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General Electric Building Etching | Richard Haas,{{product.type}}

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General Electric Building

Name: General Electric Building | Richard Haas
Brand: RoGallery
SKU: 55045

Richard Haas

$900

American (1936)

Date: 2005
Etching, signed and numbered in pencil
Edition of 20
Image Size: 20 x 16 inches
Size: 26 x 21 in. (66.04 x 53.34 cm)

$900

Unframed

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RoGallery framing experts will choose the best moulding to match your artwork based on your color selection. If you have custom framing requests contact us.

Framing includes: High Quality Wood Mouldings, Acid-free Materials (hinge tape, matting, and backing), plexiglass, and hanging hardware.

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about General Electric Building

This photorealist etching by Richard Haas depicts the General Electric Building in New York City with extraordinary architectural detail and Art Deco precision.

Haas’s work in the photorealism movement captures the soaring elegance and ornate crown of this iconic NYC skyscraper through meticulous rendering of decorative facades and structural elements. The print demonstrates the artist’s mastery in documenting urban architecture, celebrating the timeless beauty and design excellence of one of Manhattan’s most beloved Art Deco landmarks.

About The Artist: Richard Haas

Richard Haas was born in 1936 in Spring Green, Wisconsin. His father had a business in this picturesque valley which was also the home of Frank Lloyd Wright. Richard's earliest influences and exposure to the arts was through the Taliesen Foundation which he visited and worked at as a teenager with his Uncle who was a stonemason for Mr. Wright. Richard moved to Milwaukee and ultimately attended the University of Wisconsin, Milwaukee receiving his...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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