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Nu Couché à l'Oiseau

Name: Nu Couché à l’Oiseau
Brand: RoGallery
SKU: 3334

Pablo Picasso (After)

Pablo Picasso

$750

Spanish (1881–1973)

Portfolio: Marina Picasso Estate Lithograph Collection
Date: of Original: 1968 | Year Printed: 1979-1982
Lithograph
Edition of 1000
Size: 22 in. x 29 in. (55.88 cm x 73.66 cm)
Printer: Laurent Marcel Salinas (Chromist)
Publisher: Estate of Picasso (Marina Picasso)
Reference: 28-4-k

$750

Unframed

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RoGallery framing experts will choose the best moulding to match your artwork based on your color selection. If you have custom framing requests contact us.

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

Ships Free in US & Canada!

Have a question about this artwork? Email us.

Ships Free in US & Canada!

Have a question about this artwork? Email us.

about Nu Couché à l'Oiseau

Laying on her stomach, the nude model crosses her feet in the air while she rests her head against her hand.

Rendered in bursts of color that evoke liveliness, Pablo Picasso's nude woman is full of energy as she relaxes outside underneath a bright blue sky. With Estate-approved Picasso signature printed below image. It also has in typeset under image, 'Collection Marina Picasso' and the copyright info in typeset right of image.

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About The Artist: Pablo Picasso

Pablo Picasso was born on October 25, 1881 in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats about 1899 were crucial to his early artistic development. In 1900,...

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About The Medium: Lithograph

A print created using flat stones or metal plates. The artist creates a lithograph by drawing an image directly onto the printing element using materials like lithograph crayons or special grease pencils. After this, the drawing is transferred from the plate to the paper in multiples. A lithograph will not have dots when examined with a magnifying glass.

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