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Minotaure aveugle Guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée Etching | Pablo Picasso,{{product.type}}
Minotaure aveugle Guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée Etching | Pablo Picasso,{{product.type}}
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Minotaure aveugle Guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée

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Pablo Picasso

Pablo Picasso

Price on Request

Spanish (1881–1973)

  • Portfolio: La Suite Vollard
  • Date: 1934
  • Aquatint, Grattoir, Drypoint and Burin on Vollard watermarked Montval laid paper, signed in pencil
  • Edition of 260
  • Image Size: 9.75 x 13.75 inches
  • Size: 13.25 x 17.5 in. (33.66 x 44.45 cm)
  • Frame Size: 25 x 28.5 inches
  • Printer: Roger Lacourière
  • Publisher: Ambrose Vollard, 1939
  • Reference: Bloch 225; Baer 437

Price on Request

Framed

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about Minotaure aveugle Guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée

A fine impression of this scarce, hand-signed Pablo Picasso (Spanish, 1881-1973) etching from the Vollard Suite.

Guided by his former muse and lover Marie-Therese, the blind minotaur is led through the starry night in this Cubist work by Pablo Picasso. The masterful use of shading creates depth, the figures and space appear three dimensional.

Minotaure aveugle Guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée Etching | Pablo Picasso,{{product.type}}
Minotaure aveugle Guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée Etching | Pablo Picasso,{{product.type}}
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About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Aquatint

An etching process in which tone is created by treating a plate with fine particles of acid resistant material (like powder resin) and then placing the plate in an acid bath. The acid bites into the plate between the grains of resin and when printed, the mass of tiny spots produces a textured area with tonal effects similar to watercolor wash.

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