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Nature Morte a la Tete Chevre, Bouteille Lithograph | Pablo Picasso,{{product.type}}

Cubism > Print > Pablo Picasso

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Nature Morte a la Tete Chevre, Bouteille

Name: Nature Morte a la Tete Chevre, Bouteille
Brand: RoGallery
SKU: 14564

Pablo Picasso (After)

Pablo Picasso

$750

Spanish (1881–1973)

Portfolio: Marina Picasso Estate Lithograph Collection
Date: of Original: 1952 | Year Printed: 1979-1982
Lithograph
Edition of 1000
Size: 22 in. x 29 in. (55.88 cm x 73.66 cm)
Printer: Laurent Marcel Salinas (Chromist)
Publisher: Estate of Picasso (Marina Picasso)
Reference: 26-7-k

$750

Unframed

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Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Nature Morte a la Tete Chevre, Bouteille

Arranged alongside one another, the goat skull accompanied by the glass bottle are rendered in a geometric fashion that is reminiscent of Pablo Picasso's other Cubist work.

Devoid of color, the angular composition appears fragmented due to the artist's reduction of forms into basic rectangular and triangular shapes. Estate of Picasso, (Marina Picasso) pencil signature and embossed blindstamp lower right. Ink stamp verso 'Approved by the heirs of Pablo Picasso'.

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About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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