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The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
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The Tempered Portfolio

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William Fares

William Fares

$2,200

American (1942)

  • Date: 1979
  • Five Etchings in Folio, Each Signed and Numbered in Pencil
  • Edition of 4/35
  • Size: 21 x 27 in. (53.34 x 68.58 cm)

$2,200

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The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
The Tempered Portfolio Etching | William Fares,{{product.type}}
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About The Artist: William Fares

Education: BFA; MFA: San Francisco Art Institute Selected Group Exhibitions: 1984 Jersey City Museum, Jersey City, NJ 1979 Jefferson County Historical Society, Watertown, NY; Virginia Museum Of Fine Arts, Richmond, VA; Texas Gallery, Houston, TX 1978-80 Smithsonian Institution Traveling Exhibition Service, United States and Europe 1978 Stamford Museum, Stamford, CT; Mill Gallery, Guilford, CT 1977 University Galleries Traveling Exhibition...

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About The Medium: Etching

The printing process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In traditional pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where they want a line to appear in the finished piece, exposing the bare metal. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the etched lines, making a print.

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The Tempered Portfolio

William Fares

1979

The Tempered Portfolio

William Fares

1979

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William Fares

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