was the winner of the 1970 Salon de Artistas Colombianos. His particular focus was Op Art, also known as Optical Art, a style that employs optical illusions that...

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About The Medium: Oil

Process of painting with pigments with a medium of drying oil as the binder. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, and safflower oil.

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O.V.N.I. No. 4 Oil | Omar Rayo,{{product.type}}

O.V.N.I. No. 4

Omar Rayo

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