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Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
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Pleasure Island

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Patrick Hughes

Patrick Hughes

Price on Request

British (1939)

  • Date: 1999
  • Oil on Board 3-D Construction, signed and dated, verso
  • Size: 38 in. x 72 in. x 8 in. (96.52 cm x 182.88 cm x 20.32 cm)

Price on Request

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about Pleasure Island

Patrick Hughes's illusory depiction of Treasure Island draws heavily from his creation of reverspective, in which the parts of the picture which seem farthest away are actually physically the nearest

Patrick Hughes's illusory depiction of Treasure Island draws heavily from his creation of reverspective, in which the parts of the picture which seem farthest away are actually physically the nearest

Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
Pleasure Island Oil | Patrick Hughes,{{product.type}}
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About The Artist: Patrick Hughes

Patrick Hughes (born 20 October 1939) is British artist working in London. He is the creator of "reverspective", an optical illusion on a 3-dimensional surface where the parts of the picture which seem farthest away are actually physically the nearest. Patrick Hughes was born in Birmingham, went to school in Hull and enrolled at the James Graham Day College in Leeds in 1959. Later he taught at the Leeds College of Art before becoming an...

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About The Medium: Oil

Process of painting with pigments with a medium of drying oil as the binder. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, and safflower oil.

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