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Nature Morte au Gueridon et a l’Assiette Lithograph | Pablo Picasso,{{product.type}}

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Nature Morte au Gueridon et a l’Assiette

Name: Nature Morte Au Gueridon Et A L’Assiette | Pablo Picasso
Brand: RoGallery
SKU: 1277

Pablo Picasso (After)

Pablo Picasso

$4,250

Spanish (1881–1973)

Date: of Original: 1920 | Year Printed: 1979-1982
Lithograph on Arches
Edition of 500, 34 AP's
Image Size: 23.5 x 17.5 inches
Size: 29 in. x 22 in. (73.66 cm x 55.88 cm)
Printer: Laurent Marcel Salinas (Chromist)
Publisher: Estate of Picasso (Marina Picasso) in conjunction with Jackie Fine Arts
Reference: 11-B

$4,250

Unframed

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RoGallery framing experts will choose the best moulding to match your artwork based on your color selection. If you have custom framing requests contact us.

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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Have a question about this artwork? Email us.

Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Nature Morte au Gueridon et a l’Assiette

This layered composition of geometric and organic shapes is an abstracted rendering of a still-life featuring a pedestal and a plate.

Estate of Picasso, (Marina Picasso) pencil signature and embossed blindstamp lower right. Ink stamp verso 'Approved by the heirs of Pablo Picasso'.

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About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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