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Leda and Swan - 12 Etching | Reuben Nakian,{{product.type}}

Leda and Swan - 12

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Reuben Nakian

Reuben Nakian

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American (1897–1986)

  • Date: circa 1979
  • Etching and Chine Colle, signed and numbered in pencil
  • Edition of 2/100
  • Size: 19.5 x 23 in. (49.53 x 58.42 cm)
  • Frame Size: 32 x 35.5 inches
  • Publisher: HMK Fine Art

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about Leda and Swan - 12

"Leda and Swan - 12" by Reuben Nakian captures the passionate intensity of Greek mythology through masterful Abstract Expressionist etching techniques that showcase the artist’s emotional depth and gestural brilliance.

This compelling artwork transforms the classical tale of Zeus and Leda into a powerful contemporary statement, rendered with Nakian’s characteristic bold linework and expressive freedom. The artist’s sophisticated printmaking approach conveys both the sensuality and mythological significance of this timeless narrative, creating a composition that bridges ancient themes with modern artistic innovation. A magnificent example of how Abstract Expressionist techniques can honor classical traditions while creating entirely new forms of visual expression.

About The Artist: Reuben Nakian

Born in College Point, New York, he studied at the Robert Henri School with Homer Boss and A.S. Baylinson. He also studied at the Art Students League and from 1917 to 1920, apprenticed to Paul Manship and Gaston Lachaise. He was inspired by the myths of ancient Greece and Rome. He taught sculpture at the Newark Fine Arts and Industrial Arts College and at Pratt Institute in New York City. Reuben Nakian was a giant of twentieth-century modernist...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Leda and Swan - 12

Reuben Nakian

circa 1979

Framed

Leda and Swan - 12

Reuben Nakian

circa 1979

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