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Chevalier Picador dans l’Arene Lithograph | Pablo Picasso

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Chevalier Picador dans l’Arene

Name: Chevalier Picador Dans L’Arene | Pablo Picasso
Brand: RoGallery
SKU: 22589

Pablo Picasso (After)

Pablo Picasso

$600

Spanish (1881–1973)

Portfolio: Marina Picasso Estate Poster Collection
Date: of Original: 1951 | Year Printed: 1979-1982
Lithograph
Edition of 1000
Size: 22 in. x 29 in. (55.88 cm x 73.66 cm)
Printer: Laurent Marcel Salinas (Chromist)
Publisher: Jackie Fine Arts in conjunction with Marina Picasso
Reference: 9-k

$600

Unframed

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Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Chevalier Picador dans l’Arene

In this Cubist, minimalist rendering of a traditional Spanish bullfight, Pablo Picasso depicts a picador, matador, and bull inside of the fighting ring at a crowded stadium.

Preparing to lance the shoulder of the bull, the picador lunges in the center of the composition. Beside him, the matador stares at the bull and the bull stares vacantly in the direction of both men. Estate of Picasso, (Marina Picasso) pencil signature and embossed blindstamp lower right. Ink stamp verso 'Approved by the heirs of Pablo Picasso'.

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About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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