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Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery
Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery
Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery
Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery
Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery
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Untitled (IX) from Hom'mere V - Nous

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Roberto Matta

Roberto Matta

$4,500

Chilean (1911–2002)

  • Date: 1985
  • Etching with Hand-Coloring, signed in pencil
  • Edition of Essai
  • Image Size: 19 x 15 inches
  • Size: 26 x 20 in. (66.04 x 50.8 cm)
  • Frame Size: 32.5 x 26.5 inches

$4,500

Framed

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Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery
Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery
Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery
Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery
Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery
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About The Artist: Roberto Matta

Roberto Antonio Sebastián Matta Echaurren was born on November 11, 1911 in Santiago, Chile. Roberto Matta was educated in his native country as an architect and interior designer at the Sacré Coeur Jesuit College and at the Catholic University of Santiago, from 1929-31. In 1933 he became a Merchant Marine which enabled him to leave Santiago and travel to Europe. From 1933-34 he worked in Paris as an atelier for famed-architect...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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Untitled (IX) from Hom’mere V - Nous

Roberto Matta

1985

Framed

Untitled (IX) from Hom’mere V - Nous

Roberto Matta

1985

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Roberto Matta, Untitled (IX) from Hom’mere V - Nous Etching - RoGallery

Untitled (IX) from Hom’mere V - Nous

Roberto Matta

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