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Omar Rayo, O.V.N.I. No. 4 Oil - RoGallery
Omar Rayo, O.V.N.I. No. 4 Oil - RoGallery
Omar Rayo, O.V.N.I. No. 4 Oil - RoGallery
Omar Rayo, O.V.N.I. No. 4 Oil - RoGallery
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Omar Rayo, O.V.N.I. No. 4 Oil - RoGallery

O.V.N.I. No. 4

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Omar Rayo

Omar Rayo

$45,000

Colombian (1928–2010)

  • Date: 1967
  • Oil on Canvas, signed, titled and dated verso
  • Size: 26 in. x 26 in. (66.04 cm x 66.04 cm)
  • Frame Size: 27.5 x 27.5 inches

$45,000

Framed

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about O.V.N.I. No. 4

Omar Rayo's painting is a striking example of the1960s style of Op Art for its deep contrast, use of patterns, and illusory quality.

Rendered with the illusion of a woven textile, the layered rectangles bear black and white stripes that generate movement and add to the immersive quality of the work.

Omar Rayo, O.V.N.I. No. 4 Oil - RoGallery
Omar Rayo, O.V.N.I. No. 4 Oil - RoGallery
Omar Rayo, O.V.N.I. No. 4 Oil - RoGallery
Omar Rayo, O.V.N.I. No. 4 Oil - RoGallery
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About The Artist: Omar Rayo

Painter, caricaturist, engraver and Colombian designer ascribed to the movement Op Art. In their works he believes lines and angles that form big abysses. He studied drawing for correspondence in the Academy Zier of Buenos Aires. In a tour for Colombia and Latin America recognized in the primitivism an authentic expression form. One of their most celebrated exhibitions is the one carried out in the National Room of the Museum of the Palace of...

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About The Medium: Oil

Process of painting with pigments with a medium of drying oil as the binder. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, and safflower oil.

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O.V.N.I. No. 4

Omar Rayo

1967

Framed

O.V.N.I. No. 4

Omar Rayo

1967

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Omar Rayo, O.V.N.I. No. 4 Oil - RoGallery

O.V.N.I. No. 4

Omar Rayo

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