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Le Chapeau de Paille au Feuilage Bleu Lithograph | Pablo Picasso,{{product.type}}

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Le Chapeau de Paille au Feuilage Bleu

Name: Le Chapeau de Paille au Feuilage Bleu
Brand: RoGallery
SKU: 57010

Pablo Picasso (After)

Pablo Picasso

$450

Spanish (1881–1973)

Date: 1980
Lithograph on Arches
Edition of 5000
Image Size: 22 x 16.5 inches
Size: 30 x 20.5 in. (76.2 x 52.07 cm)
Printer: I.M.L., Paris
Publisher: Editions de la Reunion des Musees Nationaux a Paris for the World Treasure Society, Vermont, USA Copyright: S.P.A.D.E.M. Vaga, New York 1980

$450

Unframed

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RoGallery framing experts will choose the best moulding to match your artwork based on your color selection. If you have custom framing requests contact us.

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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Have a question about this artwork? Email us.

Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Le Chapeau de Paille au Feuilage Bleu

Wearing a straw hat with leaves pinned to it, the woman in this portrait by Pablo Picasso is nearly unidentifable as a human due to the artist's drastic manipulation of her face and shoulders.

With eyes suspended on either side of the drooping face, the portrayal is entirely dependent on the imagined perspective of the artist.

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About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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